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The story of an extraordinary experiment in communal living, one involving young but already iconic writers--and the country's best-known burlesque performer--in a house in Brooklyn during 1940 and 1941. It was a fevered yearlong party fueled by the appetites of youth and by the shared sense of urgency to take action as artists in the months before America entered the war. In spite of the sheer intensity, the house was for its residents a creative crucible. Carson McCullers's two masterpieces, The Member of the Wedding and The Ballad of the Sad Cafe, were born here. Gypsy Rose Lee, workmanlike by day, party girl by night, wrote her book The G-String Murders in her bedroom. W. H. Auden, who along with Benjamin Britten was being excoriated at home in England for absenting himself from the war, presided over the house like a peevish auntie, collecting rent money and dispensing romantic advice. And yet all the while he was composing some of the most important work of his career.… (more)
User reviews
Auden is clearly the hero of this book. We spend a lot of time
As is so often the case, this book proves that the private lives of authors, while they may be fasinating in a check-out-line gossip sheet sort of way, can make readers wonder how on earth they managed to write so well...or at all.
Also a lot of stuff about expat Brits trying to figure out what, as artists, they should do about the war, and attitudes about them in the UK.
I've read a biography of McCullers, and Gypsy's memoir, but know almost nothing about Auden except that he was a gay poet, and there's a lot about his philosophical brooding about war, his romance with Chester Kallman, and other fascinating stuff. Ditto Paul and Jane Bowles, and now I'd like to find out more about them and read Two Serious Ladies.