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Fiction. Literature. Romance. Historical Fiction. HTML: As Seen on Masterpiece? on PBS�: Book 1 of the beloved Poldark series In the first novel in Winston Graham's hit series, a weary Ross Poldark returns to England from war, looking forward to a joyful homecoming with his beloved Elizabeth. But instead he discovers his father has died, his home is overrun by livestock and drunken servants, and Elizabeth�believing Ross to be dead�is now engaged to his cousin. Ross has no choice but to start his life anew. Thus begins the Poldark series, a heartwarming, gripping saga set in the windswept landscape of Cornwall. With an unforgettable cast of characters that spans loves, lives, and generations, this extraordinary masterwork from Winston Graham is a story you will never forget..… (more)
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The characters, all sharply hewn and honestly portrayed, are what first drew me into his novels, and they continue to entrance even after the twists and turns of the plot are now expected. Ross is the 'hero', though his outspoken pride and emotional failings save him from becoming romanticised - his unconventionality and broad mind are attractive in this first novel, but I recall that he quickly sheds his polished armour. However, my favourite character, christened with one of the best names in fiction, is Demelza, Poldark's (very nearly) child bride; she literally grows and matures as the pages turn, but never loses her own identity or that wonderful accent! She is one of the few 'spirited' heroines I can stomach, such is Graham's talent at portraying her. The rest of the Poldark clan, not to mention the families from the surrounding mining villages, are also a riot of local colour.
Winston Graham's novels are accessible and instructive - he writes from history, not of it - but also thoughtful, and illustrated with beautifully poetic language and sentiment (his description of Ross' new understanding of his young wife is tender, but also concise in expressing the contradiction of feelings and desires). Returning to the beginning is not a chore with these books, and I can hardly wait to savour again the comedy, tragedy and beauty of following sequels.
Ross Poldark returns home to Cornwall after a 2 year stint in the British Army fighting in the ‘colonies’ during the American War
The story includes copper mining, unethical banking and politics, marrying, family strife, smuggling, poaching, class inequalities, the natural beauty of Cornwall, elopement, epidemic, death, treachery, deceit, duels and sea captains.
The books subtlely overpower your life. You are totally engaged in the lives, the struggles, the passions of these characters.
I was first aware of this series in the 1970s. I was reading Daphne du Maurier who used Cornwall as a backdrop to several of her brilliant novels. Winston Graham was mentioned in several book lists as another excellent Cornish author.
Before I read any of Mr. Graham’s novels, his first 4 Poldark novels were adapted as a BBC TV series running from 1975 to 1977. Masterpiece Theatre broadcast the series in the U.S. in 1976 through 1978. I fell immediately in love - with Cornwall, with Ross Poldark (and with Robin Ellis, the actor who portrayed Ross Poldark), with Demelza Carne, Verity and all the characters. (Well, not the Warleggans!)
There is presently a fresh production of the Poldark saga on the BBC and Masterpiece Classic in the U.S. It is just as stunning as the first and I find myself falling in love all over again.
Winston Graham lived in Cornwall for 30+ years and his historical Poldark series presents (quite accurately) the wildly fluctuating economic fortunes of the region. Mr. Graham wrote 12 Poldark novels over a span of 40+ years, the last title published in 2002, a year before his death. He wrote many other novels, plays and short stories.
His novels are a fantastic read and I plan a Poldark reading marathon this winter.
Thank you, Mr. Graham, the BBC and Masterpiece Theatre.
So while I’ve been eagerly awaiting each TV episode of BBC’s Poldark, I remained hesitant to try the books by Winston Graham that the series is based on. Hesitant, that is, until I read the opening pages of this first book and got hooked.
The prose is beautiful, even graceful, without being ornate or fussy and Graham writes his characters, female and male, with clear-eyed but sympathetic insight that reminds me of George Eliot. There are touches of history (the doings of mad King George, the unrest in France, etc.) and humor, but the heart of the story centers on the families--noble and not--of Cornwall. We see their courtships, their marriages, and their home lives, and we travel to the mines, farm fields, and ocean waters where they earn their livings. It’s a credit to Graham’s skill as a writer that I was actually interested in the sections on copper mining.
In the first chapter of the book--and first episode of the TV series--Ross Poldark returns to Cornwall after fighting with the British in the American Revolution, only to find his father dead, his property in ruins, and his girlfriend engaged to his cousin. Ross is the son of a younger son, and not much interested in the niceties of class and society, making him an appealing character for modern sensibilities. His quick to learn but almost feral kitchen maid Demelza also plays a major role in the story, and so does Elizabeth, his former girlfriend, and his cousins Verity and Francis.
