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Peter F. Hamilton's superbly imagined, cunningly plotted interstellar adventures are conceived on a staggeringly epic scale and filled with fully realized human and alien characters as complex as they are engaging. No mere world builder, Hamilton creates entire universes-and he does so with irresistible flair and intelligence. His previous novel, the acclaimed Pandora's Star, introduced the Intersolar Commonwealth, a star-spanning civilization of the twenty-fourth century. Robust, peaceful, and confident, the Commonwealth dispatched a ship to investigate the mystery of a disappearing star, only to inadvertently unleash a predatory alien species that turned on its liberators, striking hard, fast, and utterly without mercy.The Prime are the Commonwealth's worst nightmare. Coexistence is impossible with the technologically advanced aliens, who are genetically hardwired to exterminate all other forms of life. Twenty-three planets have already fallen to the invaders, with casualties in the hundreds of millions. And no one knows when or where the genocidal Prime will strike next.Nor are the Prime the only threat. For more than 100 years, a shadowy cult, the Guardians of Selfhood, has warned that an alien with mind-control abilities impossible to detect or resist-the Starflyer-has secretly infiltrated the Commonwealth. Branded as terrorists, the Guardians and their leader, Bradley Johansson, have been hunted by relentless investigator Paula Myo. But now evidence suggests that the Guardians were right all along and that the Starflyer has placed agents in vital posts throughout the Commonwealth-agents who are now sabotaging the war effort. Is the Starflyer an ally of the Prime, or has it orchestrated a fight to the death between the two species for its own advantage?Caught between two deadly enemies, one a brutal invader striking from without, the other a remorseless cancer killing from within, the fractious Commonwealth must unite as never before.This will be humanity's finest hour-or its last gasp.… (more)
User reviews
About halfway through this, I was ready to give it five stars and declare it the best thing I'd ever read. Hamilton has an incredible knack for describing action that is just unparalleled. Some of the action scenes in this book will make your head spin in wonder and awe, and
But. And it's a big but.
The third act is pathetic. An anti-climax of epic proportions. From the moment the *SPOILERS* nova bomb is deployed against Hell's Gateway right up to the ultimate "planet's revenge" against the Starflyer, everything feels rushed and incomplete, with characters dropping out of focus, plot strands that seemed of the utmost importance abandoned with not a whimper of explanation (SI anyone? High Angel? Qatux? What was the point of all that foreshadowing?) And that race across Far Away that took up 400 pages or so, why? So in two pages he could kill the apparent main "bad guy" who had been such an elusive mastermind for the entire saga with "and then the storm came and smashed the ship, the end"? Bah!
I know I should be used to this kind of thing by now, after all, space operas are notorious for it. And to an extent I am, I did enjoy the book overall, I didn't hate it. It's just so damn frustrating when all that promise and downright brilliance is wasted like it is here. The guy's got talent, he really does, but he needs a better editor, or something. I dunno.
Don't get me wrong. Judas Unchained is in many respects the typical future space opera that Hamilton is known for. JU is set as a sequel to Pandora's Star, in a universe where wormhole technology and
Beyond that, though, Hamilton shows an improvement and maturity on his writing from his previous efforts. Some of Hamilton's previous series and novels have suffered from a bit of a deux ex machina ending, as if he was unable to come up with answers within context to the major tsunami of tsuris sent his characters and worlds.
In JU, without giving too much away, the explicit chance that the readers might expect for that Deux ex machine ending actually turns out to be a red herring. The problems are resolved by humans and in a satisfactory manner.
The characters continue to develop and grow from the first novel, and finding out the ultimate fates of Paula Myo, Mellanie Rescorai, Ozzie, Captain Kime, and the galaxy of characters is a major driver. The novel crackles of energy.
I wouldn't start here, starting with Pandora's Star is a much better option. And once you devour that volume and come to this one, I promise you will be most satisfied, as I was.
My Reaction: I could hardly contain myself to wait for the ending and find out whodunit! This book - sequel to Pandora's Star - defies genres and contains elements of science fiction, space opera and mystery.
My Synopsis: While more and more people are beginning to believe that the
Recommendation: You need to read the book to find out - and you will not be disappointed in the ending - you may be shocked, but you will not be disappointed!
I would try and summarise what's going on with the plot,
Suffice to say, nothing's ever quite as simple as it seems, and whilst, yes, a lot of the characters seem kind of recycled from The Night's Dawn Trilogy, that doesn't detract from the overall story, which is gripping. And expertly crafted - small details that were mentioned in Pandora's Star become important here, and right up until the bitter end, you're not sure whether this is a three-way fight, or something even more wide-reaching still.
Whilst this is in a different universe to Fallen Dragon and The Night's Dawn stuff, certain aspects of Hamilton's style ring through - particularly his attention to politics and military/navy wranglings, and the whole business of system wide colonisation. What makes Hamilton special is the care he takes in setting out the practicalities of his set-ups... Night's Dawn, for example, used voidhawks to carry news transmissions through swallows, since light would take too long to carry the transmission. This time around, Ozzie and Nigel's wormhole technology allows real-time communication, but other details are there to add weight to his vision of a network of colonised systems stretching across the galaxy.
So yeah, I like his stuff - I think Reynolds does the Hard Sci-Fi stuff better, mind (the Revelation Space quartet is excellent, although each instalment is about 25% overwritten, IMHO), but these two Hamilton instalments - Pandora's Star and Judas Unchained are excellent, and without doubt show Hamilton at his best.
