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In the far future, humankind has made contact with numerous other species-Gowachin, Laclac, Wreaves, Pan Spechi, Taprisiots, and Caleban (among others)-and has helped to form the ConSentiency to govern between the species. After suffering under a tyrannous pure democracy that had the power to create laws so fast that no thought could be given to the effects, the sentients of the galaxy found a need for the Bureau of Sabotage (BuSab) to slow the wheels of government, thereby preventing it from legislating recklessly.In Whipping Star, Jorj X. McKie, a "Saboteur Extraordinary," is a born troublemaker who has naturally become one of BuSab's best agents. As the novel opens, it is revealed that Calebans, who are beings visible to other sentient species as stars, have been disappearing one by one. Each disappearance is accompanied by millions of sentient deaths and instances of incurable insanity.Ninety years prior to the setting of Whipping Star, the Calebans appeared and offered jump-doors to the collective species, allowing sentients to travel instantly to any point in the universe. Gratefully accepting, the sentiency didn't question the consequences. Now Mliss Abnethe, a psychotic human female with immense power and wealth, has bound a Caleban in a contract that allows the Caleban to be whipped to death; when the Caleban dies, everyone who has ever used a jump-door (which is almost every adult in the sentient world and many of the young) will die as well.The Calebans have attempted to remedy the error, but Mliss Abnethe refuses to cancel the contract, and the Caleban sense of honor makes breaking the contract from their side unthinkable. To save themselves, all the Calebans are handing over the time-like history lines of the sentients who used jump-doors to one Caleban, Fannie Mae, and withdrawing from ConSentiency space. McKie has to find Mliss and stop her before Fannie Mae reaches, in her words, "ultimate discontinuity," but he is constrained by the law protecting private individuals by restricting the ministrations of BuSab to public entities.… (more)
User reviews
Like a lot of Herbert fans, I was introduced to Frank Herbert through Dune and its original quintet of sequels. And like a lot of Herbert fans, I kind of stopped there. It was only later, years later, that I bothered to read some of Herbert's other stuff. And while the Dune saga still
Here's just one example of Herbert's genius: One thing that was shocking to me, in reading Whipping Star, is how deeply Herbert approached the idea of communication between humans and aliens. Extraterrestrial contact is such a basic staple of science fiction that it's amazing how little some SF authors seem to think it through. On the low end of the depth continuum you have the Star Trek and Star Wars universes, where the vast majority of aliens are just humans with weird bumps on their heads, and most of them happen to speak English as a second language for your convenience. Certainly there are cultural disconnects as humans deal with Klingons, or Wookiees, but they're roughly on a par with "Crocodile Dundee making his way through New York City" in their severity. Slightly better thought through than those examples might be Larry Niven's aliens in Known Space: clearly, they think differently than humans, and understanding is rarely perfect, but everyone seems to have magic translator boxes and once again, the real problem of interspecies communication is hand-waved away. Closer yet to a realistic treatment would be Heinlein's Stranger in a Strange Land, where the Mars-raised human, Valentine Michael Smith, knew the words and syntax of English, but that was no guarantee of clear communication because his whole way of thinking and set of experiences was so vastly different to an Earthling's.
Heinlein is the first SF author who appears to have honestly thought the thing through, and Herbert takes it to a whole different level in Whipping Star. As the protagonist, Jorj X. McKie, attempts to communicate with the mysterious Caleban, the basic breakdown in understanding is evident, and the characters' frustration is palpable and believable. Herbert makes the reader think of what it would be like to deal with a creature that's as intelligent as a human, maybe more so, but not at all human. The dialogue between McKie and Fannie Mae alone makes this book worth the price of purchase, and the book is filled to bursting with other ideas besides that, in spite of being short and fast-paced. For one, it takes a unique and plausible stab at FTL travel and time travel.
An enormously impressive and enjoyable book. I give it four stars instead of five only because, much like Destination: Void, the story is a ramshackle thing, mostly meant to convey Herbert's ideas from Point A to Point Z. It's still more than worth the read, though, if you're into science fiction that makes you think.
What I didn't like: the story
I'll be a little more charitable: I do like Herbert's writing style, even when I don't like what he's writing about. It was very easy to whiz right through this book but finishing left me totally unfulfilled.
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