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Fiction. Literature. HTML: Meg Wolitzer brings her characteristic wit and intelligence to a provocative story about the evolution of a marriage, the nature of partnership, the question of a male or female sensibility, and the place for an ambitious woman in a man's world. The moment Joan Castleman decides to leave her husband, they are thirty-five thousand feet above the ocean on a flight to Helsinki. Joan's husband Joseph is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Meg Wolitzer flashes back to Smith College and Greenwich Village in the 1950s and follows the course of the marriage that has brought the couple to this breaking point�one that results in a shocking revelation. With her skillful storytelling and pitch-perfect observations, Wolitzer has crafted a wise and candid look at the choices all men and women make�in marriage, work, and life..… (more)
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Wolitzer has written a book about authors and publishing over the decades without requiring a B.A. in Literature to appreciate the story. Even lighter literary novels like Lost in a Good Book suffer from obscure (at least to me) references. Rather than placing her characters in the middle of historic authors, Wolitzer creates an entirely fictional circle of writer friends for the author and his wife.
The Wife is a very believable, funny, and well written novel with a great surprise revelation at the end. I finished this book thinking about the characters lives after the story had ended, just like I do after reading a good short story.
"I am now 64 years old and mostly as invisible to men as a swirl of dust mites", the protagonist/narrator says at the start. And she proceeds to tell this unusual tale, which of course, does have ubiquitous components of the period (like men "owning the world" in the 1950s - not just in the writers' milieu, but mostly everywhere), but her particular case, in the midst of it, shifts and changes and culminates in an incredible denouement. If you didn't see the movie beforehand, she really keeps it up until the very end to disclose the shocking truth. But even then she faces a dilemma...
The Wife reminded me of some Anne Tyler novels – they cover similar issues but from quite a different perspective.
Joan and Joe meet when she is a student at Smith College and he is her professor. They have an affair, and Joe leaves
Joe has never wanted anything more than to be a writer. But, so far, he has published only a short story in a small periodical. After he marries Joan, though, his career picks up. (It was at this point that I predicted the “surprise.”) Joe becomes a successful and highly praised author. As a matter of fact, when THE WIFE opens, he and Joan are flying to Finland so he can receive a prestigious international award.
It is during this trip that Joan remembers their marriage in a series of flashbacks, and she reflects on the unfairness of it all. Yet she never seemed to want fairness until now, when she has finally had it with Joe getting all the praise.
When the “surprise” is revealed in one of Joan’s flashbacks, I wasn’t surprised.
Joan Castleman is on an airplane accompanying her husband, writer Joseph Castleman, to Helsinki, Finland
I can not even put into words how much I loved this book. The characters were complex and well-drawn, the story was interesting and well-plotted, and the pacing was amazing. And there is a secret, and though that secret (I think) is easily guessed, the unfolding of that secret is a beautiful thing indeed, and is the crux of the novel; how Wolitzer carefully folds, twists and gradually enlarges what we already suspect but are reluctant to say for certain. It was so stunningly well done.
Joan Castleman is so thoughtfully observant and funny in a wry way that I laughed out loud at her commentary, and I felt such an empathy with her ash she looked back on her life and struggled to find and step into herself not that she is well into her middle age and has raised three grown children. Joan’s reflections on herself and on her husband, who is one of those men “who had no idea of how to take care of himself or anyone else, and derived much of his style from The Dylan Thomas Handbook of Personal Hygiene and Etiquette.”, are so funny, and doubly so because they are accurate reflections on life and the types of people we have either heard of or met ourselves.
I loved this book as a character study of a wife finally looking to take back the power that she has been afraid to possess, as a character study marriage and how it grew and changes from the ‘60’s to the present day, as an inside , and because it was a thought provoking and humorous read. I highly recommend it.
I still loved it.
What makes The Wife: A Novel so impressive is that Meg Wolitzer doesn’t rely on any traditional plot
No, what makes The Wife so depressing, at least to me, is what Wolitzer is saying about writing, women and marriage. The story begins with Joan Castleman on a flight to Helsinki, where her husband, fabled novelist Joseph Castleman, is about to receive a major literary prize. Joan has decided to leave Joe, and her reasons why are fleshed out in flashbacks by telling the story of how they met, their careers and their children.
Is there a job more enjoyable than writing? Not to me. But writing, at least for the novelist, is not for anyone without thick skin and an unshakable belief in one’s ability. When Joan meets Joe, she herself has dreams of writing. However, coming of age at Smith in the late 1950s and then working at a publishing house, she is quick to learn how male-dominated the world of writing is. The boom of so-called “chick-lit,” and the huge popularity of authors of Jodi Picoult make one think it’s a different landscape 50 years later. But I’m not convinced. Jennifer Egan’s Pulitzer aside, I can think of many female writers – Wolitzer, Lionel Shriver, Jennifer Haigh, Hillary Mantel – who I would like to see get the popular recognition of Nick Hornsby or David Nicolls.
There are few characters that have resonated with me like Joan. But for those who aren’t super interested in the writing life, you should still read this book because of Wolitzer’s exploration of the Castleman’s marriage. “Everyone knows how women soldier on, how women dream up blueprints, recipes, ideas for a better world, and then sometimes lose them on the way to the crib in the middle of the night, on the way to the Stop & Shop, or the bath. They lose them on the way to greasing the path on which their husband and children will ride serenely through life. … Everyone needs a wife, even wives need wives,” Wolitzer writes. Joseph is a philanderer and terribly disrespectful to his wife, but Wolitzer doesn’t make him a caricature, just someone who wants life to work out the way he wants it.
This is a story that won't be everyone's cup of tea - it's not what I would recommend for a light summer beach read. But since The Wife: A Novel came out almost 10 years ago, it’s easy to find in paperback or perhaps in your local used bookstore. For those who have enjoyed WOlitzer in the past, or are just discovering her, it’s definitely worth an investment of your time.
They get together, which undoes Joe's marriage to his wife. They also
Joan goes through her life being Joe's right hand. She watches as he writes, wins awards, gets full of himself, etc.
You will be drawn right in with the first sentence of the book.
I couldn’t wait for this novel to be over. I wasn’t surprised