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Fiction. Literature. Suspense. Thriller. HTML: From the bestselling author of The Dogs of Babel comes a dazzling literary mystery about the lengths to which some people will go to rewrite their past. Bestselling novelist Octavia Frost has just completed her latest book--a revolutionary novel in which she has rewritten the last chapters of all her previous books, removing clues about her personal life concealed within, especially a horrific tragedy that befell her family years ago. On her way to deliver the manuscript to her editor, Octavia reads a news crawl in Times Square and learns that her rock-star son, Milo, has been arrested for murder. Though she and Milo haven't spoken in years--an estrangement stemming from that tragic day--she drops everything to go to him. The "last chapters" of Octavia's novel are layered throughout The Nobodies Album--the scattered puzzle pieces to her and Milo's dark and troubled past. Did she drive her son to murder? Did Milo murder anyone at all? And what exactly happened all those years ago? As the novel builds to a stunning reveal, Octavia must consider how this story will come to a close. Universally praised for her candid explorations of the human psyche, Parkhurst delivers an emotionally gripping and resonant mystery about a mother and her son, and about the possibility that one can never truly know another person. From the Hardcover edition..… (more)
User reviews
(from pg. 3) " This book is different from anything I've done in the past; in fact, I'm going to puff myself up a little bit and say that it's different from anything anyone has done in the past, though there isn't a writer alive who hasn't thought about it. The Nobodies Album isn't a novel, though ever word of it is fiction. Do you see me talking around it now, building up the suspense? Can you hear the excitement creeping into my voice? Because what I've done here is nothing short of revolutionary, and I want to make sure the impact is clear. What I've done in this book is to revisit the seven novels I've published in the last twenty years and rewrite the ending of each one."
The main narrative is about Octavia reconnecting with her son who is accused of murdering his girlfriend. The murder mystery is not my favorite part, but is clearly developed as a vehicle for the mother and son to bond.
What I loved were the sprinkling of the assortment of imaginary final chapters and their revisions. It is through Octavia's fiction that we feel the pain of her loss and the need to go back and fix what is wrong. The short stories do not take up much room and do not distract from the main plot. The biggest compliment I can pay is that I would love to see Parkhurst turn each of these vignettes into actual novels.
Carolyn Parkhurst writes in a beautiful, literary voice. Late in the novel, Octavia reflects on the impact the deaths of her husband and daughter have had upon her writing:
" Of course that day and all of the days that followed it became part of my work. It didn't feel like a choice. The profanity of death and the sacredness of grief: what more important material is there When, in each of my subsequent books, I took time to pause and consider what we had had and what we had lost, it was something like the Muslim call to prayer. Such a powerful act. Imagine taking the time to stop your ordinary life five times a day in order to turn to something holy. A supplication, a reminder. Bearing witness. A summing-up of belief. And if, in my own life and in my own work, I didn't exactly fall to my knees and touch my forehead to the ground, I performed a sort of internal bowing. I honor you. I'm thinking of nothing else. I bear witness that they were loved. I bear witness that they are not gone from my body, from my life. Make haste to remember them. Make haste toward prayer."
I encourage readers to reacquaint themselves with the folktale The Pied Piper of Hamelin before reading The Nobodies Album. The author's final story-within-the story affectively reworks the old legend with brilliant results. highly recommended
This is a well-written, very inventive book and one I highly recommend.
It's been over three months since I read this book, so this review is going to be much shorter than it might have been. I loved this book just as much if not more than The Dogs of Babel. It had a similar quirky feel to it given Octavia's current project of rewriting the ending to all of her previous novels. Having them interspersed into the story at first seemed odd and then it seemed perfect. It also had so much to say about the strength of family in the face of tragedy. There was no miraculous reunion between mother and son. Instead, they both faced the hurt they'd caused one another. They began to understand the way loss can impact their actions. What really made the book for me was how the way in which Octavia tried to reclaim her life after losing her husband and daughter and the way in which this good thing for her harmed her relationship with Milo. Octavia working through that was actually quite beautiful.
