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Fantasy. Fiction. Science Fiction. Humor (Fiction.) HTML:The fifth installment in Jasper Fforde's New York Times bestselling series follows literary detective Thursday Next on another adventure in her alternate reality of literature-obsessed England�from the author of Early Riser Jasper Fforde has thrilled readers everywhere with his gloriously outlandish novels in the Thursday Next and Nursery Crime series. And with another genre-bending blend of crime fiction, fantasy, and top-drawer literary entertainmentis Thursday Next: First Among Sequels, Fforde's famous literary detective is once again ready to make the world safe for fiction. Thursday Next is grappling with a host of problems in BookWorld: a recalcitrant new apprentice, the death of Sherlock Holmes, and the inexplicable departure of comedy from the once-hilarious Thomas Hardy novels, to name just a few�all while captaining the ship Moral Dilemma and facing down her most vicious enemy yet: herself.… (more)
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The oddities of this alternative reality version of our world are getting sillier.
In this novel, Thursday needs to deal with BookWorld versions of herself. Here Fforde takes the metafictional genre and turns it inward on itself as he references the other works in the Next series and has Thursday working with the characters-including an unflattering version of herself.
The main plot line addresses the fate of the Chronoguard and time travel. In true Next novel fashion, the key to saving the guards rests in locating a secret recipe for UNscrambled eggs that her Uncle Maycroft had hidden inside “A Dark and Stormy Night.” The subplot focuses around the decreasing Outland read-rate of books as based on the read-o-meter. To make classic fiction more popular, there is a plan to redo them as reality TV shows. This would lead to the irreversible rewriting of classics like Pride and Prejudice. Thursday needs to overcome a number of obstacles to keep the classics safe.
Fforde continues to surprise the reader with his range as he presents a very poignant scene where Thursday suddenly becomes aware that her daughter Jenny is just a figment of her imagination. As the result of a memory worm placed by Aornis, Thursday is doomed to continually realize she doesn’t have a daughter, then forget that she has made that realization. Her family explains that they are aware of the illusion and they “play along” to minimize the mental strain on Thursday. The emotion in portraying this to the reader is that felt by anyone dealing with a mental illness in their family. It was quite touching.
What was unusual about this novel is that Fforde appears to have left a stray string. Either he missed ending this plot line or I passed over it in my reading. Was there any closure regarding Sherlock Holmes being found dead in “The Final Problem?”
I was afraid the series was closing, but I was pleasantly surprised to learn that it was continued in One of Our Thursdays Is Missing.
It's all eminently readable, but as with many series of this sort, it's beginning to take on the air of being written on auto-pilot. The prose is comfortable rather than novel, and there are few flashes of brilliance. A good book for reading on a beach.
Fforde injects a lot of social commentary into this novel. There is a genre dispute between Ecclesiastical, Racy Novel, and Feminist. Racy Novel’s threat to use a “dirty bomb” on Ecclesiastical and Feminist is much like the terrorist threats we hear on the news today. Also, the low reader rate issue is a real problem. People are more interested in reality television, and have such a short attention span, that they aren’t reading novels. I wish that these problems could be resolved in the real world as easily as they were resolved in the BookWorld.
The ending of the last Thursday Next book led me to believe that the series had ended.
It has been three years since “Something Rotten” came out. Fforde has since written two volumes in the Nursery Crime Series. He uses the first half of this new book to remind us of the major characters and plot points from the first four books. This was a great help. It made it easy to pick up the thread of the story. He also gets us caught up on what has happen in the fourteen years that has past in Thursday’s life. This book ends with so many unresolved plot points that we can be sure there is another Thursday Next book in the future.
This is just a brief overview of how the situation stands at the beginning of the novel but it cannot do justice to the Fforde’s inventiveness. New and old characters work together to avoid the end of time and the death of reading, two events which may be related. Most episodes that might initially seem entertaining but discrete are eventually stitched together in a logical/ fantastical/ postmodern manner that would surely have Douglas Adams chuckling. Some episodes that aren’t developed may be resolved in later books in the series. Part of the joy of this series is identifying the references to other published works and finding old characters responding appropriately to new situations. The Bennet family all behave in a suitable manner when their novel is under threat and their response to Thursday’s intervention is classic.
There is certainly a lot happening but the novel only became confusing once. I have read chapter 36 several times now and still can’t work out how Fforde creates a particular event. Fortunately, once passed, this one wrinkle didn’t detract from my enjoyment of the rest of the novel. If you are prepared to suspend disbelief, there are many enjoyable parallels between the real world and the BookWorld. Similarly, wordplay is a key feature of these novels but, again, rather than create confusion this helps readers to develop links between the real and the textual.
Overall the novel is highly entertaining, genuinely witty and a real page turner. It does end on a cliffhanger, but the final few pages are so clearly setting up the next in the series that you do not feel that anything has been left out of this novel. If you haven’t read about Thursday Next before then it is worth starting with ‘The Eyre Affair’ for sheer enjoyment, but the references to past events are suitably developed to allow newcomers to enjoy this story on its own.
