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The British don't belong in Africa. Their skins are too pale, their clothing too heavy and elaborate, their morality all wrong. And yet here they are in 1912 in the British Protectorate of East Africa, tangled in an uneasy peace with the Sultan of Zanzibar. Much of the tangle in this new mystery in Alfieri's East Africa series concerns the slave trade. The British have outlawed it, but, well, it's all a matter of who you know and who you owe, isn't it? That slippery morality infuriates Vera Tolliver, a Scottish missionary s daughter and the bride of a English police officer, whose job it is to enforce the law... after he figures out what it is. The murder of a runaway slave only increases the complications, especially because a longtime friend of Vera's family is the likeliest suspect. Meanwhile both the British government and the Sultanate sail above it all, as though they had nothing to do with the problem. But both Vera and Tolliver could tell you that official fingers are knotted into the tangle's every strand."… (more)
User reviews
In Mombasa, they find themselves in a deliciously rendered stewpot of mixed racial, ethnic, religious, and cultural backgrounds and loyalties. Though the local government is British, Mombasa—and that portion of its population that is Arab—remains under the significant influence of the Sultan of Zanzibar. The British have introduced into the police service their loyal Indian subjects, and Africans of many tribes fill the population.
The Tollivers are a mix too. Justin is the second son of a Yorkshire earl. He had a conventional if aristocratic upbringing, but possesses no fortune. Vera is more of a free spirit. She’s the daughter of a Scottish missionary, born and raised in the Protectorate’s pastoral up-country region.
The conflicts inherent between and among such wildly diverse people are tailor-made for both social and domestic drama.
The novel’s prologue describes a daring nighttime slave and ivory smuggling operation, and the book’s central dilemma relates to the illegal, but quietly tolerated practice of holding and selling slaves. Vera is an absolutist, unable to countenance slavery in any form, whereas Justin may be as morally opposed, but constrained by unwritten policy and his superiors.
When a runaway slave is murdered, followed soon after by the death of a notorious Arab slave-trafficker, Justin and Vera both set out to find the perpetrator—he in his official capacity and she with secret, possibly risky, and sometimes unaccountably naïve actions of her own. Conflict between the couple is thereby assured, as Justin alternately admires and is frustrated by Vera’s passionate, impulsive personality.
Alfieri’s descriptions of exotic Mombasa and its environs a hundred years ago vividly evoke the setting. Her writing is clear and interesting, yet somehow doesn’t exude a strong sense of menace, despite the cast of desperate characters and perilous environment. She keeps multiple
plot balls up in the air, through a set of intriguing and well-drawn secondary characters. The net result is that this atmospheric novel transports you back in time and across continents to set you down in the middle of Mombasa, 1912.