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Fiction. Literature. HTML: Hannah Payne's life has been devoted to church and family, but after her arrest, she awakens to a nightmare: she is lying on a table in a bare room, covered only by a paper gown, with cameras broadcasting her every move to millions at home, for whom observing new Chromes�criminals whose skin color has been genetically altered to match the class of their crime�is a new and sinister form of entertainment. Hannah is a Red; her crime is murder. The victim, according to the State of Texas, was her unborn child, and Hannah is determined to protect the identity of the father, a public figure with whom she's shared a fierce and forbidden love. When She Woke is a fable about a stigmatized woman struggling to navigate an America of a not-too-distant future�where the line between church and state has been eradicated and convicted felons are no longer imprisoned and rehabilitated but chromed and released back into the population to survive as best they can. In seeking a path to safety in an alien and hostile world, Hannah unknowingly embarks on a path of self-discovery that forces her to question the values she once held true and the righteousness of a country that politicizes faith..… (more)
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Jordan has created a world in the not too distant future and takes on the possibilities based on today’s headlines. As the story opens, with a nod to Nathaniel Hawthorne, Hannah Payne wakes up in the Chrome ward, where she finds her skin is bright, deep red. Her sentence for having an abortion is 30 days in the ward and the next 15 years as a pariah outside of prison where everyone will know her crime just by looking at her skin.
The novel traces how she got to this point and where she will go from here in this chilling world that, unfortunately, is not that far-fetched. That’s what’s so terrifying about the narrative and Jordan’s stunning prose is the perfect vehicle for its dissemination. Hannah is lead through a modern day underground railroad, as she fights to get free from the powers that have turned our world upside down.
Harrowing, thought-provoking, unsettling, riveting and a compelling page-turner, When She Woke cements Hillary Jordan’s reputation as a writer who is not afraid to confront the issues that will make readers squirm. Very highly recommended.
I have a confession to make.
I am one of those English majors who hates Nathaniel Hawthorne. And I do not use that word lightly. His "introduction" to [The Scarlet Letter] is one of the few pieces of writing I have actually considered ripping into shreds for the
But my reason for really not enjoying [The Scarlet Letter] was the writing style, not the story itself. I was always intrigued by the story, but couldn't get into it because of the way Hawthorne wrote it.
So I was thrilled to hear about [When She Woke], a modern dystopian take on [The Scarlet Letter]. And what I had suspected all along was true-when put in the hands of a writer whose style I enjoyed much more, the story of a woman whose adulterous affair and the resulting pregnancy shed light not only on herself, but on the society around her, became one I could not put down.
The premise of this story is fascinating. In a seemingly utopian society, those who commit crimes (or rather what society deems crimes), become Chromes. Their entire body is colored by a pigment relating to their crime, and thus their physical appearance tells all those around them the story of their socially-deemed sin.
The protagonist of the story, Hannah, a girl who grew up going to church and sewing wedding dresses for other girls, wakes up on the first page of the story as a Red. Instead of destroying her life as society plans, living her life as a Chrome forces Hannah not only to reexamine herself, but the society she has always believed in without question.
Review: The reason this book is getting so many stars from me is not because it was an enjoyable read. Far from it, in fact - I had a really hard time listening to it, often having to turn it off after only a half an hour because it was making me anxious, claustrophobic, and upset. I have a hard time with characters I care about in horrible situations that they're powerless to escape, and that's exactly what a lot of this book is. Jordan's very good at ratcheting up the tension even in scenes that should be relatively benign, and it really hit me on a very visceral level. I think I was also upset by how easily I could imagine our world becoming that world; I know that there are a not-insignificant number of people in this country that would think the world of When She Woke is not a dystopia at all.
So, was this book enjoyable? No. Was it effective? Hell yes. And I think that for an author to be able to elicit that level of reaction from me, without stepping over the line where I give it up entirely (see: Blindness), is a masterful balancing act. I was impressed when I read Jordan's first book, Mudbound, at how much power she could pack into her prose, and the same is absolutely true in When She Woke; each word is clearly very carefully chosen, and even the simplest of them could have a devastating effect.
