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Nonny Frett understands the meaning of "between a rock and a hard place." She's got two mothers, "one deaf-blind and the other four baby steps from flat crazy." She's got two men: her husband, easing out the back door; and her best friend, laying siege to her heart in her front yard. She has a job that holds her in the city, and she's addicted to a little girl stuck deep in the country. And she has two families: the Fretts, who stole her and raised her right; and the Crabtrees, who lost her and won't forget how they were done wrong. In Between, Georgia, population 90, a feud that began the night Nonny was born is escalating, and a random act of violence is about to ignite a stash of family secrets. This might be just what the town needs, if only Nonny wasn't sitting in the middle of it.--From publisher description.… (more)
User reviews
Joshilyn Jackson's books are marketed as pleasant women's fiction, but to consider them as such is to ignore her biting wit and deep understanding of what it means to be a Southerner. These are strong women, molded into steel, but with that thin coating of perfect manners to hide the sting of their words. There are people getting by on cheap booze and disability checks who have as much kindness in them as the woman who is raising her granddaughter to be quietly terrified that her friend who goes to the Methodist church is going to hell. All that in a charmingly-told story of eccentric people in a small town. Jackson writes with both love and a clear eye.
In Between, Georgia, which could be called Gothic Lite, the feuding families are the Fretts and the Crabtrees. One family is upstanding, upright, and uptight, the other peopled by flaming tempered ne'er do wells. Both, though, are quirky and eccentric enough to embarrass or frustrate even the most loving, loyal, and family-oriented of offspring.
Nonny Frett, who narrates Between, Georgia, has the dubious luck to be the offspring of both these families. She's a Crabtree by birth, the daughter of fifteen year old Hazel, but has called Stacia Frett "mama" since she was born. When Hazel Crabtree knocks hysterically on Bernese Frett's door in the middle of the night, in labor, the book is truly off and running, and we know exactly what the story will be like. No please, no thank you, just "Get it out of me" and "Don't tell my mama" and "I hate you." Bernese Frett, the oldest of the three Frett sisters and an RN (and ever the pragmatist) delivers the baby. Her sister Stacia, deaf since birth and slowly going blind from a congenital disease, falls immediately in love with the baby and adopts her.
Thirty years later, Nonny's living in Athens, Georgia, working as an interpreter for the deaf and divorcing her musician husband. She's been pulled in all directions for most of her life by love of her true family, the Fretts and the desire of her birth family to pull her into their fold. Over the course of one weekend the action escalates, as Bernese Frett and Ona Crabtree kick the feud into frighteningly high gear.
Although there's drunken violence, dead animals, and a horrible fire, Between, Georgia is a romantic comedy at heart. The characters are extreme but believable. Nonny's suitors are both gorgeous and hot and flawed, and the reader truly understands why she's having so much trouble taking the final step with her horn-dog of a husband. Both the Fretts and the Crabtrees are interesting and, in some (little) way sympathetic.
Apparently Between, GA is a real place, though the author hasn't been, and she moved it to a different portion of the state. Poetic license and all, I suppose. I'd kind of like to read a novel set in a small town in the south that isn't full of crazies, though. Maybe next time.
The only problem with this is the long standing feud between the Fretts and Crabtrees (think
Nonny Frett grows up walking the line between the two families: the wild, rough Crabtrees and the gentile Fretts.
A very enjoyable story, sweet, and light.
The plot of this book moves along at a good pace, and the story is full of colorful characters. The similarities to Gods in Alabama are striking: the unique maternal situation, the overbearing aunt, and the troubled romantic relationship are all here.
My main issue with the book was the ending: it was a bit too neat, and definitely a let-down. I'm not sorry that I invested the time reading this book, but I was disappointed at the end.
“Between” is the small-town home of two families, the
Stacia, deaf and later blind because of Usher’s Syndrome, was the primary parent to Nonny. Stacia’s twin, Genny, who was too nervous to be without Stacia, lived with them and acted as Stacia’s eyes and ears for the outside world. And close by them was the third sister, the sanctimonious Bernese, the only one of the three who married.
Nonny learned to sign at her mother’s knee, and later became an interpreter for ASL (American Sign Language) when she moved to Athens, Georgia with her husband Jonno. Jonno, a guy too cute for his own good, liked to spread his love around, especially because Nonny went back to Between so often. Even when, after ten years, Nonny filed for divorce, Jonno would come back and make love to Nonny, knowing she had a hard time (like all the other women) saying no to him.
Back in Between, Nonny has two other pulls on her heart: Fisher is the five-year-old grandchild of Bernese, who is raising Fisher because her teenaged mother (Bernese's daughter) doesn't want her. Fisher loves Nonny fervently, and Nonny loves her. And Henry Crabtree, a neighbor and owner of the town bookstore, thinks he and Nonny could be something more than friends.
Evaluation: The plot may sound complicated, but I haven’t touched on much of it at all! And yet it all falls in place readily as the comedy-drama unfolds. The town and the characters in it are so colorful and so complex, it’s a joy to read their story. They all have secrets, and in fact, if you’ve already read Gods in Alabama, you’ll feel a bit of déjà vu. I didn’t care: I loved similar characters once; why wouldn’t I love them twice? And this book has a significant difference: you get to see how a strong and loving bond works when one of the parties is blind and deaf, and the other is neither. It’s a revelation and a pleasure.