The book and the TV show complement each other wonderfully. The gorgeous scenery of the BBC production made my reading pleasure all the more vivid, and the book fills in details that the show has to skim over. The novel also gave me a chance to dwell in the story a little longer--an addictive pleasure. Immediately after finishing the first book I started the second volume in the series.
Oddly, though, this does not seem to be the case, much; the television show has proven to be very faithful to the books, or at least to this first one*. Which is to say that all the melodrama of the returned, wronged veteran plot is here, with just a dash more melancholy in the form of a prologue concerning Ross's father and uncle as the former lays dying and the latter lays plans to marry his son to the girl Ross has always fancied. Because everyone presumes Ross to be dead, of course.
Oh, Ross! The odds are stacked against him from the start. His father being a younger son, what patrimony there is for him is meager at best -- just enough to qualify as "landed gentry" with all the responsibilities of a country squire, not enough to afford to live at all well. The tin mine from which his father's fortune was drawn has sucked it all back down again, and a rotten pair of no-good servants have let the family pile get so run down that they're housing chickens in the living room... welcome home, war hero!
Oh, and yes, his childhood sweetheart is indeed marrying his cousin, son of the older son who got all the money and the original estate and the tin mine that's still worth a damn! Did I mention melodrama? Because melodrama.
But melodrama isn't all that's on offer here. There is also some wonderful nature porn, of which author Winston Graham was a gifted practitioner. In the high Romantic tradition, weather is often a stand in for/emphasizer of emotion, so, for example, a solitary figure standing quietly still and watching the sea can be understood as in turmoil if the waves are being especially powerful and crashy. But sometimes it's just there for the sake of being there. I'm already half in love with Cornwall, between growing up watching Poldark on television and having recently enjoyed the excellent Doc Martin series, exteriors of which were shot in Port Isaac, Cornwall (which, take a look at SF superstar Alastair Reynolds' relatively recent photo odyssey there, tracking down Doc's house and whatnot), and it's obvious that Graham was, too. With good reason.
But Graham does interiors, too, like that of a cottage in which dwell a family under Ross's care, and how the family spends its exhausted evenings. Graham gets the whole "world lit only by fire" and turns this shack into a mysterious abode of shadows and half-secrets: "On the floor Matthew Mark Martin's long bare legs glimmered like two silver trout; the rest of him was hidden in the massive pool of shadow cast by his mother."
Winston Graham is one cinematic writer, no?
But he is also, as it turns out, a writer with a real gift for honest, ordinary human emotion. Especially -- and this is quite rare -- happiness. For example, a scene, one that really just concerns Ross and Demelza rowing out to watch the yearly pilchard catch, is one of the loveliest I've read in a long time, not so much for the scenery (although that is nice) as for the rarity it captures: a moment of quiet, slightly awe-stricken joy, joy that is recognized and savored by our usually troubled hero. It's a total grace note, this scene, but I'm so glad it's there.
For Ross is a most turbulent, even exhausting character. A member of a family so ancient and steady they would probably have regarded the Cecils as gotten up parvenus, he shuns the local gentry in favor of the miners and farmers and poverty-stricken villagers who are his tenants, not out of any hipster-ish disdain for the manners and mores of the former so much as an inborn sense of decency (sharpened by the memory of his reprobate, skirt-chasing-and-catching father), which gets him into plenty of trouble when his proteges get caught poaching or when he rescues an urchin from a beating and makes the life-changing decision to adopt said urchin as a member of his household staff even after said urchin turns out to be a 13-year-old girl... and everyone in Cornwall starts thinking what you're probably thinking right now, unless you already know Ross and his story...
All in all, this first Poldark book is one of the loveliest things I've ever read; even the love story, which sort of element usually makes me retch, is a thing of beauty. I suspect this is because Graham focused on the friendliness and companionship rather than on the passion. Ross Poldark spends most of the second half of the book hopeful and happy. And Graham found a way to make these states of mind anything but boring.
For pure pleasure in reading, Ross Poldark cannot be beaten.
*Though this is, of course, in plot and tone, really, this faithfulness. One way in which the TV show is lacking is in the way it portrays the relationship between Ross and Demelza. Robin Ellis did not really sell Ross's tenderness and genuine love for her, or the sheer happiness she brought to him. But could anyone, without a lot of cheesy voice-overs?
