Status
Call number
Genres
Publication
Description
Fiction. Literature. HTML: Blame is a spellbinding novel of guilt and love, family and shame, sobriety and the lack of it, and the moral ambiguities that ensnare us all. Patsy MacLemoore, a history professor in her late twenties, has a brand-new PhD from Berkeley and a wild streak. She wakes up in jail after an epic alcoholic blackout. "Okay, what'd I do?" she asks her lawyer and jailers. In fact, two Jehovah's Witnesses, a mother and daughter, are dead, run over in Patsy's driveway. Patsy will spend the rest of her life trying to atone. She goes to prison, gets sober, and upon her release finds a new community (and a husband) in AA. She resists temptations, strives for goodness, and becomes a selfless teacher, friend, and wife. Then, decades later, another unimaginable piece of new information turns up. For the reader, it is an electrifying moment, a joyous, fall-off-the-couch-with-surprise moment. For Patsy, it is more complicated. Blame must be reapportioned, her life reassessed..… (more)
Media reviews
User reviews
Patsy MacLemorre is a young history professor in a small California liberal arts college who faces these tough questions after blacking out (again) from another night of binge drinking and finding herself in the county jail with no recollection of what happened the previous night. When she is informed that she ran down and killed a mother and daughter Jehovah Witness team on her steep hillside driveway she is horrified. Overcome with grief and unable to remember any of the night’s details, she confesses and is sent to prison for a two year term.
Michelle Huneven’s novel, recently nominated for the National Book Critics’ Circle award, poses all the moral questions as she explores Patsy’s response to the unthinkable. In spare prose, the author lays out how Patsy takes on the blame and struggles to set her life aright. She makes great sacrifices in trying to do what she considers to be the right thing. Ttwenty years after the incident, a bombshell changes everything and leaves Patsy reeling, asking herself, “What now?” The way in which she accepts this new challenge is just as revealing as how she spent the last twenty years.
The author uses many metaphors to assign blame. She doesn’t use it exclusively for the protagonist, although that is the main theme of the book. When dealing with alcoholics, as this book does, there’s plenty of blame to spread around. But blame is also assigned to the lazy rich, the arrogant intellectuals and the hangers-on. And, of course, so is forgiveness.
Ittook a long time for me to get into this book, probably 200 pages (out of 291). It was not a “can’t put it down” type of read. And yet the questions posed are interesting and important, so I can’t put my finger on what failed to grab me early on in the book. The characters were kind of flat, rather two dimensional, to me and I guess therein lies the problem. The final third of the book though was compulsively readable and I would, in the end, recommend it.
The Good: Michelle Huneven really knows how to develop memorable characters. Joey, Brice, Patsy and Gilles are brilliant characters. Huneven takes her time developing them and by the end of the novel, Patsy pretty much jumps off the pages. I love the concept of Blame because it’s based on a situation that could (and probably has) happened. A woman gets black out drunk and runs over two people killing them. It’s not an overly abnormal situation, it’s happened and it’s not too hard to imagine a situation like that happening to someone today. Huneven takes this reality and really delves into the consequences with Patsy. We get a real sense of what prison is like for someone like Patsy and we learn how someone might handle their guilt and transition into society after their prison term has ended. We learn that Patsy settles for things in life that she normally wouldn’t have just because she feels it’s all she deserves. It’s a way to punish herself, to remind herself of the crime she committed. I love the slight but powerful nod to the gay community and the start of the HIV virus that Huneven slides into the story. She also throws an enormous wrench in the plot towards the end that is crazy awesome and makes the story that much more deep and meaningful. I also thought Huneven did well adding comic relief to the parts that were a little depressing. It’s not a book I felt utterly sad about when I was done. I felt a sense of accomplishment when it was over. I also thought the ending was very well done. It wraps up the loose ends but not in the “everything-ends-so-perfectly” way.
The Bad: Nothing really negative to say about the novel except that I HATE IT when authors don’t put dialogue in quotations. I don’t know why it irritates me as much as it does, but really…. That’s why the quotations were made. What is the reasoning behind not using them? It bugs the crap out of me. But that really is just a nit-picky detail. I really don’t have anything else negative to say about it.
Overall, I really thought this was a great book. It was well written, the plot and characters were fully and wonderfully developed and it was really a polished piece of literature. I give it an A!
Opening with Joey's confused summer the summer her mother died of cancer, the novel introduces Joey's appealing uncle Brice and his good-time girlfriend Patsy, both of whom are so out of their league watching Joey and self-absorbed that they mistakenly allow her to get high. Cut to Book Two and Patsy, a college professor, is coming to with a nasty hangover. She's in the local drunk tank, a place she's been in before, but this time her drunken misdeeds are not being treated as lightly as usual. Apparently, during her blackout, in her own driveway, she hit and killed a mother and young daughter, Jehovah's Witnesses who were just leaving her house after dropping off some leaflets. Patsy does her time in prison and comes back to regular life having resisted and then finally surrendered to AA, filled with remorse and regret. She builds her life around the truth of her actions and the results of what she did that night still so troublingly missing from memory. Ultimately, Patsy meets and marries Cal, the local AA superstar, sponsor extraordinaire, and widower with children. She changes who she was in spirit and finds forgiveness even if her life still centers around her guilt and atonement.
The novel jumps in time from each situation in Patsy's life but the missing pieces are easily inferred and reasonable as the reader watches Patsy build a whole new life for herself. The secondary characters are well-fleshed out and realistic. Starting with the section on Joey is perhaps a mistake as she is mostly absent from the book, which she should be since the story is really Patsy's, but what Joey witnesses when she is stoned out of her little mind does come full circle in the end, neatly tying the book's beginning and ending together.