I also thought her world-building was superb; I particularly liked how she incorporated small details about the wider world: plausible extrapolations about the future world, in context, and as supporting details, while keeping the focus on Hannah and her struggles. And while it's been at least a decade since I've read The Scarlet Letter, so I can't do a direct comparison, I thought her use of the various story elements was quite clever, and also used in the service of an extremely compelling story. 4.5 out of 5 stars.
Recommendation: Fans of dystopian novels should definitely check this one out, but I also think this would appeal to readers who wouldn't touch most sci-fi with a ten-foot-pole. It's got the same powerful prose and discomfiting story as Mudbound... it's just looking into the near future instead of the recent past.
That said, it was a good read. It's not at all escapist reading, but it's worth a read, and hopefully it will make you think as much as I've thought about it since finishing it.
When I finished part one, I was nervous. I thought the main character’s name, Hannah Payne, a bit too obvious parallel to Hester Prynne, but I liked Reverend Aidan Dale's name. I hoped the name Pearl would not pop up, but when it appeared, I realized the single use of “Pearl” represented a turning point in Hannah’s life. All my trepidations about the parallels with Hawthorne melted away.
My list of dystopian novels I really admire runs pretty thin: Handmaid's Tale is the gold standard. Atwood really gets into Offred's mind. McCarthy’s The Road is a close second. Updike's version of The Scarlet Letter in three parts represents a rare “retelling” of a classic I love and admire. But, as I approached the final chapter of When She Woke, I knew Jordan measured up to these standards. I could hardly put it down.
Hannah Payne has committed what her family and church view as an unspeakable crime. With the death penalty abolished, convicted criminals are “chromed” the color of their crimes. Hannah has, in society’s view, murdered an unnamed child, and thus, when she wakes, she is entirely red. She will serve only 30 days in prison for a period of acclimation. When released, she will reenter the world as an outcast, a pariah of the worst sort. She will get no sympathy – even from her own mother, and she will be barred from employment and residence in most places. Businesses will refuse to serve her, and strangers will treat her as a wild, rabid animal. Hannah will have virtually no protection from, or recourse for, such treatment.
Jordan has created a setting in Texas, which is chillingly similar to the way far too many people I know would like Texas and the United States to be -- submissive women, all reproductive freedoms squashed, and fundamentalist Christians ruling most aspects of people’s lives. One character moves to Washington to join the president’s cabinet as the Secretary of Faith! I had a creepy feeling when Crawford, Austin, Dallas, Plano, and the fortunately fictional “creation museum” in Waco were mentioned.
Into this disturbing landscape, Jordan has planted several orchids -- scenes of quiet, gentle, pleasant intimacy that carried me above the horror of the society which entrapped Hannah.
As the novel progressed, the tension and the excitement mounted. It literally took me four hours to read the last 60 pages – fear struck me about possible endings I did not want to see. When I finally reached the last page, I closed the book and cried.
After my experience with Mudbound, I did not think Jordan could match that novel for the sheer power of the story, the wonderful characters, and the setting. I was prepared for disappointment – but secretly, I hoped for another triumph, and she has done it.
Unfortunately, I cannot quote from an uncorrected proof, but the novel is due for publication in October. I will buy a copy and insert some quotes into this review and re-post. This will definitely be at the top of my list for best reads of 2011. I cannot imagine anything better.
--Jim, 7/8/11
You can believe me. This comes from a pro-lifer.
Because the first part of the book deals with a young woman, Hannah, who had had an abortion and was, subsequently, sentenced to 16 years as “a red,” I thought my expectations were accurate. But, although pro-lifers in this book have tunnel vision and are cruel, which might have irritated me, the story has so many twists and turns, I really did enjoy it.