The only thing that bothered me with this book was the name Milo. I don't know what it is recently (see review of I'd Know You Anywhere), but if I don't latch on to a character's name, it sticks under my craw. That's my quirk alone I'm sure. Perhaps it's time for a little therapy. LOL!
With a hint of mystery, murder, and plenty of family issues, The Nobodies Album is a winner. It's accessible and thoughtful. I very much appreciated that I could still recognize the author, her style, and hers ingenuity while reading something completely different. I found reading this book rewarding and would highly suggest it.
The story of her relationship with her son is a simple one. It is told in two voices…one the emotional longing of a mother to be reconnected with her son, the only child remaining after her husband and daughter die, and the voice of a writer, seeming to narrate the events as they unfold as if to give her some distance from the happenings to buffer her potential pain. I found Parkhurst’s style very engaging and it held my interest. The rewritten endings of the writer’s novels were not at all distracting. Each one was a little vignette of itself that made perfect sense in the context of the story. In the end, they demonstrated the fact that everyone lives with regrets of some kind. Everyone wonders if we had done things differently would we have had better outcomes. Everyone wishes that they might have the ability to rewrite an ending of their own.
Reading this novel was like existing for a time inside a writer’s head and observing the world and the events while writing a narration, and seeing how clearly the real and the imagined intertwined and intersected.
Overall, I found this novel redeeming and I was left with the optimistic awareness that all anyone wants in life is to be loved and accepted and that our greatest strength lies in giving those we love, just that!
The story bounces back and forth between the main plot, which follows author, Octavia Frost, whose adult son, rock star Milo, is arrested for murder of his girlfriend and a secondary plot.
At first it was jarring (at least on the audio) to switch between the fictional stories and the author’s life, but after awhile you get into each of the stories within the larger story. It’s really beautifully told. I found myself forgetting that Octavia isn’t a real author and I wanted to read some of her books, particularly The Human Slice.
Part of me, the cynical side I suppose, thought maybe this was a way for the author to fit a bunch of ideas for books into a single book. But even as I say that, I realized that it still worked. It doesn’t feel forced, it just feels like an author reflecting on her books, her “children.” These things that she created and now wishes she could change. It’s about so much more than changing books though; it’s about living a life of regret and realizing you can’t change what’s already happened.
I’ve never read anything by Parkhurst before, but I kept thinking about what an engrossing voice she has. I went back and forth on my rating, because though I really enjoyed it while I was reading it, I think I’ve grown to like it even more in the past few weeks. I keep thinking about new elements of the story and how they say so much more than they seem to at first. It’s almost like the book is just trying to tell a story, but it can’t help but be profound. It was an incredibly satisfying read.
"Why do we think that knowing the events of someone's life gives us insight into the person they are? Certainly we react to the things that happen to us, we are not unchanged by them, but there is no format to it. You may know that a cascade of water can wear away stone, but you can't predict what shape the rock will take at any given moment."
There are excerpts from Octavia’s books which all sound like books I would like to read! This was a story about family, failures, forgiveness and redemption. Through the words from the books Octavia has written you get glimpses into the life shared by her and Milo after the death of half of their family. Now Octavia and Milo need to work together to prove his innocence and repair their broken relationship.
This was a very powerful book that flowed through the beautiful writing; it’s so much more than a mystery but the mystery was a good one. This was my first book by Carolyn Parkhurst but for sure won’t be my last.
