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For the last fifty years, the Colombian drug cartels, various insurgent groups, and the government have fought over the control of the drug traffic, in the process destroying vast stretches of the Amazon, devastating Indian communities, and killing tens of thousands of homesteaders caught in the middle of the conflict. Inspired by these events, Jaime Manrique's sixth novel, Like This Afternoon Forever, weaves in two narratives: the shocking story of a series of murders known internationally as "the false positives," and the related story of two gay Catholic priests who become lovers when they meet in the seminary. Lucas (the son of farmers) and Ignacio (a descendant of the Barí indigenous people) enter the seminary out of a desire to help others and to get an education. Their visceral love story undergoes stages of passion, indifference, rage, and a final commitment to stay together until the end of their lives. Working in a community largely composed of people displaced by the war, Ignacio stumbles upon the horrifying story of the false positives, which will put the lives of the two men in grave dange… (more)
User reviews
This book describes a Catholic establishment that looks the other way at homosexual and drug-abusing priests, but is unwilling to stand up to the political leaders who have mired the people in poverty and violence. Both Ignacio and Lucas are interesting, vital characters who manage to do some good despite the forces opposing them, but who are often overwhelmed by the scale of the problems they cannot solve single-handedly. Author Manrique, a poet, includes several very powerful descriptive scenes of haunting violence as well as moments of beauty, and does a great job of articulating the despair and the affection his characters feel. I would have liked to see less narrative distance between the reader and the story and more in-the-moment writing, as I felt these were the strongest parts of the book. The final chapter was quite moving.
Manrique chose well to focus the novel more on the bond between the two men rather than on the turmoil of Colombia during this time period. If the book had gotten bogged down in politics and warfare, the reader might have gotten lost. Not that the horrors happening in Colombia weren't important or relevant, but rather because they were so complicated. As a priest, Lucas prefers to ignore the killings, the displacement of people, the violence and terror permeating the countryside. He prefers, simply, to leave it to God. Ignacio, on the other hand, has always questioned the Church even though he has long been a part of it. In his role as priest, he becomes a champion of the people, inspiration to the poor, a guide for children, and a hero in his own right. Ignacio is not afraid. His fearlessness frightens Lucas who works in a different area and ministers to a different population. Lucas seeks peace and stability through the Church whereas Ignacio sees the Church as a vehicle for change within the community and the country.
Manrique writes well of romance and, through that view, is able to critique Catholicism in a way that is easily accessible for the reader. Most readers of romance do not want to have to wade through pages of religious analysis, yet in LIKE THIS AFTERNOON FOREVER, Manrique is able to balance religion and romance, keeping them centered in the novel, one not overtaking the other. As for the relationship between Lucas and Ignacio, Manrique develops it in a believable way, and it is, indeed, the bones of the entire book. A book built on love. Many readers will think about the connection between Lucas and Ignacio long after reading the book and closing the final page. There is something about their romance that is so true, so honest, and so real that most readers will be able to relate. If readers cannot relate, it undoubtedly means they have yet to know true love.
Comparing the Spanish version to the English version of this novel, it appears that reading it in Spanish would be preferable - not because the English edition is missing anything - perhaps because Spanish is the language of Colombia, the language of Lucas and Ignacio. If one can read it in Spanish, do. If not, the English version will be just fine. And remember, Manrique has accomplished what he set out to do in LIKE THIS AFTERNOON FOREVER. Besides giving us one of the best book titles of the year, he has given his own heart and soul to accomplishing a very true feeling and the telling of a difficult love story. Readers who appreciate LIKE THIS AFTERNOON FOREVER might also like Lawrence Scott's book AELRED'S SIN and/or Colm Toibin's THE STORY OF THE NIGHT, both equivalent examples of this type of gay literature.
As their friendship turns intimate, the two friends learn to use their opposite personalities to support and protect each other.
This is more a love story than a thriller though there is a far amount of drug-fueled violence.
This storyline is intimate, raw, and harrowing as conveys a strong sense of place and time.
The reader observes the church being secretly being permissive of homosexuality among priests as long as they are discrete, how the church as power is only the sanctuary for poor people who get caught too often in the cross-fire between the gangs and the guerillas and the paramilitaries.
Sobering, but too often uneven in plot this book will appeal to those interested in homosexual love during this time.
Colombia during the nineties and early 2000s was a violent place with many rural areas under the control of guerrilla groups and the military matching them in ruthlessness and corruption. As Lucas and Ignacio grow up in Catholic boarding schools and then go to university, Lucas grows stronger in his faith and Ignacio's fierce intelligence has him exploring the history of liberation theology. After they are ordained, they are sent into different neighborhoods in Bogota. Ignacio is sent to the most crime-ridden and poor parish, where he works hard to improve the lives of his parishioners and where he learns about the "false positives," and tries to get that story out into the world. Both his activism and his homosexuality put Ignacio into great danger.
This is a novel with a lot going on, so much so that it sometimes feels like a summary. The passages where Manrique slows down and describes the setting or the relationship between the men, the writing is beautiful and the story a lovely, if melancholic one.