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Fiction. Literature. Mystery. A peaceful demonstration in the normally quiet town of Eastvale ended with fifty arrests-and the brutal stabbing death of a young constable. But Chief Inspector Alan Banks fears there is worse violence in the offing. For CID superintendent Richard "Dirty Dick" Burgess has arrived from London to take charge of the investigation, fueled by professional outrage and volatile, long-simmering hatreds. Almost immediately, Burgess descends with vengeful fury upon the members of a sixties-style commune-while Banks sifts through the rich Yorkshire soil around him, turning over the earthy, unsettling secrets of seemingly placid local lives. Crossing "Dirty Dick" could cost the chief inspector his career. But the killing of a flawed Eastvale policeman is not the only murder that needs to be solved here. And if Banks doesn't unmask the true assassin, his superior's misguided obsession might well result in further bloodshed.… (more)
User reviews
Alan Banks also makes an enemy of 'Dirty Dick' Burgess who is brought up from London to head the investigation of the murder of a policeman. His tactics leave something to be desired and anger the residents of the area including Chief Inspector Banks. This is definately one not to miss.
Helping Inspector Banks in this case is an old acquaintance from his London days, Detective Superintendent Dick Burgess. Perhaps “helping” is not the right verb here. Banks is not very fond of Burgess’ abrasive and cocky attitude, not to mention his constant bragging about his (yet to be proven) sexual conquests. The duo try to work together but very quickly Banks realises that if he wants to save his career he needs to find the killer before Burgess does.
The plot of this book is one of the best so far in the series, especially thanks to the fact that most of the characters turn out to be something different from the stereotypical roles assigned to them initially. The dead policeman turns out to be a bully that relished the freedom police work gave him in beating people up. The violent Boyd has to run away lest he be blamed for a crime he did not commit. And the real killer, and his motives, turn out to be quite unexpected. This is a most enjoyable book.
There is a demonstration in Eastvale a Copper is killed, Banks with the help of Dick Burgess investigate this.
All suspicion points to a farm were some misfits live.
Its not all strait forward Banks does his best and discovers who the murderer
With Sandra and the kids out of town for a few weeks, Banks has plenty of time to follow a few leads of his own. Most of his suspicions are centered around a commune known as "Maggie's Farm," where some sixties-type people live together. One of the residents, Paul Boyd, is a particularly suspicious character, since he has a lengthy police record. Banks wants to find out if Officer Gill was murdered deliberately or if his killing was merely a random act of violence.
is not a scintillating mystery. The resolution of the story is a bit anti-climactic. What Robinson does well is develop character. From the brutal Dick Burgess to the gentle and loving Mara (who lives in the commune), each character comes alive as a result of Robinson's vivid descriptive writing and realistic dialogue. This 3rd book in the Alan Banks series is a well-paced novel that is also filled with colorful and authentic Yorkshire atmosphere.
The installment compels the reader, but some things seem to drag down the plot. Readers do not need to know every time a character lights a cigarette, particularly when all the characters seem to be chain smokers. If a future installment doesn't feature some of the characters developing lung cancer, Robinson missed out on the plot he's setting up.
I listened to the audio version narrated by James Langton who did a good job with the voices although they were perhaps not as British sounding as they could be.
A protest against a nuclear energy plant is the scene of a knifing of a policeman. Banks discovers that the dead officer was something of a bully so he thinks the attack may have a
What should have been a small, peaceful demonstration in little Eastvale goes suddenly wrong when a policeman is stabbed to death during a confrontation between 100 demonstrators and the handful of police on hand to keep them under control. CID Superintendent Richard Burgess makes it perfectly clear upon his arrival from London that someone is going to pay for the crime – and the sooner the better because he can’t wait to get back to civilization. Banks, when he figures out that Burgess will build a case against the easiest target he spots, regardless of actual guilt, makes the potentially career-damaging decision to run his own parallel investigation behind the superintendent’s back.
So, did the policeman die because one of the demonstrators just happened to pull a knife during the fight or is there more to the man’s murder? As it turns out, the young cop had a reputation for taking the opportunity to bash a few heads with his baton every chance he got and particularly enjoyed working demonstrations and protest marches. Had any of the demonstrators had a previous run-in with him - and a whole different motive for pulling that knife? Or not? The murder may just be a whole lot more complicated than Burgess wants to admit – and every bit as complicated as Banks fears it is.
The author does not add much to the Banks character in A Necessary End, and his wife and children are still pretty much blank slates in this third book. In fact, the whole family is out of town during the entire novel and their only communication with Banks is via short evening telephone calls. We do learn that Banks sees his job “as a defender of the people, not an attacker” and that he is now thirty-eight-years-old. But Robinson keeps Banks real by making sure that he is a long way from being perfect, as illustrated by what Banks reveals about himself to Burgess during one of their numerous pub-fueled conversations: “I don’t like violence. I’ll use it if I have to, but there are plenty of more subtle and effective ways of getting answers from people. That aside I never said I was any less ruthless than you are.” (Of course, Burgess sees through the bravado and spits beer while trying to stifle his laughter at the claim.)
As for personality quirks, the reader does learn that Banks is a chain-smoker who does not much concern himself with the private spaces of others and will force his habit into almost any situation and location. Too, he may be just a bit of a snob when it comes to his attitude toward American culture and the way that it is relentlessly spreading throughout Great Britain. After one conversation with Burgess, Banks finds himself wondering, for instance, “why so many people came back from America, where Burgess had been to a conference a few years ago, full of strange eating habits and odd turns of phrases – ‘pain in the ass’ indeed!” (The superintendent’s big sins were the way he cut and ate his meat in the American style and his love of donuts for breakfast.)
But that’s about it as far as new revelations go.
Bottom Line: A Necessary End easily stands on its own merits as a standalone. Readers should definitely not be concerned with having to read the first two books in the series prior to picking up this one. It is based on a solid murder mystery with numerous plausible suspects that will keep the reader guessing right up to the end – and it solidifies the image of Banks as a “good cop” willing to buck superiors to ensure that justice is served.