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A century after the macabre deaths of several students at a New England girls' boarding school, the release of a sensational book on the school's history inspires a horror film adaptation that renews suspicions of a curse when the cast and crew arrive at the long-abandoned building. 1902, the Brookhants School for Girls. Flo and Clara are obsessed with each other and with Mary MacLane, the author of a scandalous bestselling memoir. The girls establish their own private club and call it the Plain Bad Heroine Society. Their bodies are discovered in a nearby apple orchard, with a copy of Mary's book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. within five years three more people die on the property-- and the Brookhants School for Girls closes its doors forever. The now abandoned and crumbling Brookhants is back in the news when writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the "haunted and cursed" Gilded Age institution. Her book inspires a controversial horror film adaptation starring lesbian it girl Harper Harper playing the ill-fated heroine Flo, and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again for filming, soon it's impossible to tell where the curse leaves off and Hollywood begins. -- adapted from jacket… (more)
User reviews
Absolutely fantastic -- this book has big NIGHT FILM energy but also weaves in a time-hopping story that never drags, never feels too long even at just-over-600 pages, and genuinely packs a spooky punch to boot. The book feels vivid and fresh and like it blurs the lines between reality
Fucking great stuff.
But really I’m not finishing because I just don’t care. The 1902 story seemed interesting but then we switch to present day where I don’t really like any of the women or the people around them. I think listening to four hours of audio is enough that I’m good without needing to hear the next sixteen. Maybe one day I’ll come back to the book when I have more effs to give, but I’m too old to deal with meh books in my life.
Thanks to the author, Harper Collins and Edelweiss Plus for a pre-published ARC in exchange for an unbiased review.
The story is told in an interesting way as you are being
I always have to give myself a pep talk when tackling a book that has more than 400 pages. It's a bit of a time commitment, and the older I get, the more I value my time. Pretty soon after I started reading this book, I thought this might be an unusual but cool reading experience with the clever writing, random footnotes, and occasional illustrations. And for the most part that turned out to be true but I just don't feel like I got as much as I wanted to out of this book.
At the 100 page mark, then the 200, and even at 300, I kept wondering why it felt like the story hadn't progressed all that much. It was this strange combination of being interesting and yet boring at the same time. I think part of the problem was too much witty commentary that really wasn't necessarily even if it was amusing at times. And while things get moving more in the last third of the book, by that time I was mentally checked out.
For me this was more of a creepy read rather than a sleep with the lights on type horror book. Despite some of my issues with the execution, I in no way regret reading it. I appreciate the author's creativity and how she was able to build a story around the real life memoir by Mary MacLane. That memoir was published in the early 1900s and was considered controversial due to the feminist ideas and Sapphic love themes in the book.
For me, the most difficult thing about this book was just getting through it. I SO badly wanted to like it. I was expecting... a gothic, dark, weird tale about a girls boarding school that may be cursed. A sapphic
And... it just really wasn't that for me.
For me, it was a story about a modern set of people, including a celebrity and a want-to-be celebrity and a writer... who are trying to emulate what could have been an interesting gothic tale, which almost seemed more an exercise in character-building (though one that was fairly well executed -- each character had their own personality, which is NOT something that all authors excel at)... and the gothic tale itself, which *was* atmospheric, but was lost in the weird over-characterization of its peoples. I wanted more weird, more dark, more atmosphere, and just kept getting more YA-angsty-love stuff, with a little angsty-adult love stuff thrown in. And a little weird.
And it was well-written! So well written. She's a beautiful *writer*... but maybe not the best teller. The story-telling was overshadowed.
I couldn't finish. I made it to around page 250 and decided to give it a pause. I described it to some friends and one wanted to read it badly.... so I lent it to her. If she tells me to try again, I will. For now, though, it has fallen onto the DNF pile. A couple stars for the good writing, the loss of stars for the loss of story.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars, though I'm rounding to 4 here on Goodreads.
A big thanks to HarperCollins and William Morrow for my copy!
This is a very meta novel -it's about three women involved in the production of a movie surrounding a supposedly haunted Rhode Island boarding school, a movie that ends up also being about making said
This a 600 pager brick of a book, and an uneven one at that. Plain Bad Heroines is advertised as a horror novel, and while there are some wonderfully creepy moments (with lots of yellow jackets, playing into my own personal phobia), this is more about the erasure of women, particularly queer women, from history and the cultural zeitgeist. Consequently, this is a very queer, very woman focused novel, with almost main character being a queer woman.
The story is told by a third person omniscient narrator, with lots of cheeky asides, footnotes, and fourth wall breaking that leads the reader to anticipate a reveal that never seems to come. When the denouement comes, there is just a lot of albeit well-written infodump that seems to be missing some of the buildup.
A review copy was provided through the LIbraryThing EarlyReviewers program.
