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A runaway #1 bestseller in Canada, this richly layered first novel tells the story of the intricacies and rituals that shape a family's life over three generationsA Good House begins in 1949 in Stonebrook, Ontario, home to the Chambers family. The postwar boom and hope for the future colors every facet of life: possibilities seem limitless for Bill, his wife, Sylvia, and their three children.In the fifty years that follow, the possibilities narrow into lives, etched by character, fate, and circumstance. Sylvia's untimely death marks her family indelibly but in ways only time will reveal. Paul's perfect marriage yields an imperfect child. Daphne unabashedly follows an unconventional path, while Patrick discovers that his happiness requires a series of compromises. Bill confronts the onset of old age less gracefully than anticipated, and throughout, his second wife, Margaret, remains, surprisingly, the family anchor.With her remarkable ability to probe the hidden, often disturbing landscapes of love and to illuminate the complexities of human experience, Bonnie Burnard brings to her deceptively simple narrative a clarity that is both moving and profound.… (more)
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What I enjoyed most about this novel was Burnard's unique writing style where she packs a wealth of information in each sentence, and then packs her paragraphs with these full sentences. In doing this, she creates nuanced, rounded characters and tells a story without a lot of action. What she achieves on the page reminds me of the folk art landscape painting where every element is given equal weight and importance. And like folk art painting, Burnard's book is interesting and worthwhile, but it's not fabulously sophisticated high art either. However, it was good enough to win the 1999 Giller Prize, and that says something.
Recommended for: I think this would appeal to the reader who enjoys books by Carol Shields and that sort. I loved Burnard's packed sentences, but others might find them tedious. It is an impressive first novel.