4 ½ Stars
Have you ever had the experience of starting a novel and just falling in love with the protagonist right away? This isn’t that novel. When we meet first-person narrator Olivia Frost, the best-selling novelist is flying to New York to drop off her latest manuscript at her
So begins Carolyn Parkhurst’s latest, The Nobodies Album. It’s part conventional murder mystery, part character study, and part rumination on the art and life of a novelist. For me, the book worked on all levels. I won’t go so far as to call it a page-turner, but I was engaged by the mystery plot. The dénouement may have been obvious to some readers, but not to this one. I did warm up to Olivia and found her to be an interestingly complex character to build a novel around. But more than anything, I think, I enjoyed the insights into what it is to be a writer:
“I’ve often wondered if writers are the ones who feel compelled to narrate their lives as they live them, to stand in the shower and wonder whether there’s a less predictable word than ‘lather.’ I used to think it made me a good writer—look at me, honing my craft as I stand here to pour a cup of coffee, drafting and revising my descriptions of the mug, the smell, the sound of the hot splatter! Now I just find it tiresome, though it doesn’t seem to be something I can stop. An end to narration: that’s what I imagine death will be like.”
Olivia isn’t just ruminating on her writing, however. A significant subplot of the novel is her desire to rewrite the endings of all of her previously published works. (And I don’t think you need to be Freud to see the significance in that.) To that end, scattered strategically throughout the novel (in order to create maximum tension and suspense) we are treated to the jacket copy and the original and revised conclusions to Olivia’s seven novels. These interruptions are relatively short, and read more like self-contained stories than the true final pages of books, but the overall effect reminded me of Italo Calvino’s experimental novel If on a Winter’s Night a Traveler. Basically, you’d get caught up in the story snippets and feel slightly jarred when they ended.
Reading back over what I’ve written, I realize my description of this novel sounds a bit busy and overwrought. On the contrary, I thought it all came together really well. It was both entertaining and illuminating.
Oh, and Ms. Parkhurst, if you’re reading this, I’d really like to read the entirety of Olivia’s imaginary novel The Human Slice!
Octavia examines her creative work and daily life focusing on observations of coincidence and synchronicity, women and children, loss and endurance, immediate reactions and dissociations, creative drive and withdrawal, and commitment and acceptance. A common thread through these themes is that we are the result of "all those years of accumulated decisions and acts of chance." We can revisit our past and see it in a new light, but rewriting it does not change the effects the past has had on us. Instead we should gain new insight and think about our personal histories but "write" something new to reflect our evolution as individuals.
This very good novel requires concentration on the inserted novel rewrites as they set the stage for the only possible ending to the mystery story. Ms. Parkhurst gives credit in the dedication to her own father for teaching her how to tell a story. She learned her lesson well.
Published by Doubleday
ISBN 978-0-385-52769-9
At the request of Doubleday, a HC was sent, at no cost to me, for my honest opinion.
Synopsis (from book's jacket): Octavia Frost is a former bestselling writer in the winter of her career. In the opening pages of
Octavia and Milo haven't spoken in years, an estrangement stemming from a horrific tragedy the two of them endured when he was a child. Yet Octavia cannot help but drop everything and fly to San Francisco to try to make sense of the situation.
The book Octavia was supposed to deliver contains rewritten versions of the final chapters of all her previous novels, in which she has changed her character' outcomes and removed pieces of her personal life that had been hidden within, especially concerning that terrible days years ago, These "last' chapters" and their new revisions are interspersed throughout Carolyn Parkhurst's The Nobodies Album-the scattered puzzle pieces of the troubled past Milo and Octavia share.
Did she drive her son to murder? Did Milo murder anyone at all? And what exactly happened all those years ago? As the novel builds to a stunning reveal, Octavia must consider how her own story will come to a close.
My Thoughts and Opinion: I had a hard time with the beginning of this book. I felt that at times it was very "wordy" and "dry", and not sure where the plot was headed. There were eight (8) chapters that had been written by the character of the author and her ground breaking concept of her newest manuscript, whereas it had the original ending of one of her prior novels and then a new and different ending. Another thing that I felt was hard to relate to, which was stated in the synopsis, and that was the many years of estrangement between the characters of mother and son. It appeared to this reader, and this is my opinion only, that son's response, was unrealistic and too nonchalant when they were reunited after many years of bitterness and being apart. On the other hand, the suspense of trying to piece together the clues of finding the murderer in the cast of characters, what was the underlying reason for the estrangement and a few other issues that I won't mention due to it containing spoilers, is what kept my interest and had me turning the pages. Since I found this novel to be a 50/50 read I will rate it accordingly.
