Status
Call number
Series
Collection
Publication
Description
Fantasy. Fiction. HTML:Murder sparks witchcraft hysteria in this "thoughtful" and "entertaining" seventeenth-century historical mystery from a New York Times�bestselling author (Stephen King). It's 1699 in the coastal settlement of Fount Royal in the Carolinas when Rachel Howarth is sentenced to be hanged as a witch. She's been accused of murder, deviltry, and blasphemous sexual congress, and the beleaguered, God-fearing colonial village wants her dead. But Matthew Corbett, young clerk to the traveling magistrate summoned to Fount Royal to weigh the accusations, soon finds himself persuaded in favor of the beguiling young widow. Struck first by her beauty, Matthew believes Rachel to be too dignified, courageous, and intelligent for such obscene charges. The testimony against her is fanatical and unreliable. Clues to the crimes seem too convenient and contrived. A number of her accusers appear to gain by her execution. And, if Rachel is a witch, why hasn't she used her powers to fly away from the gaol on the wings of a nightbird? God and Satan are indeed at war. Something really is happening in the newly established settlement�of that Corbett is certain. As his investigation draws him into the darkness of a town gone mad, and deeper into its many secrets, Corbett realizes that time is running out for him, for Rachel, and for the hope that good could possibly win out over evil in Fount Royal. From the award-winning author of Boy's Life and Gone South, Speaks the Nightbird is an "absorbing historical mystery" (Publishers Weekly).… (more)
User reviews
The writer was working very hard to give the reader a good experience. There were some good lines, "He was the salt of the earth, yet you could tell he didn't have many spices to choose from." is one example that I chuckled at. But it felt too forced. Good descriptive writing feels effortless, this felt plodding and labored. Describing a person's clothing in detail is fine if it is important to set the tone and for a plot point, which it was the first time. The second and third and more it felt more like a box to be checked off. OK, they get up, I describe in detail the clothes they put on, they go about their day.
That was one thing that bothered me, but I finally had to quit writing when I realized that I didn't care about the characters, and I felt that they didn't either. The situation is a woman accused of witchcraft and a magistrate sent with his young clerk to try her case. Because of a convoluted plot sequence the young man ends up in jail next to the witch. The magistrate is supposed to be worried for the young man because of his proximity to evil. Perhaps he will be tempted and effected by her presence. That is a legitimate concern for 17th century minds. But the dialogue and internal monologue that went with this was so unconvincing I had to quit. If an author is going to write a book about people of faith, he should be able to convincingly portray them.
It was the reading equivalent of watching a Jr high production of The Crucible. I was going to just read the end to see if the ending was how I guessed it would be. When I came back to the book the next day I realized didn't even care enough to do that. Watch an episode of Perry Mason instead.
Matthew Corbett (the protagonist) is the clerk of magistrate Woodward who is conducting the trial of Rachel Howarth accused of being a witch. Only Matthew believes that there is more to the story and Rachel might be wrongly accused of being a witch. But the superstitions of the times and his ordinary position of a clerk does not help his position of trying to unveil the truth. But Matthew tries his damnedest hard to prove her innocence and at one point someone asks him,
Why can’t he move on with his life? He is young (20 years) and his whole life is ahead of him. With the passage of time, his mind would come to terms with what happened and surely life would move on.
And I think the reply that Matthew gave defines the true essence of this novel:
"Everyone goes on,” he repeated, with a taint of bitter mockery. "Oh, yes. They go on. With crippled spirits and broken ideals, they do go on. And with the passage of years they forget what crippled and broke them. They accept it grandly as they grow older, as if crippling and breaking were gifts from a king. Then those same hopeful spirits and large ideals in younger souls are viewed as stupid, and petty... and things to be crippled and broken, because everyone does go on."
Formally a horror writer, he returns with a historical thriller/mystery novel with undercurrents of his previous horror background.
I won't go into the plot or characters(that's the fun of reading it),but i will say that apart from a few minor
It is a lengthy novel, but at no time did i think it became laboured. A central character that i liked, a nice set of villians and a collection of humourous or despicable characters that inhabit this book means that Fount Royal will live in the memory for years to come.
Highly recommended.
Robert McCammon makes every detail matter and I sopped it up like I was eating biscuits and gravy. Sometimes picking out details that I would read knowing that there was an obvious reason why it was mentioned, but having to wait a while until the answer comes to fruition. I'm very glad to know that Matthew Corbett makes an appearance in 3 more novels! I'm already ready to crack open the next volume in the series. I read this book right after finishing Wolf's Hour by McCammon, but this book was a completely different animal. Robert paints pictures in your mind that you can't help but see clear as day, and the dialogue is also quite amazing, as his attention to detail in the character's speech, and talking style is painstakingly rendered. I can only imagine how long it must have been for the author to craft this masterpiece. Also, I'll give a nod to Robert for not including so much detail to the main character being quite the slut that Michael Galatin from the Wolf's Hour was. I have to give McCammon a lot of credit on this novel, and I don't feel guilty in the slightest from awarding this book 5 stars, which is not something I do all willy nilly!
This book was so hard to put down between the great story and fabulous narration by Edoardo Ballerini I wanted the world to go away so I just listen without interruptions.
There were times this book made my blood boil , these
I can’t stand this Reverend Jerusalem the minute I hear his voice the hair on the back of neck stands up if she really is a witch she should smite him! And Bidwell too he is such an ass!
There are times I feel so bad for Rachel it makes me want to cry and I am not sure I would have such strong emotions without the fantastic narration.
I was a bit shocked by a certain scene with a horse.