The revelation about Patsy's drunken accident, near the end of the book, is certainly cataclysmic but it is somehow not entirely unexpected by that time either. And the way it forces Patsy to reevaluate her life again, as the immediate aftermath of the accident did once before, lends a balance to the plotting. The book was a bit unrealistic and shiny, happy in its portrayal of recovering alcoholics but it was fascinating to see the way that Cal shifted his addiction to the rush of AA meetings and that Patsy never called him on it because she was so busy with her own repentance, feeling that she had to be perfect and non-confrontational. This is much more a character study, with Patsy examining her life and coming to grips with who she is, rather than the thriller hinted at in marketing blurbs. It is a rather quiet but thoughtful and well-written book that happens to hinge on an horrific accident. This book will stay with you long after you close the back cover so don't be scared off by less than appealing jacket copy or the idea that this is full of suspense. Rather it is an engrossing and compelling read.
Much of the book is set in the early 1980s.
It sounds soapy as I write it, but the story had a lot of nuance. I can pick out some flaws: Patsy’s relationship with the victim’s husband could have been developed further. The fate of Brice’s boyfriend was obvious from the first cough. It’s impossible not to ponder how much more difficult Patsy’s journey would have been had she not been white, educated and middle class. On the balance, though, I really liked this one, and I cared about Patsy and her struggle.
One of my biggest problems with this book is the fact that it tells you there's a "huge twist" on
Other than that it was good. To me it really wasn't the book I was expecting though, because it deals with so many issues at once. Alcoholism, AIDS, adultery, prison, homosexuality, psychiatry, blended families, treatment of prisoners and their reintegration into society and more. It's a lot to take in, but it's a quick read and there are some great characters. I particularly loved Patsy's friend Gilles. There aren't any "good" or "bad" characters, instead there are flawed people who have all made mistakes. I liked this book, and it definitely made me think, but I had too many problems with it to rate it any higher.
Characters to care about, non-stock people and situations, beautifully told. I highly recommend Huneven's writing. "Blame" is a pleasure to read.
Petrea Burchard
Camelot & Vine
Will make you think twice about drinking and driving.
The reason I start this review like that is that there are several things that normally would bother me about this book, yet I still enjoyed reading it.
It was something about the amount of time we
Pasty MacLemoore drinks. Drinks a great deal. And one day she wakes up in jail after a blackout and is told that the night before, she’d driven home and killed two people in her driveway. She can remember none of this, of course, and from those words on, her life changes completely.
She pleads guilty and is sentenced to prison, and her former life as a professor is put on hold.
“She stood before the court and touched the dark tumult, the awful thumps and booms, bodies on the ground, a wheeling of stars; with such images came the inevitable, engulfing nausea of knowing it could never be undone.”
“Yes, Patsy said, the word spanning a sea of uneasy feeling and linking death to blame like a stitch closing the lips of a wound so that healing could begin.”
But – although the reader is told many times that Patsy feels the blame of what happens, that she constantly deals with the guilt of what cannot be undone – I never really felt it. It seemed to me that she dealt far more with how to cope with prison life than with the idea that her actions resulted in the loss of two innocent lives. And she never really seems to wonder about the two victims. She thinks a great deal about their survivors (one of them a husband that is so forgiving that it borders on the ridiculous), but doesn’t spend much time thinking about what the mother and daughter were like, what lives they might have led were they given the chance to do so.
And her alcoholism is neatly dealt with in prison. With no access to booze, she has one or two passing thoughts of taking a drink, but she doesn’t seem to struggle much with this debilitating condition. She becomes an addict of AA but we don’t see much of the transition from one addiction to another.
But again, I did like this book. Though I had problems with many of the details of the story, the general fabric of these people, this place, this time was interesting to me. I fell easily into their lives and wanted the story to continue.
(Wait, one more critical note. The book purports to contain a bombshell turn of events. But since the back cover TELLS the reader what the bombshell is, and because there is so much foreshadowing of the bombshell, I found the actual event to be a huge letdown.)
While I still feel that much of the emotion is told to the reader and not shown, there are moments of the book that reach beyond the page. When Patsy is released from prison after serving her time and takes a bath for the first time in years:
“She got out of the tub and grabbed a towel all too quickly; the air burst into prisms, and she had to sit on the toilet, bent over her knees until the whirling bars of color subsided. Traffic rumbled outside, a bass note to the city’s hum, and above that, she heard a faint ringing, so high-pitched, steady, and beautiful it could only be silence.”
I will be very curious to see what others have to say about “blame”. After reading it, and reading my review of it, my words seem to conflict with my thoughts, but as I shelve this volume in my library, I will know that I liked this book.
While this is a work of fiction it is very realistic and at times reads like a memoir.
I liked this book and I do recommend it.
I really wanted to love this book and I started out really liking it. I had a hard time believing the man whose family she killed would forgive her so easily and start a friendship with her. Patsy was also hard to like sometimes, as was her jerk of a husband, Cal. There is a twist towards the end of the book, which I liked, but it was also rather frustrating. The ending just didn't work for me, but I liked the book....just didn't love it.
At times I found myself frustrated by the choices Patsy was making in her life, but then I realized that if I were placed in the same circumstances, I would likely be making different decisions than I would if I hadn't experienced a traumatic event.
Blame is about human behavior, about the way we interact with each other and how that changes as our circumstances change, about being true to ourselves and forgiveness, both of others and, ultimately of ourselves. I liked the character development in the novel, the variety of people Patsy interacted with over the years and how they each affected her life.
Blame kept my interest and was a well-written novel with themes we can all relate to in some way, either because of personal experiences or reminding us of someone we know. I recommend it.
I also didn't understand Mark