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This book is duct tape for the mouth of every artist's inner critic. Silencing that stifling voice once and for all, this salve for creatives introduces ten truths they must face in order to defeat self-doubt. Each encouraging chapter deconstructs a pivotal moment on the path to success--fear of the blank page, the dangers of jealousy, sharing work with others--and explains how to navigate roadblock. Packed with helpful anecdotes, thoughts from successful creatives, and practical exercises gleaned from Danielle Krysa's years of working with professional and aspiring artists--plus riotously apt illustrations from art world darling Martha Rich--this book arms readers with the most essential tool for their toolbox: the confidence they need to get down to business and make good work.… (more)
User reviews
1. While the author tries to include all creative people, it's geared toward artists.
2. The overuse and misuse of the comma irritated the OCD editor in me.
3. Mark Twain suggested
4. Krysa's whole premise is that she is an artist because she learned to ignore her inner critic. Why did someone else illustrate this book?
5. The book looks organized at first glance, but repeats information and jumps around. Feels like some of the writing was rushed just to get something on paper.
6. More originality and fewer cliches would have been nice.
7. Sticking with a central metaphor would have been nice also.
8. Some of the inspirational quotes are good, but easy enough to find with a quick Internet search. Instead of grouping a bunch together in chapter eight, it would have worked to lead each chapter with a relevant quote. Sometimes she did that, sometimes not. Consistency is a helpful organizational tool.
9. When referring back to a chapter, the chapter number is all we need. (Not sure why she kept announcing the titles of chapters.)
10. This book would have worked better streamlined as an online essay with a tighter focus.
Now, given all that, I'm glad Krysa says she's learned to ignore not only her inner critic, but some outside ones. I'm not out to hurt her feelings. However, if she writes another book, I hope she will be open to the advice above.
And to show I'm not a nitpicking grump of an old writer, I will end with a point she made that I like. When asking adults if they are artists, she is often met with a blank look or resistance. When asking children, however:
Me (Krysa): "Are you an artist?"
Kid: "Yes."
Some things are simple. Let's learn to accept our creativity.
The book itself is well-made and would work well on a coffee table. It's hardcover, with a front cover that is enough by itself to make a person smile. The design inside is, again, friendly. Pages are not filled with text and there are frequent, colorful illustrations. It's a fast read because there do tend to just be a couple paragraphs to a page--the blank space is soothing, but the author also encourages people to use the space to make notes. There are a few areas where there are activities or questions, but it's not hardcore in that way.
As an author with a loud inner critic, I found the book encouraging without being obnoxious as some books like this are. I'd consider getting this for author friends who were struggling through Imposter Syndrome and other similar afflictions.
Your Inner Critic is a Big Jerk is a fine little read. It’s cute and quirky with some good advice and delightful drawings. It doesn’t feature much advice that a creative person hasn’t heard quite a bit, but it serves
I wouldn’t have bought Your Inner Critic for myself, since I have many similar books already, but it made for a nice gift. If you or someone you know has hit a rough patch in their creative endeavors, go ahead and pick this one up. There’s nothing mind-blowing in its pages, but there is some solid advice arranged in a pretty little package.
(This post has been cross-posted to my blog.)
Written in a down-to-earth, "get real" style, the advice is
I enjoyed reading this book, which tackles serious subjects that can derail artists in a lighthearted way. Artists of all levels would appreciate this book from beginning to end. It is a refreshing way to tackle those pesky pitfalls for artists of all types, and I would recommend the book to artists in all genres of creativity.