And it’s about more than abortion. “Reds” might have committed other crimes, and there are also other colors to signify other levels of criminal activity because this is preferable to over-crowded prisons.
My biggest surprise about WHEN SHE WOKE was that so much happens in a relatively short book. I say “relatively” because most books that have this much action are twice as long as WHEN SHE WOKE. I have always felt that too many authors love the way they write so much that they write too much and subject the reader to many paragraphs that can easily be cut without detracting from the story. Jordan has cut the garbage paragraphs in WHEN SHE WOKE. Don’t skip. Jordan’s writing is concise, and all of it is necessary.
The first thing that came to my mind when reading this novel was how timely it is. It's not a big leap to make into Jordan's
Another eerily similar link is the reduction of women's reproductive rights (i.e. my own Hoosier state attempting to ban Federal funds from Planned Parenthood...which is likely to be overturned). I know this is a very sensitive subject for all folks - and I respect everyone's opinions (just putting that out there). Jordan reveals the slippery slope of these backward steps in When She Woke. And that's all I'm going to say about that, given the divisiveness of this subject.
One last (albeit strange) similarity is that, in the book, a super venereal disease wipes out a large portion of the population...causing the religious fervor to become rampant. And guess what has been recently reported? An incurable "super-gonorrhea" strand has been found in Japan that could prove to be a huge public health threat. Creepy, no?
Disturbing similarities aside, this dystopian take on The Scarlet Letter had me engrossed from the first sentence. Not only is this a gripping page-turner, but it has some serious issues to ponder. When She Woke would make an excellent selection for a book club - imagine the discussion possibilities (feminism, judging of others, homosexuality, right vs. wrong, the church and various sects of Christianity, and the list goes on...)!
Review: As you may have surmised from the summary, this novel is a retelling of Hawthorne's Scarlet Letter. Hannah Payne/Hester Prynne, Reverend Dale/Dimmesdale, etc. The mean-spirited husband of that tale has been swapped for a bigoted brother-in-law, but much of the debate about sin, suffering, and personal faith remain. The setting and general atmosphere, however, are lifted right from Margaret Atwood's heavy-handed dystopian fantasy The Handmaid's Tale. The legal atmosphere of the novel is incredibly misogynistic, the religious right holds the country in a tyrannical grip, and everything from wearing short skirts to questioning male opinions is a sin. Basically, it's your liberal atheist's worst nightmare. Most of the religious figures are incredibly hypocritical and cruel, and the 'good' characters are persecuted by them.
I waver back and forth on my opinion of the messages in this novel. On the one hand, it offers up to the reader questions of sexuality: what is 'good', what is 'bad', is abortion wrong, is pre-marital sex wrong, is adultery wrong...was Hannah wrong? And to the novel's credit, it doesn't attempt to answer these questions for the reader. This make it a good choice for younger teens who may be grappling with variations on these problems. On the other hand, the treatment of religion in this novel seems a bit heavy-handed. Hannah's family are fundamentalists who abandon her after her 'sin' - only her father stands by her, but he is overruled by his wife. The religious boarding house that takes in Hannah after her imprisonment is horrid - the minister, his wife, and their religious 'counselors' are monstrous sadists who take righteous pleasure in tormenting their sinful charges. The religious right has shut down all women's rights and subordinated women to men. To attempt to balance this negative picture of the religious institution, the author has Hannah finding internal peace with God and her faith. She also meets an inspiring female minister at one point in the novel. These positive portrayals of faith, however, are not salient enough to compete with the negative portrayals of faith in the novel, and as a result, some religious readers may feel alienated by the author.
The issue of female authority is ambiguous here too. There are several negative examples of female authority: Hannah's mother overrules her father in accepting their daughter after she has be convicted of aborting her baby, and the minister's wife at the boarding house clearly runs the sadistic show there. But at the same time the female leaders of the liberal rebellion and the female minister are positive female models.