Danforth's novel is set partly in this period, and partly in the
It's a good concept, with past and present entangling and overlapping, and Danforth is a good writer, but, boy, did she need an editor! The book is way too long. It started well, but the last part feels very rushed and doesn't hang together. The "solution" is completely illogical and feels pulled out of nowhere. I wish I could have recommended this book, but I really can't.
This was such a unique read!
The best part of this book was definitely the overall vibe and aesthetic. It had a slightly creepy and gothic feel that ran throughout the entire book, even the
The structure of the book was very clever. The story within a story element was well done and very engaging. I also liked the footnotes. They were very entertaining and added even more humor to the story.
The story started out very strong, but I was a little disappointed at the end. It didn’t live up to my expectations. I was expecting more of a big reveal or an “a-ha” moment. There are still some things that I am a little confused on.
This book is classified by horror, but many other reviewers say they find it to be very light on horror. I agree with that and I would say that it is more of a gothic horror. The horror is more of a gothic creepiness than any sort of gore or violence.
The book also has illustrations throughout the book which I found to be a nice touch. There is even a map of the school which made navigating the story easy.
Overall, I enjoyed the aesthetic of this book the most. I recommend it if you’re looking for something a little different to read.
So I had high expectations for this book. I started it just after Halloween thinking it would be the perfect creepy, atmospheric novel, but it really fell flat for me. It starts off well. The story is told in two time frames. The first is in 1902 at an all girls school in a remote location
However, the story is over 600 pages long, which may not be a bad thing, but it is when the dialogue just rambles on and on. It was way too wordy and I felt bored at the actresses conversations that never seemed to say anything meaningful.
Parts of the story were great, but I was disappointed by the ending. I thought there would be a strong closure of the book. Both storylines just fizzled out. Its a few days after I read the story and I can't even remember how the storyline for present day ended. It was that uninspiring for me.
I received a complimentary book as part of the Librarything Early Reviewers.
Honest confession. This just was not the book for me. Maybe I don't need to justify why I didn't like a book, sometimes some books just don't click right with some readers. But, as a reviewer, I think
For me to enjoy or like a book, I need any one or all of the following to work for me:
Story - What on earth was it all about? I honestly couldn't understand the plot the author was trying to tell. The plot was all over the place and I as a reader felt like going in unnecessary circles, more than once. And, I, for one am not a big fan of being taken for rides.
Characters - The less I talk about the characters, the better it will be. No depth to them. Not even Elaine. I had high hopes for Elaine but her character was the most disappointing to me. Very anticlimactic.
Writing - I don't mind whimsical, poetic writing, though I don't actively seek it. I get bored easily by such writing. But my biases aside, it was not the whimsical writing that got to me. It was the neurotic ramblings of the characters that irked me. There were many times when I wondered whatever is the point of this line, sentence, paragraph, or even page? A sample of what I am talking about:
People would want to visibly wince or laugh or both if she told them, but they couldn't: they'd be monsters if they did. So then that would leave them looking at her in that icky, steady-faced, not-laughing-but-yes-judging limbo, asking themselves why on earth she would share with them such an upsetting detail. And what are they supposed to do with it?
When I picked this book up, I assumed I am getting into a mystery read. But, this was more literary fiction than mystery. So it's obvious that my opinions were formed basis my warped expectations than from the book per se.
Despite the book being too big for the subject matter and despite the writing being of a rambling nature. I still immensely enjoyed some parts of that very same writing. Her descriptions were spot on and her pop culture references were great, though numerous. As a non-American, I had to google to know more about many of those references and to understand the context in which they were used.
For example: The acronym WASP (hint: I had to google it).
Some of these references were quite funny, for example:
"A Bollywood star attempting to break into the American market".
I legit laughed at that reference, also, it was one of the few that I did understand.
In short, this book is for people who know their pop culture references, who like literary fiction, and who need some sapphic content.
RRKReads rating: Freebie grade, book worth reading if you receive it as a giveaway, freebie, or gift.
I had to sleep on this one before I wrote a review. It's safe to say that I absolutely loved 85% of this book. Once I picked it up, I couldn't put it down. I truly loved ALL the characters in both timelines. I loved the sapphic joy (and sapphic longing) and I loved how drenched in tension
What I didn't love was how most of the storylines wrapped up. It seems almost absurd to say a 600+ page book rushed the ending, but that is truly how it felt. The last 50-60 pages felt like a slightly messy info dump (with time jumps) just to wrap up everything we just spend hundreds of pages building up to.
The publisher probably wouldn't agree, but I would have happily read another 200 pages for this to feel complete.
There was one part that gave
It was just too long in the end. Had it been 300 pages, I think it would have more readership and be received better.
It got mixed reviews in the book group, but some folks REALLY liked it, so if it sounds good to you, give it a try.