Status
Call number
Publication
Description
Fiction. Literature. Historical Fiction. HTML:"Susan Vreeland set a high standard with Girl in Hyacinth Blue.... The Passion of Artemisia is even better.... Vreeland's unsentimental prose turns the factual Artemisia into a fictional heroine you won't soon forget." �People A true-to-life novel of one of the few female post-Renaissance painters to achieve fame during her own era against great struggle. Artemisia Gentileschi led a remarkably "modern" life. Vreeland tells Artemisia's captivating story, beginning with her public humiliation in a rape trial at the age of eighteen, and continuing through her father's betrayal, her marriage of convenience, motherhood, and growing fame as an artist. Set against the glorious backdrops of Rome, Florence, Genoa, and Naples, inhabited by historical characters such as Galileo and Cosimo de' Medici II, and filled with rich details about life as a seventeenth-century painter, Vreeland creates an inspiring story about one woman's lifelong struggle to reconcile career and family, passion and genius.… (more)
User reviews
Her life as a painter was almost destroyed when she stood a public and humiliating court trial after her father accused her painting teacher of raping her. She was subjected to a public gynecological examination and tortured with thumbscrews during her interrogation. The belief at the time, was that, if a person could tell the same story under torture, then it must be true. She bore the physical scars of the thumbscrews for the rest of her life on her hands.
To escape from the jeers and slurs in Rome slung at her, her father arranged her marriage to a Florentine artist and she left Rome. While being a wife and mother, her artistic career started to take flight in Florence, where she gained the protection of the Granduke Cosimo de Medici. She became friends with Galileo, and she was favored by Michaelangelo Buonarroti the younger, (nephew of the great Michaelangelo).
But an artist's survival depends on patrons who commission works from them, and that meant sometimes that the artist had to move to new cities to find new commissions. Artemisia took her family with her as she moved from Florence to Rome, Venice, Naples and briefly England.
The fictitious take on Artemisia's life, while changing some of her conditions and certainly the make up of her family as a child, and her family after marriage, doesn't detract from showcasing a woman who lived for painting, a woman who didn't allow her past to turn her into a meek and apologetic woman, a woman curious about the world and a woman who sought to make those who look at her works think of the people in them, as opposed to looking at them as flat figures. In a way, I'd say she sought to challenge their opinions of familiar subjects.
I have no scholarship in the arts, nor the times portrayed, so cannot claim a learned opinion. But, to me, the characters, their situations and dialogue rang true. That Artemisia was able to surmount her obstacles to achieve what she did, and then in her own lifetime become famous for it, is remarkable, given the times. I enjoyed very much both the story and Susan Vreeland’s writing.
Italian painter Artemisia Gentileschi (1593-1653), the novel tells the story of Gentileschi's life and career in Renaissance Italy. Publicly humiliated and scorned in Rome after her participation as defendant in a rape trial in which the accused is her painting
In an interview with the author in the back of the paperback edition of the book, Vreerland admitted that she streamlined Artemisia's life, eliminating her real-life "brothers, sons, and many of the people she for whom painted in order to reveal her relationships with her father, husband, and daughter more deeply." (p. 5). Vreeland also made the interesting decision to make her Artemisia convent-educated, literate and even able to quote the Bible at will. In real life, eighteen-year-old Artemisia testified at the rape trial that she was illiterate. Apparently, she did learn how to read and write as an adult. But much of Artemisia's art involved storytelling, and it would have been intriguing for Vreeland to examine how Artemisia's illiteracy as a young woman impacted the narrative quality of her paintings.
Nonetheless, despite its lack of historical accuracy, I did enjoy the Passion of Artemisia as a Baroque soap opera.
Source: Purchase
My Rating: 5/5 stars
My Review:
As some of you know, I am an Art Historian in my “real” life and one of my favorite genres is historical fiction related to art and artists. Susan Vreeland is hands-down one of my favorite authors and when
Artemisia Gentileschi was a woman far, far ahead of her time and her place and despite the all of the significant odds against her, she was able to succeed in a time and place when women were little more than property. Artemisia was born to paint and from an early age her father trained her in order to enhance her own innate talent. Intent on being a painter for the rest of her life, Artemisia’s path was set until the moment she was raped by one her father’s colleagues. For more than a year, Artemisia endured a very public trial to determine her guilt or innocence. Yes, you read that correctly, her guilt or innocence was on trial, not her rapists. For all intents and purposes, the allegation alone was enough to taint Artemisia and her reputation for life. By all accounts, Artemisia didn’t allow the rape nor the trial to defeat her but to empower her and inform her art for the rest of her life.
Along with her trial, history also tells us that Artemisia did things that no woman before her ever had. First and foremost among her accomplishments was being the first woman admitted to the prestigious Florentine Academy. Following her admittance to the Academy, Artemisia spent her time and her life in the service of her patrons. From Rome to Florence to Venice to Naples and, to England, Artemisia worked for some Europe’s most important citizens including the Medici Family and the King of England. She tended toward large canvases featuring strong, determined and completely capable women as seen through the eyes of and interpreted by a woman who refused to be known as a victim but rather as a preeminent painter.
The Bottom Line: This is my second reading of Vreeland’s Passion of Artemisia and as with the first reading, I was simply blown away. Vreeland has a singular ability to bring history to life. Vreeland takes the historical information that remains and turns it into a living, breathing human being, an individual whose impact on the world of art is nothing short of significant. Reading Vreeland’s account of Artemisia’s life reminds me of the fact that nothing is impossible!! Artemisia survived an unspeakable horror and rather than allowing that event to define her life, she rose above all that was done to her and succeeded in a way that no woman before her ever had. If her accomplishments during her own lifetime weren’t enough – and they certainly were – Vreeland’s accounting in this modern age is finely crafted reminder of what genius looks like.
I am glad I read this
This is a fictionalized biography of Artemisia Genteleschi, the first woman to be admitted to the Academia del Arte in Florence - a 17th-century artist who specialized in portraits of strong women