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This new Pillar volume offers exceptional commentary on Mark that clearly shows the second Gospel - though it was a product of the earliest Christian community, to be both relevant and sorely needed in today's church. Written by a biblical scholar who has devoted thirty years to the study of the second Gospel, this commentary aims primarily to interpret the Gospel of Mark according to its theological intentions and purposes, especially as they relate to the life and ministry of Jesus and the call to faith and discipleship. Unique features of James Edwards's approach include clear descriptions of key terms used by Mark and revealing discussion of the Gospel's literary features, including Mark's use of the "sandwich" technique and of imagistic motifs and irony. Edwards also proposes a new paradigm for interpreting the difficult "Little Apocalypse" of chapter 13, and he argues for a new understanding of Mark's controversial ending.… (more)
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The Gospel According to Mark utilizes the hero’s journey to convey the story of Jesus through an unsuspecting character, Baltasar Espinosa. Through painstakingly blatant attributes given to Epsinosa by Jorge Luis Borges, the audience gains a heightened awareness of the voyage that
The Separation factor in Espinosas journey illustrates him as a regular man looking to travel throughout life unscathed by the troubles of life. Espinosa states, “…he said yes at once—not because he was fond of the country, but more out of his natural complacency and also because it was easier to say yes than to dream up reasons for saying no”, which sets Espinosa as an easy going character—a trait that evokes some form of emotion form the audience whether it be in agreance or disagreeance with Espinosa. Therefore the Hero’s Journey draws in the reader out of compliance or curiousity for where Espinosa’s character trait may take him.
The next stage of the Journey commences with the initiation. Espinosa helps the Gutres fight the flood, and helps save his new acquaintences. Following the event the temptress enters the scene to further reel in the reader by playing on the inner weakness of love. The temptress creates mystery within the short story,“When she left she did not kiss him; Espinosa realized that he didn’t even know her name”, she plays upon human curiosity. Again Jorges Luis Borges utilizes the structure of the Hero’s Journey to grasp the reader’s attention.
Espinosa finds the end to the story he has been looking for all along. The return Espinosa receives comes from the ending of the flood and the formation of the cross. Readers eagerly await the return because the return signifies a worth to surmounting hardships, and instills a sense of self worth.
The Hero’s Journey works as a function to evoke human emotion toward a specifc character. The structure of the Hero’s Journey helps set up a wave of closeness with the character to help the audience understand the life that Christ led and the actions he took rather than the tales he spoke.