My Rating: 3
On her way to deliver her last one, she sees that her estranged son and rock band sensation, Milo Frost has been arrested for murder.
I like the character development in the book, and how the excerpts of her novels show the mirror in her life
The use of the plot line of Octavia's idea changing the endings to her books really showed a lot of the changes in her and her state of mind. I really enjoyed reading the endings of the fictional books and reflecting on what I knew of Octavia and her relationship with her son and the events that in some ways bound them and in others tore them apart. I looked forward to reading the endings.
A great book for anyone that ever wondered about how a book could reflect its author.
However, there is much more going on in this book so that calling it a “murder mystery” doesn’t quite do it justice. Although the murder mystery propels the plot, there are several other story lines that I found just as compelling. We know from the beginning that Octavia and Milo are the only two surviving members of the Frost family, but we don’t quite know what happened to the other two members. Another mystery is what caused the estrangement between Milo and Octavia. As you read, Parkhurst doles out bits and pieces of information that provide answers to both of these lesser (but no less interesting) “mysteries.”
The other aspect of the book that I enjoyed were the excerpts from Octavia’s latest book, which is also called The Nobodies Album. The concept of the book is that Octavia is rewriting the ending of all her novels. Throughout the book, we get to read the original ending and then the revised ending. These little “breaks” from the main narrative were interesting and intriguing, and I enjoyed them quite a bit. I thought adding this aspect to the book was ambitious of Parkhurst; it wasn’t something she needed to do.
Another thing I liked about the book was the humor. I thought Octavia was pretty funny, and I was often amused by her thoughts. For example, she is constantly telling herself: “If this was a murder mystery, this is the part where I would talk to the doorman and discover the clue.” This kind of meta-narration (after all, this is a character talking about the writing of a murder mystery in a murder mystery)—as well as the fact that Octavia’s book and this book are both called The Nobodies Album—was appealing to me. It seemed to me like Parkhurst was having a little fun and challenging herself.
Before The Nobodies Album, the only book I’d read by Carolyn Parkhurst was The Dogs of Babel, which was a wonderfully different story of a widow attempting to teach his dog to talk in order to discover if his wife committed suicide or died in an accident. It was a memorable and unique book, and Parkhurst managed to pull off what seems like a quirky premise and make it powerful, real and affecting. I think she managed to do the same with The Nobodies Album. Rather than just writing a straightforward murder mystery, she dabbles around with metafiction. It was a fun little experiment, and I thoroughly enjoyed it.
If you’re looking for a literary fiction book that can double as a murder mystery, The Nobodies Album would be a good choice. It has a sly sense of humor and contains some interesting experiments by the author. I definitely plan to go back and read Parkhurst’s second novel, Lost and Found.
The mystery part of the novel was a little bit unsatisfying -- I had a strong hunch who the killer turned out to be pretty early on -- but the journey was an entertaining one. A couple of the characters were slightly annoying to me -- the mother of the deceased girlfriend was a bit cliche. For as much as she was involved, I would have liked to have seen a little resolution between her and Octavia. I'm also unsure what the point of the high school friend-turned-rock-groupie-turned-facebook-friend was. Beyond her importance to one of the scenes in the book, there wasn't much use for her. All that being said, this was a very entertaining read with a lot to say about parent-child relationships, especially those made more strained by the pain of loss.
I could have loved this book, but the format just didn't work for me. The excerpts from her novels distracted me and made it hard to keep everything straight. I liked the author's writing & I enjoyed Octavia's story. The mystery wasn't much of a mystery. In the end, I was just glad to get the book finished.