Once again, Hamilton juggles his vast cast of characters - the main character list runs to three pages -
Not too many space battles this time round: the pace of weapons development means that it's just the case of whether you can deliver your super-duper brand new weapon to the battlefield in time. You almost get the feeling that Hamilton is bored with writing about missiles that only accelerate at 100g ... I remember being blown away by the battles in 'Night's Dawn', so perhaps it's just me that's getting jaded.
I've also just found out that he's working on a new trilogy set 1500 years after the events portrayed here. Can't wait.
A hefty and enjoyable read - for me you could have stripped a good 100 pages or so out of it as the pace just didn't quite hold up all the way through. The last half of the book is effectively an interstellar Starsky and Hutch car chase which
A huge stage set in the first part and fully utilised here in almost galaxy scale space opera. At some points it makes me think of [EE Doc Smith] with hippies. Fast action, intrigue and the future of the human race at stake keep you interested through most of the nearly 1,000 pages.
A romp through the key themes of science fiction of the last few decades; human evolution/immortality/ hyper-space/ aliens/ elves/ conflict.
Overall good fun.
A few people have criticized the number of characters and length of the novel. Please don't buy into that. The characterization is so well constructed, I can't understand how any of the characters could be confused with each other. They are just too different. Any reasonably well-read sci-fi fan will love the Commonwealth Saga.
In short, everything a sprawling Peter Hamilton book should have.
And this time no deus ex machina to pull humanity's bacon out of the fire.
While the action was great some of the characters were drifting a bit. I still really didn't like Mellanie. Or the way every male character acted towards her. Ozzie stayed pretty tight and Wilson and Oscar. (I loved Oscar)
The final ending was a bit sudden and left an awful lot unanswered but as there are few novels that end well I am not going to mark this one down for how it ended.
Anytime there's an opportunity to go off on a tangent,
This 2nd book in the series is *much* longer-winded than the first - and there is less about the Primes and more about the Commonwealth's politics - which made it very difficult to wade through the absolute hundreds of pages of useless descriptions. Even the "battle" between the Guardians and the Starflyer was more political than action-y and had about 50 pages of "wow they have great armor".
It's a darn good thing that I really really really wanted to know how the story turned out!
The beginning was so long ago I can barely remember where we started. However I do know that it was immediately after the 1st book finished. No natural story break, or jump between the two books, just a sudden I'll split it in two here. I think this epic, would have been vastly improved as four book project with each book having a crafted beginning middle and end. Craft though may not be something that Hamilton does.
The existence of the StarFlyer is becoming more widely known, and in consequence it's 'sleeper' agents become more active. Their identity is always a surprise, but eventually some people begin to figure them out. (The last agent's identity is dragged out forever before being revealed. What's so annoying (along with many other aspects of the ending) is that having had 2000pages to do so, Hamilton is unable to reasonably explain how or why this person has become corrupted. Instead their corruption is just discovered, and never explained, even though they would have had many other opportunities to act). Mellanie continues her whoring around the universe, allowing the SI to show off. Ozzie's long walk along the paths comes to a rather boring end, and just about manages to be tied into the main plot.
I was impressed with the planet's revenge. Many of the other inventions are also impressive, and a lot of thought has gone into the society and people's responses to it, all of which is good. However the exposition descriptions the endless interchanging characters, and the lack of anything even remotely resembling pace, mean I'm unlikely to try anything else by this author unless he's been heavily edited.
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Like its predecessor, this science fiction work weighs in at 1,000+ pages. After having read both of these novels, I’m left with much the same opinion as that held after reading the 3,500 pages of the author’s Night’s Dawn series. Both works begin slowly, establishing numerous story lines and plot threads. After several hundred pages, the reader becomes engrossed with the fascinating and original ideas, concepts, technological advances, new worlds and alien constructs. Of all the science fiction writers I’ve read, Hamilton is perhaps the best in the originality and fresh outlook that he gives his future and alien worlds.
After another 1,000 pages, however, the novelty wears off. All of the great ideas and originality soon becomes second nature and you are left with only the underlying story. As good as it may be, another 1,000 pages (or more as was the case in Night’s Dawn) ultimately bogs down and loses those strengths that made the previous pages so enjoyable. The worm hole technology and the methods used to exploit it, the concept of rejuvenation and immortality, the methods of establishing new outposts of human development and the political constructs established to govern them, and the alien worlds and races encountered are all handled magnificently. It is easy to say that a 2,000 page work is too long, but the reason it is too long is because it ultimately dilutes that part of the work that is so stunningly good.
Having read this work, I can’t help but feel that it would have been a better reading experience as two 500-750 page books as opposed to the 2,000 total pages in its current form. Quite frankly, mid-way through this sequel, I became terribly bored with it and frequently fell asleep while reading it.
As an aside, Hamilton repeats what has become a pet peeve of mine among science fiction writers; the need to create a new epithet to be used by future humans, and repeat it ad nauseam throughout the work. The exclamation "Dreaming Heavens!" must have been uttered thousands of times, to take its place with other such creative utterances as TANJ (There ain't no justice) and TANSTAAFL (There ain't no such thing as a free lunch). Hamilton must be a Heinlein devotee. What? The old expletives were not good enough to last? Every future human uses the same epithet hundreds of times a day? This, despite the fact that not only are automobiles still the primary method of local conveyance after 500 years, but they are still manufactured by the same companies (Ford, Volvo, Toyota and Land Cruiser are all still around). I'm willing to bet that the "F" word outlasts all of the above.