We can tell right away that Ross, although of a rebellious character, will be a leader and will shape his destiny. Along the way we will learn of farming methods, tin and copper mining, poaching, 18th/19th century medicine, and much, much more. The writing style is straight-forward, but lyrical (I loved this description of the sea: "The waves were shadows, snakes under a quilt..."). I'm looking forward to accompanying the various characters on their life paths.
4 stars
Ross returns home to Cornwall and literally has just about the worst homecoming a person can have upon returning from a war scarred and lame (I don't recall him being lame in the television adaptations but then again, Ross is the sort of character that I think it would go unnoticed anyway). His father is dead & he's left nothing but debts, the family home, Nampara is in such a state that to say it's dilapidated would be a kindness and his fiancee, Elizabeth is now engaged to his cousin, Francis and their nuptials are imminent. That he didn't board ship and head off into the horizon or pitch himself down an mine and have done with it all speaks to the man. I will grant that Ross does a good bit of being wounded given the situation with Elizabeth and who could blame him but he also rolls up his sleeves and gets to setting right the things he can control in his life and that was utterly charming.
No major spoilers but I will say that I liked the mining business portion of the story and especially the Warleggans, who are just determined to own, consume and conquer. I'm pulling for Ross but like that he has formidable obstacles and the odds are not in his favor. There's a fair bit of class warfare going on as well and that was interesting theme as well. As for other characters, Demelza is quite endearing (he family is a catastrophe) and even with the age difference, I can see how she & Ross will work longterm. Verity is so very good that I just want good things for her and feel badly for her as she's either ignored, taken for granted or ordered & expected from by just about everyone but Ross. He treats Verity like an individual with a mind and feelings of her own. Their relationship is one of my favorites and I truly think she's more Ross's little sister than Francis's. Francis and Elizabeth seem like a good match as they care about the same things and I'm looking forward to Ross realizing that too. Jud & Prudie are a complete wreck but I admire Ross's ability to tolerate and care for them in spite of their flaws. I like to think that's what his father would have wished.
All in all this was an enjoyable read and is peopled with colorful characters. The sense of place and time is well rendered and I found this very readable. I'd recommend it to fans of historical fiction and I will be continuing with the series. I've already bought Demelza.
The imagery was very well done and the plot
So while I’ve been eagerly awaiting each TV episode of BBC’s Poldark, I remained hesitant to try the books by Winston Graham that the series is based on. Hesitant, that is, until I read the opening pages of this first book and got hooked.
The prose is beautiful, even graceful, without being ornate or fussy and Graham writes his characters, female and male, with clear-eyed but sympathetic insight that reminds me of George Eliot. There are touches of history (the doings of mad King George, the unrest in France, etc.) and humor, but the heart of the story centers on the families--noble and not--of Cornwall. We see their courtships, their marriages, and their home lives, and we travel to the mines, farm fields, and ocean waters where they earn their livings. It’s a credit to Graham’s skill as a writer that I was actually interested in the sections on copper mining.
In the first chapter of the book--and first episode of the TV series--Ross Poldark returns to Cornwall after fighting with the British in the American Revolution, only to find his father dead, his property in ruins, and his girlfriend engaged to his cousin. Ross is the son of a younger son, and not much interested in the niceties of class and society, making him an appealing character for modern sensibilities. His quick to learn but almost feral kitchen maid Demelza also plays a major role in the story, and so does Elizabeth, his former girlfriend, and his cousins Verity and Francis.
The book and the TV show complement each other wonderfully. The gorgeous scenery of the BBC production made my reading pleasure all the more vivid, and the book fills in details that the show has to skim over. The novel also gave me a chance to dwell in the story a little longer--an addictive pleasure. Immediately after finishing the first book I started the second volume in the series.
From my perspective, the book was a perfect mix of things that are the same - the personalities of the characters, specific lines of dialogue - and of things that added more to the story, or whose difference didn't really matter. Like the appearance of various characters.
I appreciated having a better understanding of the dynamics of the community and the greater nuance this gave certain events, such as the way Demelza is treated at the Christmas party. I loved getting to see more of Ross' relationship with his cousin Verity, and Verity's friendship with Demelza.