Despite the fact that it's billed as a literary mystery, I found The Nobodies Album surprisingly satisfying. It's true that the mystery wasn't particularly mysterious; there is really only one person who has any motive for murdering Milo's girlfriend Bettina, so even I, notoriously slow when it comes to solving these things, figured it out before the characters did. But I quite enjoyed the story along the way. Many of the other story elements aren't revealed until further into the book, so it takes a while to truly understand how they have all gotten to this point. Seeing things from Octavia's point of view, as an older woman who has made mistakes, tied in with the obvious change of attitude she's had displayed through the old book endings spread throughout the story, made for a very emotive and moving read.
Though beautifully written, Octavia's voice is slightly cold to start. I would encourage you to set that aside until the story gets more involved. She has reasons for acting the way that she does, and those reasons lead to the reveal of some fascinating, complex relationships - exactly what I look for in a book like this. The story takes a close look in particular at the relationships between mothers and their children; how even doing the best you can sometimes isn't quite enough, especially not in the formative years. It's true that Octavia and Milo have some terrible circumstances to deal with, but she realizes that their personalities - which are very similar - will clash while their lives are still normal. She isn't the kind of parent Milo needs, but she's the parent he has left, which leads to problems in their relationship that eventually result in their initial estrangement.
The Nobodies Album is a thoughtful and at times suspenseful literary mystery. Highly recommended to those who enjoy well-written characters and don't mind the occasional break for another thread of the story.
Octavia's world evolves around her writing, and she often looks at life through the lens of a story unfolding. She has regrets about the past, especially about her relationship with her rock star son, Milo. When Milo was nine, his father and sister died tragically, leaving just him and Octavia. She and he are a lot of alike and constantly butted heads as he was growing up. She wasn't there for him as much as she would have liked, lost in her own grief and not quite sure how to handle his.
While there is a mystery aspect to the book, the main thrust of the story is of Octavia's reflection on her own life and of her relationship with her son. She is getting to know him again, as if for the first time. The author did a good job of capturing Octavia's thoughts and feelings. I wasn't sure what to think of Octavia for most of the book, but she showed a lot of growth as the novel progressed. By the end, I quite liked her.
It took me a while to get into the novel. Interspersed throughout the novel were excerpts of Octavia's latest writing project, a book called The Nobodies Album. Octavia has taken to rewriting the endings to all her novels and hopes to publish them in an anthology of sorts. Had she written those same stories today, how differently would they have ended? This was her opportunity to change the past, so to speak. I was less than impressed with the excerpts, however, and think that the novel would have come off fine without them, perhaps even better if only for the lack of distraction. The same connections the author made in the excerpts were made in the actual story as well. Although, I will say the excerpts got better towards the end.
There were several passages I wish now I had jotted down to share with you, phrases and ideas that caught my fancy. As a person who loves stories, I was drawn to Octavia's observations and take on life, especially in regards to her writing--how it affected her life and how her life affected her writing.
While I enjoyed The Nobodies Album in the end and came to care for all of the characters, I still felt a bit disappointed when all was said and done. I do think I'd like to give the author another try. She clearly has a way with words and is able to get inside the minds of her characters.
Carolyn Parkhurst always manages to come up with truly creative and original ideas for her novels. Best known for her book DOGS OF BABEL, Parkhurst returns with the NOBODIES ALBUM. Many will view this book as a mystery but it is not. It is
Other reviewers have mentioned two main flaws in this book: it isn't a very good mystery and the inclusion of the rewritten endings from THE NOBODIES ALBUMS which many readers find distracting and pointless. I don't agree with either criticism. This isn't a mystery book so it wasn't important to me how effective the "mystery" was. I think the inclusion of the rewritten endings was KEY to the story. I think many of us would love the opportunity to rewrite portions of our lives and the impulse must be doubly enticing for a writer. The rewritten chapters reveal a great deal about Octavia and how she dealt with her grief after the death of her husband and daughter. The rewrites reveal her attempt at changing history and healing her troubled relationship with her son. To me, they added a great deal to the story. Especially when you think about how much of themselves authors put into their work.
BOTTOM LINE: Highly recommended. An intriguing and moving story about the troubled relationships we sometimes have with those who are close to us and the profound effects that grief and loss can have on people. One of my favorites this year!