From English gentleman, to slaves, to women, to Indian Chiefs and everything in between Edoardo Ballerini is so absolutely amazing! Ballerini has earned a spot in my favorite narrators list his narration of this book was absolutely amazing. I will listen to anything he narrates!
I don’t know why this has been shelved in horror because as usual the demons and devils are just good old human beings. This book is not paranormal, fantasy or horror it is just a good old fashioned mystery.
This was a long story (31 hours on audio) but it kept me rapt the entire time it never bogged down and I enjoyed every word. This was such an interesting look at life at the end of the 1600’s, the superstitions that ruled people’s hearts and the recent fever deaths that still remain in people’s memory. I will definitely continue to listen to this series especially since Edoardo Ballerini narrates them all!
I truly enjoyed this book and look forward to more from this author and narrator.
4 1/2 Stars
5 star Narration
Speaks the Nightbird is the first in a series of colonial America novels that feature his character Matthew Corbett. Matthew is the 20-year-old clerk for Magistrate Woodward who is summoned to Fount Royal, a start-up city on the swampy Carolina coast, to try the case of Rachel Howarth, a woman accused of killing the town minister and her husband while also being a witch. Corbett has been under the magistrate's tutelage ever since he rescued him from an orphanage five years prior and they have developed a father/son type of relationship. The young clerk is extremely inquisitive and has a penchant for solving puzzles.
After running afoul of trouble on the road to Fount Royal, they arrive with only the clothes on their backs to the town. They are welcomed inside the city gates and into the mansion of the the town's founder, Robert Bidwell. What they find in Fount Royal is a town gripped in panic and chaos. It seems that there have been two grisly murders, homes burned, crops dying, and the suspected witch causing all of the evil doings locked up. With three eyewitnesses with wildly fantastic stories and the town's population beginning to move away in fear, the remaining citizens are convinced of the witch's guilt and want her quickly condemned to death so that their lives may return to normalcy.
Ah, but things are not as they appear and here McCammon unfurls a wonderful tale of mystery in front of us all. Matthew Corbett is like a colonial Sherlock Holmes in a town that doesn't want to be swayed that the witch might possibly be innocent. McCammon writes with such rich detail of the period and the character development is amazing. Corbett is a character that you'll quickly identify with, as well as all of the towns people, and they immediately feel like people you already know. If you're a McCammon fan, Speaks the Nightbird is an absolute must. If you haven't experienced his writing yet, pick up a copy of this immediately. I can't stress enough how good this story is and how it'll be hard to put down.
There were rave reviews on this book, and I can see why. In the first half of the book we are introduced to well developed and exciting characters on a mission. There are mysteries to solve, a damsel in distress, bad guys galore, and common individuals that are like most real people, both good and bad.
On the other hand, McCammon seems to have a predilection for abnormal sexual practices. For example, the descriptions of Rachel's supposed sex scenes with Satan, or the guy who prefers to have sex with his mare (yes I do mean his horse). I don't know if this was his attempt to titillate his readers, but I've seen a lot of negative responses to the sexual preoccupation of this book. I can't say I was forced into indignation, but at the same time I was repulsed. We all know there are examples of such doings, but really, is that what we signed up for when we purchased this book?
This author does seem to have an obsession with the penis. There are many descriptions, inferences, and innuendoes that I doubt very seriously would have been in use in 1699. As a time piece the preoccupation with sex in the puritanical early America's seemed out of place and completely unnecessary.
The verdict for me was a 3. The mystery was interesting if convoluted. The main characters were well developed and interesting. The story line, well, I've already covered enough of that to justify my rating.
Would I recommend this book? No, not really.
Will I purchase anything else from this author? I hope not. It's possible I'll run into another title, not recognize the name and buy it. It would however be a purchase in error.
Happy Reading.
618 members; 4.05 average rating; 7/15/2017
I did like it enough though to want to read the next book in the series.
I am ashamed that I reached the age of 44 before reading one of McCammon's novels. Having devoured this one as my penance, I must now read them all.
Matthew Corbett is the
I do think he made the right move not to have everyone speaking like colonials did in at the turn of the 18th century. This isn't set in New England, though, so I am not sure if the 'Goody McMuffin' type monikers and the 'thees & thous' were used in the Carolinas as much they were in the Northeast.
I'll be reading more of this author, though I probably won't go right to the second in this series.
I'm starting Speaks The Nightbird,: Dec 17: Just started, and already I'm kinda over knowing exactly how tall everyone is. Do I really need to know right down to the inch for
Thankfully, shortly after that, McCammon lost his fascination with precise height measurements. But it does speak to the central issue I have with this first Matthew Corbett novel.
The central premise is excellent. Corbett arrives in the town of Fount Royal as a clerk to a magistrate in the year 1699 to determine the fate of an accused witch. Sounds fun, right? It should be.
But McCammon--who has been guilty of this often enough--tends to pad the novel with so...much...stuff...that it turns what could have been a brisk 400-500 page novel into a monstrous, overlong 800 page novel. They can't just be staying at an inn and get attacked. No, they have to go through virtually every hour of their stay and learn the stories of every one of the inn's inhabitants, odious as they may be, before they are ultimately left behind, with none save one showing up in a couple of sentences later on in the book.
Yes, the novel is rich with detail and seemingly well-researched information, but there's a point when the reader tends to say, "Enough! I get it. They're in a small struggling town in 1699 America. Enough!"
That being said, I'll give it a three because, as I said, buried underneath the slog of detail and overlong subplots, there's a solid story in there. Only the patient or the reader fascinated with history will appreciate every page of this novel. I, instead, appreciated about half.
I'll give the next Corbett novel a go, but if it runs like this one, it may be my last.
[Audiobook note: Good enough narrator, though.]