What is Jordan saying about religion? What is she saying about female authority? What is she saying about sexuality? In a novel aimed at adult readers, these questions would be well left ambiguous. Young adults, however, may feel adrift at the end of this tale, with no absolute moral or message to take away.
I rated this novel 3 stars because it began very promisingly, but tapered off. The borrowing from Atwood gave me literary deja vu, and the heavy-handed treatment of religion and conservative politics felt excessive even for this liberal atheist reader. Though the religious message was problematized by the positive aspects of faith, I had the feeling that the author was more confused in her message than deliberately ambiguous.
Sounds good on paper, but the setup is weak, the characters are one-dimensionally offensive, and the writing is just uninspired. Seems that this book is well beloved by many, but I can't help but compare it to the amazing Handmaid's Tale, and it doesn't even come close.
Jordan takes a small set of current trends, adds a new feature (the infertility plague), and projects their effects on society over time. We see this world through the eyes of someone who has grow up and feels at
So, this novel is a perfectly formed example of extrapolative science fiction. I can imagine it being serialized in Galaxy magazine, starting maybe six months after the July-August 1952 run of Gravy Planet - if I pretend that abortion was mentionable then. I know of no evidence about whether Jordan is at all familiar with science fiction, and I wonder whether this book is yet another sign that the techniques of SF are now part of every writer's kit.
I was somewhat confused by this book. First, with the heavy discussion of religion, heavily fundamentalist religious society, and theocratic government, I wondered if the book was meant to be an attack on religion or some sort of atheistic rant. Though, thankfully, criticisms of religion did not fully materialize, Jordan's depictions of religion, per-martial sex and other issues can be somewhat one-sided and uncomfortable for some readers. And, most importantly for young adult readers. Which brings me to the next thing I was confused about -what audience is this book for? Upon reading the blurb, I thought this was going to be a more adult-oriented book because of the material, but it seems like the publisher has been trying to market this as a YA novel, and some reviewers seemed to think it was a YA novel, so I'm confused as to who this book is written for.
I was also confused about the book's direction and what message Jordan was trying to convey, as it constantly seemed like she was working up to something, but shied away from it. The story started out with an interesting concept that was well-constructed and unexpected, not to mention beautifully written. However, as Hannah moved through the different phases of the novel, the story seemed more and more scattered and more and more confused, especially when seemingly important plot points were not introduced until later on in the novel and had no prior buildup. I also had trouble with the frequent nods to The Handmaiden's Tale. That, combined with the Hawthorne-isms made When She Woke feel somewhat unoriginal and like it was retreading similar ideas already explored in literature.
Thus, I ended up with mixed feelings on this book. Jordan started out with some great ideas, but the story seemed to get confused as it went on, so much that I almost got lost. I was also hoping this book would be thought-provoking, as some wonderful dystopians can be, but When She Woke was neither thought-provoking nor entertaining.
This story tackles several controversial issues regarding separation of state and church, abortion and the death penalty. The idea of Chromes was an interesting solution to the over crowding of prisons and the high cost of taking care of prisoners. There is no way of hiding that you committed a crime and the different color system even lets people know the type of crime you have committed. On the surface it sounds like a great idea but then you run into the gray area of whether or not having an abortion constitutes murder. There are differing opinions and I know many people who are very vocal about how they feel but it is interesting to see how actually being in such a situation may affect your choices. I felt bad for Hannah who has to make the choice of having a baby out of wedlock, ruining the life of the man she loves and destroying the faith of millions of people or going through with a procedure that goes against everything she's been raised to believe.
I found it fascinating to watch the transformation in Hannah as she is forced to realize what life s really like outside of the sheltered life she has lead up to this point and having to question the laws and decisions made by the people around her. That said there were a few things that started to knock down how I felt about this book.
First was the father of Hannah's unborn child. Maybe it's because we don't get to see his point of view but I found his reaction to the pregnancy, abortion and living with the consequences of Hannah's actions abrupt and unreal. It would have been nice to see how his feelings built up and lead to the actions he finally makes in the end. Instead it almost comes out of the blue and therefore hard to believe.
