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Fiction. Science Fiction. HTML: This "marvelous lunar espionage thriller" by the science fiction grandmaster and author of 2001: A Space Odyssey "packs plenty of punch" (SFReviews.net). Two hundred years after landing on the Moon, mankind has moved further out into the solar system. With permanent settlements now established on the Moon, Venus, and Mars, the inhabitants of these colonies have formed a political alliance called the Federation. On the Moon, a government agent from Earth is tracking a suspected spy at a prominent observatory. His mission is complicated by the rise in tensions between Earth's government and the Federation over access to rare heavy metals. As the agent finds himself locked in a battle for life and death on the eerie, lunar landscape, the larger conflict explodes across space, leaving mankind's future in doubt. First published in 1955, this suspense-filled space opera by the Science Fiction and Fantasy Hall of Fame inductee was a significant forerunner of television hits like Star Trek and The Expanse..… (more)
User reviews
It is of course fun decades after the fact to see where Clarke's scientific prognostications succeed or fail, but the clarity of his vision is what stands out above all. I only wish his vision of the dying out of warfare were as correct.
One puzzle: the original publication date is 1935, but there are numerous references to the Second World War. I am guessing a short story or novella reflecting the core story was published in the thirties and the novel came later.
A nice feature is the cover by Richard M. Powers--my all time favourite SF illustrator.
Wonderful book.
This is a really good sci-fi yarn. Clarke nails the characterizations of the scientists and Sadler, and uses the Earth vs ex-colonies war to hold a mirror up to our own terrestrial conflicts. Men throughout the ages have reacted in different ways to the threat of war, and moving them off-world will probably make little difference. The descriptions of lunar features is quite compelling, although modern science now tells us that some of the assumption he made in the mid-1950s when he wrote this don't actually hold true on the Moon.
Still, an enjoyable read and recommended.
One reads Clarke for the science and, unfortunately, the planetary science in this book has not fared well in the light of more modern discoveries.
I gave up after a chapter that was full of (now) wrong science compounded by
I'm fine with Clarke's limited character development when there are other elements to keep me reading, but this is not a book I will keep.
Still it is an interesting story about moon colonization and conflicts with in the solar
Working undercover as a cost
The first half of Earthlight is slow and plodding as Sadler meets various members of the observatory's staff and is schooled on various as aspects of their operations and of astronomy. The only two interesting plot points are the unannounced landing of government ships in an area of the moon normally off-limits, and the two astronomers who decide to venture out in a vehicle to investigate.
The tension in the story begins to build in the second half when the observatory receives a communication warning the staff to dismantle critical equipment and take shelter underground. A war is coming, one that will decide who has control of the moon's abundant supply of heavy metals deep within its core.
It’s the 22nd Century and a number of bodies in the solar system have been colonised. Now war is brewing between Earth and the federated planets. The hero is a chartered accountant called Sadler. He wanted to retrain as a lion tamer but the powers that be turned him instead into
The level of day-to-day technology is less advanced than ours today. It’s also less advanced than might reasonably have been imagined in 1955. Clarke may have done this to make the climax more impressive, but if so it’s a massive tactical error. They have radio. They have computers that have ‘ left far behind such elementary operations as integration’. And then we have this:
‘Jamieson was still wiping developer from his hands when he arrived. After more than 300 years, certain aspects of photography were quite unchanged. Wheeler, who thought that everything could be done by electronics, regarded many of his older friend’s activities as survivals from the age of alchemy.’
By the time this novel was written the first digital video had already been made. Two years later the first digital photograph would be taken. But let’s set aside the ridiculousness of needlessly exporting development chemicals to the moon because this is the moment the novel begins to fall apart. If they have electronic storage and the means to transmit, why are they writing their accounts down on bits of paper and keeping them in filing cabinets? Surely they would put them in the computer and transmit them to earth. The entire reasoning behind Sadler’s cover story is now in a state of collapse.
This is the least of Sadler’s problems as it quickly becomes apparent that Clarke has literally no idea how to write a spy thriller. We are treated instead to scenes of him having something to eat and going for a swin.
But Sadler needn’t worry because as it turns out this plot – ie the main plot – has literally no connection to the events of the novel. I’m not kidding. I don’t understand how things could go this wrong.
There is a story in here. The main character is a spy. He has critical information that must get to the Federation’s fleet. We would know what that information is and his motives for sending it. Sadler is his antagonist.
The second plotline is Brennan and the fleet. Probably he has his kid with him and he has to get them back to his ex-wife to prove he’s not a dead-beat dad.
The third plotline is Steffanson and his mad dash to Project Thor in the nick of time. You can also keep Jamieson and Wheeler in the crevice.
Now you have POVs for the battle at the base, with the fleet, in Project Thor, and a third person POV from the Mare.
Copyright Lukerik 2023. There’s been some interest from Roland Emmerich.