Set in 2002 some 14 years after Something Rotten, Thursday and Landen have been happily living together, Friday is now 16 and hasn't yet joined the Chronoguard - somewhat surprisingly as he was known to have started by 13. Somethign Other is
Lots happens, but I felt this was a much slower start than some of the previous works, and while still funny in many places it's lost some of the quirky humour of them too. However the more direct political commentry make sup for someof this. I don't liek time travel stories particularly with odd paradoxes so one of the major plotlines really didn't appeal to me.
Overall - good but not brilliant, Fun but not superb. Read the others first, much of the in book references that made them so superb have been replaced with in book references to the previous TN books, which just doens't work quite as well.
It is a pre-requisite to have read the previous books. Not much makes sens in any of Fforde's works, but it'll have made even less sense if you don't have the relevant knowledge of th preceding books.
I had a fantastic time with the first four
But then the book really hit its stride. Fforde introduced a few new twists and turns. The plot picked up a bit. I started snickering to myself. I crowed with delight or gasped in shock at each new development. I snickered some more. I out-and-out laughed a few times. I told my mother, (a ffellow Fforde ffan), that I'd been mistaken. This was indeed as good as the rest of the books. In fact, it's emerged as perhaps my favourite in the series.
Fforde's stories are so far over the top they can't even see the ground, but he tells them with such conviction that you can't help but believe what he says. Time travel is possible. International travel is all via gravitubes that shoot around inside the earth's core. Cloning has helped scientists restore extinct species, including dodos and early humans. Illegal cheese dealing is a serious offense. And, what's more,the characters in books are sentient. They run a police force that helps cut down on textual crime. There are only fifteen pianos that cycle through all of English literature. It's crazy talk, but it works. And it's a hell of a lot of fun to read.
I am tempted to say that Fforde is gags-over-plot, but I'm not sure that's entirely fair. True, the plot of FIRST AMONG SEQUELS takes a backseat to all the zany stuff, but the resolution is a direct result of all the strange happenings. It's convoluted and fascinating and - I'll say it again - wicked fun to read. Everything that happens is firmly rooted in story, with frequent references to classic and contemporary lit. And, best of all, the ending leaves things open for yet another Next novel. (And his website calls the series an Octology! How exciting is that?) I can't wait.
I highly recommend this, but I think you might do best to read the first four Thursday Next books before you tackle it. Make sure you take a wee break between each one, too, so the ideas don't get too stale.
(A slightly different version of this review originally appeared on my blog, Stella Matutina).
Assuming you did know that, I don't need to give an introduction to the basic premise. This is weaker than its predecessors -- I still enjoyed it but I didn't love it.
Still a fun read, but I'd probably suggest waiting for the paperback.
Not only is Fforde's prose immediately engaging and the premise of these
To be reading a book that mentions not only one of my most beloved children's series (Moomintroll books by Tove Jansson) but also includes a character is just encountered a month ago (Dr. Temperance Brennan of "Bones" fame) - it's like winning a small lottery! He allows the reader to pat him/herself on the back for recognizing many literary references while not making him/her feel ignorant about the hundreds that are probably missed.
His commentary on the current state of world affairs is also wonderful...as the Council of Genres discusses reclassifying several classic works - "...Orwell's 1984 is no longer TRULY fiction so has been reallocated to non-fiction." "...Racy Novel gets along with Comedy and Erotica fine, but Ecclesiastical and Feminist don't really think Racy Novel is worthy of a genre at all and often fire salvos of long-winded intellectual dissent across the border, which might do more damage if anyone in Racy Novel could understand them. For its part, Racy Novel sends panty raiding parties into its neighbors, which wasn't welcome in Feminism and even less in Ecclesiastical - or was it the other way around?"
Love this one also: "Books suffer wear and tear...For this reason all books have to go into the maintenance bay for a periodic refit, either every thirty years or every million readings, whichever comes first. For those books that suffer a high initial readership but then lose it through boredom or insufficient reader intellect, a partial refit may be in order. Salmon Thrusty's intractable masterpiece The Demonic Couplets has had its first two chapters rebuilt six times, but the rest is relatively unscathed."
Throughout the book - Fforde makes his love of books (of the writing process/relationship between author and reader, really) abundantly clear. Thinks Thursday, "Reading, I had learned, was as creative a process as writing, sometimes more so. When we read of the dying rays of the setting sun or the boom and swish of the incoming time, we should reserve as much praise for ourselves as for the author. After all - the reader is doing all the work - the writer might have died long ago." Last quote - on poetry: "Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the crack cocaine of the literary world."
So combine a love of reading with a good mystery, a world where cheese is an illegal but much desired substance, there is a Toast Advisory board and the issues of the day are a declining read rate, a huge surplus of stupidity and short attention spans seem to be the order of the day...and I'm all in.
Can't wait for the next installment!!!