Then there was also point where Hannah feels some sexual confusion as she finds herself attracted to and becoming sexually involved with another woman. I did not understand how this fit into the story as a whole as I don't feel like this was ever in question before and it's over so quickly and she is back to mooning over the father of the baby.
Still for the most part I found the ideas behind this story fascinating and other than the rushed ending I thought it was an interesting read just not one of my favorites.
Let me start by saying that Jordan can write anything. The world that she creates in When She Woke is frightening. Bit by bit, we learn more about how this near-future world is different (and not-so-different) from ours. Perhaps what is most frightening about it is that many of the conditions are just slightly more extreme than extremist views now. As Hannah attempts to navigate life as a Chrome, the book turns almost hopeless. Many people discriminate against Chromes, while others attempt to more directly harm them. Hannah has few allies. But Jordan punctuates the horrors that Hannah faces with a few spots of hope - a friend, a father, a sense of inner strength - that make reading this book just bearable. Hannah herself is real and multi-layered. I cared what happened to her. All in all, I was captivated by this book. . . until the end.
Hannah makes some decisions that seem out of character. Pieces fall together a bit too neatly. I don't want to spoil it, but it just didn't seem to fit with the rest of the book. An ending like this doesn't completely negate the overall satisfying reading experience, but it did leave me a little less excited about this book than I might have been. Still, if you like dystopian fiction, it is worth a read.
The world Jordan creates is eerily recognizable, but so very different. Hannah's world is one in which Roe v. Wade is overturned and abortion made illegal (akin to murder) after a "scourge" kills some and renders many more impotent. It is a world in which prisons are so overpopulated that they develop a new system for criminals - their skin is re-pigmented a particular color depending on the nature of their crime and after thirty days of solitary confinement and no privacy, they are released back into society. The criminals must check in every four months until their sentences are over to have their pigmentation re-upped. If they don't show, a virus activates in their systems, slowly killing them. What's more, all "chromes" are publicly tracked, so anyone can find them, including hate groups like "the Fist".
Hannah's society teaches that "melachroming all but the most violent and incorrigible convicts was not only more cost effective than imprisoning them, it was also more of a deterrent against crime and a more humane means of punishment" (pg. 209). In Jordan's world, state lines have border patrols and check points, Los Angeles has been leveled by a nuclear attack, and everyone uses their "ports" to communicate, as identification, and for financial transactions.
The magic in any dystopian work stems from how well the author can create the environment. The world of When She Woke is very well done - complex and strange, yet also believable and relatable. Jordan has written such a fantastic environment that it sustains the novel even when the characters are two-dimensional, or the story line lags.
Almost every description of this novel compares it to The Scarlet Letter, and the similarities are intentional. Unlike Hester Prynne, Hannah Payne's punishment is not limited to a fabric "A" on her shirt - Hannah's entire red body highlights her shame. Also unlike Hester, Hannah has compatriots - fellow chromes and their allies who protect and befriend her. Beyond The Scarlet Letter, When She Woke speaks of racism - prejudice due to natural skin color and artificial.
Clearly, When She Woke has liberal underpinnings - its messages are pro-choice and anti-organized religion. If that sort of thing bothers you, this is probably not the book for you. One awkward scene toward the end of the novel seemed specifically designed to bring issues of homosexuality to the forefront, though it did nothing to expand the characters or the plot.
Overall, I enjoyed When She Woke. It swept me into its world and sometimes offended me a bit, as every good book should. I recommend When She Woke to readers of dystopia and those who don't mind political agendas in their fiction.
I felt for the situation that
Interestingly written with a future that is very scary considering it may not be all that far from possibility. Good for some lively discussion.
As the book opens, Hannah Payne awakes to find herself in a Chrome ward in Texas, where she will be in solitary confinement and video monitored 24-7 for 30 days. She has been given a virus that turns her red which is part of the punishment for having had an abortion.