And I enjoyed Winston Graham's writing style much more than I expected to. His descriptions of Cornwall are lovely and vivid. (His descriptions of late 18th century medical practices are unsettling and frustrating - not because they're graphic but because I know that they're ineffective, or even counter-productive. But I suspect that's the point.)
This was a typical romance, not really didn't catching fire until halfway through Book 2. From then on I couldn't put it down. The author wrote well; I especially liked his descriptions of the Cornish landscape. Sometimes the use of dialect by the lower class characters puzzled me. The only characters I felt anything for and had any personalities were Ross, Demelza, and Verity, his cousin. Through family disapproval, she has lost her love, a sea captain. She becomes a friend to Demelza. Why Ross in the first place had been enamoured with the milksop, Elizabeth, is beyond me.
Ross Poldark returns home to Cornwall after the war to find his life is in shambles—his father is dead, the house is in disarray, his bank account is empty and the love of his life has found
I was excited to read this book knowing there was a PBS adaption in the works and while I enjoyed it, I feel the story was a bit too light and rushed at times. The characters and story all fit fine into place but I did not feel the character relationships were developed to their full potential--- yes Ross loved Elizabeth, Elizabeth married Francis, and Demelza… well—I knew how they felt because the author told us but I did not ‘see’ it for myself. The story is intriguing so I will continue with the series as I am interested to see how it turns out, I hope the character development grows further with each book…
Of course this doesn't constitute much of a review, or if it even is one, which I doubt, but, in my defence, other than rehashing the book synopsis and expressing how excited I was about this novel I don't feel I have much to add; and as the former can be found everywhere and others have already done a great job of interpreting their take on the story, I think my job is done. I hope I did manage to get across how much I enjoyed it and will add that I'm seriously considering reading the whole series in short order, as I have it from knowledgeable sources that all the following 11 books are of equal quality of writing and period detail.
The story seemed to be as much about the villagers on Ross's estate as Ross himself. And I couldn't help feel that every time the plot got pulled off in the direction of one of
Some of the accents were nearly unintelligible. And they often went on forever. There were these big rambling speeches and I would understand the gist, but half of the words were indecipherable. I don't know what accent it was supposed to be, but it just didn't make sense.
However, there was some good descriptive writing, which gives the book some merit, but you can't carry a story on that.
I have most of the books in this series on my bookshelves, and have read all except the last (Bella Poldark), which was not available at the
So, what is it about this series, these characters, that mesmerize us, that have us wanting more?
Perhaps it is because the people and situations are real to us, and that we quickly come to care about them, thus creating a desire for more information, more stories.
I am sorry that Mr. Graham has since passed on, but he has left a legacy with this series, and I mean that sincerely.
I picked up this novel after finding myself sucked into the most recent television adaptation and was not disappointed. The books are well written and the characters of whom I was already fond are well drawn. The advantage of print over television of course is that we get a sense of the internal motivations of the characters and it was interesting to see where my interpretation of events in the television show differed from how the book described it. Wonderful and compulsively readable historical fiction, I am immediately diving into the second book in this series.
After watching the entire TV series, I knew I had to make a plan to buy these books. Each time I receive money I buy the Kindle version and finally got to it in last week.
The author's
It felt like I was walking back in time and experience the hardships of the mining families, the longing of Verity to be with her beau. Witness Ross as he limped his way through Treadwell's doors and meets Elizabeth after a time of separation. The heartache of knowing his love was engaged to another. It was like looking at the series all over again.
Book one begins with Ross Poldark returning from America after a two-year war. The boy that went away and left under the scrutiny of childish whims became a man. Once he returned, the boy made room for a man that had to face the harsh realities of Nampara's neglect. Of his father's death, two trusted workers who cared more for their next glass of ale than running the farm and the poverty-stricken chaos left behind.
Through these discouragements, he finds his feet once more and we watch as he picks up the pieces and gets his life back on track.
It's a story almost too common to be a hit series. With highs and lows of typical everyday life, but through the author's writing, it becomes a tale of victory, love and determination.
A story that touches the heart and leaves you with a sense of peace. As if all things are possible, if you will stay with the basics; do what is right, be true and all will work out.
The things that mostly stood out for me were to stay true to your path and enjoy the simple things in life. The rest will work out on its own.
This is really a must read for all readers that is looking for more than just crisp writing or a thrilling story. It allows you to forget the problems in your own life and see through the author's eyes the lives of others and how they have found their own wisdom and peace.
Now I am off to read more about Demelza and her part within this growing saga of the Poldark clan.