Overall, it was a pretty good book and I have to say it's worth a read if you've read the others. I still think that the first book Jane Eyre is still the best (maybe because it was the first?) but this is a nice continuation. The ending is a bit of a cliffhanger which is very different than all the other Fforde books I've read. Good solid book with lots of literary references (I'm sure there are more than the ones I caught!) and fun enjoyable read.
I love the BookWorld - it's a fantastically
It may not be the point of the book but it reminds me what an amazing process reading is. Makes me think of the Marshall McLuhan quote:
"Whence did the wond'rous mystic art arise, Of painting SPEECH, and speaking to the eyes? That we by tracing magic lines are taught, How to embody, and to colour THOUGHT?"
But it's also a highly entertaining read which also engages emotionally. From the slapstick of the dodo fanciers to the sadness of Milton's goodbye, I look forward to Thursday's return.
This is probably my favorite of the Thursday Next books after "The Eyre Affair". The sudden jump in time from the 1980s to 2002 really gave a lot of mystery to what had been going on in Thursday's life. The usual underlying theme of time travel causing events and Thursday fighting to put things right were mixed with two Thursday "clones" (from the meta-TN books with the Thursday Next books) working in the book world. Multiple copies of her son, a ghost of her great uncle, an imaginary daughter, the disbanding of Spec Ops and the subsequent underground version of Spec Ops that formed, and the usual shenanigans from the Acme corporation just added many levels of interesting subplot to what might have otherwise just been another adventure to save the world.
I stumbled across the first book in this series on a table at a local Barnes & Noble. The only reason why I bought The Eyre Affair was that I am a Jane Eyre fan-- and the plot
In Thursday Next, First Among Sequels, it's been fourteen years since the action in Something Rotten. Thursday and her husband have several children, including a very cranky sixteen-year-old named Friday. Thursday puts on her uniform and shows up for work at Carpet World in Swindon every day. But things are not quite as they seem. (If you've read Fforde, you know that last sentence is a given.)
Sherlock Holmes dies at Rheinback Falls, and the series comes to a screeching halt. Miss Marple dies in a car accident, and she's stuck her nose into her last investigation. When strange things begin to happen to Thursday's fictional self, she knows what's going on: there's a serial killer loose in the Bookworld. To top it all off, Goliath Corporation -- which has been strangely silent the past few years-- wants to deregulate book travel. It's time for the real Thursday to stand up, to stop making illegal cheese buys, and to save the Bookworld once again!
When I began reading these books, I was afraid that half the puns, other word play, and references to things British were zooming over my head at the speed of light. Now that I'm a bit older, I've mellowed. Yes, I may very well be missing some bits, but I don't care-- I love all the bits that I do understand.
These books always have an interesting storyline-- like the one in which the serial killer resides-- but there is so much more going on. Reading Fforde's take on modern society (such as the stupidity surplus) is so true that it's funny, and I laugh even though I have a good idea that I shouldn't. If you tire of social commentary, puns, satire, the twists and turns of the plot... and you just want a good laugh, reading the scene of Thursday's illegal cheese buy is out-and-out hilarious. Fforde's world is even facing declining book sales just like our world.
For those of you who have hesitated to read these books because you believe you're just not well-informed about classics like Jane Eyre or Pride and Prejudice, I urge you to reconsider. There's been a book or two that's been included in the series that I'm not well-acquainted with, but it really didn't make a difference. More than anything else, reading these books is all about FUN. That's "fun" in capitals-- something that we all could use a good strong dose of.
The beauty of the previous novels was the simplicity of the central plot line combined with the randomness of the world he created. All of the exposition was provided in the little short paragraphs that preceded each chapter so the actual story was not cluttered with attempts to explain the mass amounts of made-up stuff that make the TN series so fun. Depressingly he really didn't achieve any of that in this one.
It takes place 14 years after Something Rotten and most of the SO branches have been disbanded. Thursday has several events to contend with.
For the first time, I think, Fforde introduces a contemporary fiction character who will probably figure in the next book. It is forensic anthropologist Temperance Brennan. He also includes some situations that could be linked to current political situations.
A great read. Recommended.
REVIEW: I had know idea this book was coming out and I was overly happy when I saw it sitting on a table at Barnes and Nobel. I couldn't wait to start reading it, and once again, Fforde has done a wonderful job! I loved this book and all the twists and turns (even though at times they
FAVORITE QUOTES: I'm trying to figure out whether the lack of progress is writer's block, procrastination, idleness or just plain incompetence. // Human's like stories. Humans need stories. Stories are good. Stories work. Story clarifies and captures the essence of the human spirit. Story, in all its forms- of life, of love, of knowledge- has traced the upward surge of mankind. And story, you mark my words, will be with the last human to draw breath, and we should be there, too, supporting that one last person. // "Nostalgia used to have a minimum twenty years before it kicked in," he said in all seriousness, "but now it's getting shorter and shorter. By the late eighties, people were doing seventies stuff, but by the mid-nineties the eighties-revival thing was in full swing. It's now 2002, and already people are talking about the nineties- soon nostalgia will catch up with the present and we won't have any need for it.
This carries on the series wonderfully and leaves the perfect cliffhanger for the next book.