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Sweeping in scope, both historically and geographically, Vassanji weaves a rich tapestry of vivid characters (real and imagined) in a Kenya poised between colonialism and independence.Vikram Lall, like his adopted country, inhabits an 'in-between world': between the pull of his ancestral home in India and the Kenya he loves passionately; between his tragic past in Africa and an unclear future in Canada; between escape from political terror and a seemingly inevitable return home . . . a return that may cost him dearly.A master storyteller, Vassanji intertwines the political and the personal - the rise of the Mau Mau in the last days of colonialism looms large over a plot centring on two love stories and a deep friendship. The result is a sumptuous novel that brilliantly explores the tyranny of history and memory, and questions the individual's role and responsibility in lawless times.… (more)
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From the Publisher:
From the PublisherDouble Giller Prize winner M.G. Vassanji’s The In-Between World of Vikram Lall is a haunting novel of corruption and regret that brings to life the complexity and turbulence of Kenyan society in the last five decades. Rich in sensuous detail and historical insight, this is a powerful story of passionate betrayals and political violence, racial tension and the strictures of tradition, told in elegant, assured prose.
The novel begins in 1953, with eight-year-old Vikram Lall a witness to the celebrations around the coronation of Queen Elizabeth II, just as the Mau Mau guerilla war for independence from Britain begins to gain strength. In a land torn apart by idealism, doubt, political upheaval and terrible acts of violence, Vic and his sister Deepa must find their place among a new generation. Neither colonists nor African, neither white nor black, the Indian brother and sister find themselves somewhere in between in their band of playmates: Bill and Annie, British children, and Njoroge, an African boy. These are the relationships that will shape the rest of their lives.
We follow Vikram through the changes in East African society, the immense promise of the fifties and sixties. But when that hope is betrayed by the corruption and violence of the following decades, Vic is drawn into the Kenyatta government’s orbit of graft and power-broking. Njoroge, his childhood friend, can abandon neither the idealism of his youth nor his love for Vic’s sister Deepa. But neither the idealism of the one nor the passive cynicism of the other can avert the tragedies that await them.
Why I Liked/Didn't Like the Book:
I enjoyed reading this book, and thought the story was an important one to tell. It is interesting to read about the Indians who fled Punjab and ended up in Africa, as I hadn't realized the numbers who emigrated there. I think the stark contrast of the idealism of the times and the crushing disappointment as their dreams weren't realized is mirrored in their personal lives as they strive to overcome the racial boundaries set forth by their respective cultures only to be censored by the ones they loved. I would definitely recommend this book as an important historical novel.
It was one of those books you really want to go on and you are sorry when they finish.
It's about the world between honesty and crime and three cultures, a compromised life, compromised love.
Great book!
The book is more or less structured like a memoir. On one hand, this makes the story feel very real - it is structured like a human life, not like a normal plot with conflict and resolution. On the other hand, this also makes the pacing uneven, and leaves some of the threads of the early portions of the book unresolved. The first half or so of the book primarily focuses on Vikram's childhood and his relationships with his family and friends. The latter part of the book details his political career, although his adult life is portrayed in much less detail than his childhood.
One of the major themes of the book is race: as an Asian, Vikram is never entirely welcomed into Kenyan society. His Asian family is unwilling to accept his sister's romance with their African childhood friend. Vikram can be corrupt largely because he straddles the Asian community and African political structure, and can claim ignorance of the functioning of both.
Another theme is the banality of evil, although this is skimmed over more than I wish it had been. Throughout the book, Vikram drops hints that he is considered to be a horrible person because of his role in some corruption, but when we finally reach that part of his story, the details are skimmed over and the corruption really doesn't seem like that big of a deal - certainly not bad enough for there to be a price on his head. I was expecting involvement in genocide or something, but it turned out to be rather anticlimactic.
All in all, it is an interesting and engaging book, with characters who felt very real. It felt like the author ran out of steam towards the end and didn't devote as much attention to the events at the end. There are important themes of race relations and the importance of family and friends.
Again he finds himself in the middle of his two friends, Bill the white son of a British landowner and Njoroge, the black grandson of the Kikuyu gardener. These boys, along with Vikram’s sister, Deepa and Bill’s sister, Ann play together and become close friends, although the political situation is destined to tear them apart. Vikram’s story covers the changing Kenya as it emerges from Colonial rule, to the early hopeful days of independence to the dark dangers and corruption that evolved in later decades.
Vikram who identifies himself as “one of Africa’s most corrupt men”, becomes adept at survival, both political and personal, again as a middle man, he becomes a fixer, taking bribes and moving the money for the new black, corrupt ruling class. Eventually he is used as a scrapegoat in an international scandal and forced to leave Kenya.
The In-Between World of Vikram Lall was a fascinating multi-layered story. Although a powerful tale, I felt the story bogged down at times in the massive amount of detail provided. These details, although accurate and well researched cause the book to be overlong and slow. But ultimately this is a well written, deeply personal story from an author who grew up in Kenya and is well able to immerse the reader into the complexities of African history.
Vikram Lall was a third generation Indo-Kenyan. His grandfather had come from India to build the railroad. Then his father was born in Kenya and found a wife back in India before the country was transformed by independence from Britain. Vikram and his sister Deepa were raised in a small town where their parents were shopkeepers. Kenya was, at that time, experiencing its own fight for freedom from Britain. Most notably the Mau Mau carried out surprise attacks on white farmers trying to drive them from the land. Vikram, Deepa and their black friend Njoroge played with a white brother and sister when their mother brought them to town so she could shop. About a year after they met William and Annie Bruce, the Bruces were slaughtered by the Mau Mau. Some time later the police came to his father and told him that his gun, which had gone missing, had been used to commit the murders. The police arrested the gardener, Njoroge's grandfather, for the theft of the gun and conspiring with the rebels. Vikram believed that, in fact, his uncle had taken the gun and passed it on to the rebels. As a result of this turn of events the Lalls moved to Nairobi and Njoroge disappeared from their life. Then when Vikram, Deepa and Njoroge have reached adulthood they manage to reconnect. Deepa and Njoroge turn their childhood feelings into love for each other but Kenya and the Lalls are not ready for a bi-racial marriage. Njoroge is a force in the new black political establishment and he helps Vikram get a job with the government. Vikram will never be fully accepted by the black powers-that-be but he performs a useful service funnelling foreign money into the hands of some ministers so he has some clout. This becomes useful when most Asians are expelled from Kenya but the Lalls remain.
We follow the history of Kenya (and Africa as a whole) through the lives of the Lalls, especially Vikram, and it is fascinating. Plus the writing is wonderful. Vassanji captures the surroundings for his characters with words the way a photographer does with a camera. Hard to believe that this is a man who studied to be a nuclear physicist.