This is a futuristic society where Los Angeles has been reduced to rubble by a terrorist act. Roe v. Wade has been overturned after "the scourge", a virulent STD which left many sterile, threatened the population. Babies and the ability to reproduce became highly valued. A cure for "the scourge" has been found. Sadly in this society, there seems to be no cure for fulminating, fundamentalist christian bigotry that has become rampant and insinuated itself into government and public policy.
Prisons have been deteriorating, and the public policy solution to incarceration is to use viruses to tint convicts various colors that align with their crime. There are yellows, blues, greens, and red is for those found to be guilty of murder. And in this futuristic society, everyone can be tracked by the government at all times.
Jordan has done more than a passing nod to The Scarlet Letter in this book. The main characters have the same initials: Hannah Payne: Hester Prynne. The adulterous minister Aidan Dale: Arthur Dimmsdale. While in a "christian" group home for "rehab", Hannah names her aborted child Pearl, the same name as Hester Prynne's love child.
Upon her release from the Chrome Ward, the story becomes action packed and Hannah learns the perils of living as a marked woman in a hateful society. There is suspense, action, hatred, and love. Hannah is a strong character and her strength draws her to those who can help her.
The book is well written and the story line is compelling. In addition to The Scarlet Letter, I would also compare it to Margaret Atwood's A Handmaid's Tale.
In a dystopian future where an outbreak of a virulent STD results in states revoking Roe v. Wade and convicted criminals being genetically dyed so that their skin proclaims there crime, Hannah Payne is convicted of murder for having an abortion. Refusing to name the
A fascinating reinterpretation of The Scarlet Letter, Jordan creates a fascinating narrative that is equal parts character study and dystopian novel. The future she creates is fascinating in its explorations of the penal system and our culture's reactions to epidemics and terrorism. Hannah's growth as a character is fascinating as she explores who she is as a person, her view and relationship with God, and the actions she's taken in her own life. How the two intertwine makes for an engrossing read that raises questions for the reader that linger long after the last page.
I think the chroming idea is fantastic. But this was not explored... the nature of the new criminal system was not explored, and neither was the society that generated this new "system". The story focuses, for the first half, on how much in love she is with the father of the baby and how she can't name him because that will expose him as a hypocrite (the fact that he *is* one is beside the point I suppose). And the second half is focused on some "underground railroad" that had a lecture-y feel to it (exploring the religious beliefs of different groups). Don't worry though- for variety there are also anti-spousal abuse and anti-child molestation lectures to be found.
Nearly all the reviews I've read compare this to the Handmaid's Tale... Jordan's writing is not nearly as sophisticated, nuanced or mature as Atwood's and it's actually kinda insulting to Atwood to suggest this is anything like her novel, except for, perhaps, the premise of women as breeders. Not that I like Atwood (her writing is too literary for me), but you'd never mistake Atwood's works as being meant for young adults.
Most important to this story, the government has developed melachroming as a means of punishment; it dyes the skins of criminals according to their crime. Protagonist Hannah Payne has been dyed red after being caught having an illegal abortion. "Chromes," as they are known, are constantly subjected to harassment and vigilante justice. Many do not survive. As Hannah tries to adjust to life as a chrome her world, formerly sheltered, starts to open. She begins to rethink previously held assumptions, as she sees the underside of policies she previously considered humane.
In this novel Jordan has created a world that is frighteningly believable. The book is clearly a statement on the dangers of dissolving the boundaries between church and state, and serves as a reminder of the dangers of a justice system that reverts to arcane methods. Jordan has created The Scarlet Letter for the 21st century. The book is imaginative, frightening, and definitely made me think.
More than a modern “Scarlet Letter”, this is a very thought provoking and riveting story. Full of controversial topics, I’m sure it will lead to some interesting conversations. Adding to the disturbing nature of “When She Woke” is the realization that we can see glimpses of the fanaticism portrayed in this story just by watching CNN.