Status
Available
Call number
Genres
Publication
Europa Editions (2005), Paperback, 192 pages
Description
"With echoes of Kafka and Conrad," the acclaimed Israeli author of Castle in Spain offers "a provocative, spare, slow-to-unfold mystery of character" (Kirkus Reviews). On the day of his forty-first birthday, Israeli secret agent Alexander Abramov encounters a beautiful young redhead on a city bus. He immediately recognizes her as the woman he has been searching for all his life, the one he has loved forever. Though they have never met, he is certain this young woman named Thea is an essential part of his life's destiny. Using all the tricks of his trade and communicating through anonymous letters, Abramov takes control of Thea's life without ever revealing his identity. Soon, Abramov's desperate, dangerous love for a woman half his age consumes everything in its path: time, distance, and rival suitors. And for Thea, keeping her lover safe from the amorous "Mr. Anonymous" becomes an obsession of her own. Only Abramov's own story, of a life conditioned by isolation, distrust, violence, and murder, can explain his devastating manipulation of the woman he professes to love. Hailed by Graham Greene as "the best novel of the year" upon its initial release in 1981,Minotaur is a highly inventive literary thriller.… (more)
Media reviews
Kirkus Reviews
With echoes of Kafka and Conrad, Israeli novelist Tammuz (Castle in Spain) has fashioned a provocative, spare, slow-to-unfold mystery of character.
Boston Phoenix
If the doomed atmosphere that hovers over the romances in Greene and Le Carré is present in Minotaur, so is a flavor that can only be described as more continental, and prose more sensuous than fits into the schemes of those two writers.
New York Times
A novel about the expectations and compromises that humans create for themselves... Very much in the manner of William Faulkner and Lawrence Durrell.
User reviews
LibraryThing member Polaris-
There's something to be said for not writing a review as soon as you finish a book. Let it settle, digest what's been taken in and reflect a little. When I closed Minotaur* my initial feeling was one of having been blown away by the taut and refined writing style, the way the plot unwinds
Tammuz' book chiefly involves four main characters - all brilliantly drawn - and the book is divided into four extended chapters covering each's story from their particular perspective. There is a lot of overlap, and more than a touch of mischief at play as the author teases the reader with subtle misdirections - almost as the characters in his story will at times play with each other's emotions.
Alexander Abramov is a mid-20th century Israeli secret agent, but he is not really the hero, or even anti-hero of the spy thriller that I was expecting to read. It is his 41st birthday, and he is alone in rain-soaked London, finding himself living in isolation and distanced both physically and metaphorically from his wife and children, his home and his origins. Into his life appears Thea, an unnervingly young beauty with dark copper coloured hair, who he instantly infatuates himself with. At a distance, Abramov observes her going about her life as his obsession grows. The manipulative techniques of his profession allow him to make her existence an inseparable part of his own; an increasingly despairing one that depends on a perpetually out-of-reach and exponentially damaging and unbalanced love affair. But it would be wrong to dismiss Abramov as a creepy stalker. Yes, he can certainly creep with the best of them, but his irregularly frequent letters to Thea - the pair have never met face to face, necessitating an elaborate Le Carresque arrangement via post restante collections - are anticipated by her with a flattered and romantic sensibility that is somewhere between bemused fascination and distracted fantasy.
The years, and letters, pass and we learn of Thea's other suitors, thankfully more conventional than the strange and melancholic Abramov. There is GR - a somewhat preppy and straight contemporary, who is supposedly more suitable, as well as the enigmatic Greek intellectual and academic Nikos Trianda, who also, like his fellow Mediterranean Alexander, falls in love with Thea at first sight. She is entirely convinced that he is in fact her mysterious and "anonymous friend" himself.
The author's spare style, and poetic prose, successfully moves the story along at a fair old pace - it is very well written. By the halfway mark of this slim novel, I was amazed at quite how much ground had been covered by the writing, and the years that had passed in its story.
The final and longest chapter (almost half the book) takes the reader back initially to Alexander's childhood, and his parents' stories of Europe and their self-imposed exiles of sorts in Ottoman/Mandate-era Palestine. The elements of his earlier life that formed his character become ever clearer against a background of isolated privilege, distant parents, nascent Israel, first loves, and existential wars.
Ostensibly a beautifully penned book about obsession and where it might stem from, as well as unfulfilled love, there are many passages that subtly suggest there could be more on Tammuz' mind. I'm not sure, but think that (writing in 1979) he is also saying something about Israel's place in the Levant, and in turn perhaps raises questions of isolation, belonging, and acceptance. I don't know if the last sentence will mean anything to anyone but myself, but Minotaur certainly made me ponder far more than I bargained for when Graham Greene's "The best novel of the year" blurb caught my eye. Have to say also that I kept on thinking what a terrific film this would make in the hands of the right director. Well worth the diversion, and I'll gladly read anything else by Benjamin Tammuz.
*A post script of praise for the [Europa Editions - World Noir] jacket design with this one - by Emanuele Ragnisco. It is after all both eye-catching and stylish - and deftly drops the very merest hint of the story within: a man sitting alone, in an apparently enticing location, face hidden, somehow lost in thought, possibly unhappy, or both?
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gradually, revealing part of the truth, only then to be quickly snapped back like a spring to an earlier scene in the protagonists' stories - revealing more as it went. At least a week has passed and now I find on reflection a sense of depth to the plot that didn't immediately occur to me as I was reading. This is one that I think I'd like to one day return to afresh.Tammuz' book chiefly involves four main characters - all brilliantly drawn - and the book is divided into four extended chapters covering each's story from their particular perspective. There is a lot of overlap, and more than a touch of mischief at play as the author teases the reader with subtle misdirections - almost as the characters in his story will at times play with each other's emotions.
Alexander Abramov is a mid-20th century Israeli secret agent, but he is not really the hero, or even anti-hero of the spy thriller that I was expecting to read. It is his 41st birthday, and he is alone in rain-soaked London, finding himself living in isolation and distanced both physically and metaphorically from his wife and children, his home and his origins. Into his life appears Thea, an unnervingly young beauty with dark copper coloured hair, who he instantly infatuates himself with. At a distance, Abramov observes her going about her life as his obsession grows. The manipulative techniques of his profession allow him to make her existence an inseparable part of his own; an increasingly despairing one that depends on a perpetually out-of-reach and exponentially damaging and unbalanced love affair. But it would be wrong to dismiss Abramov as a creepy stalker. Yes, he can certainly creep with the best of them, but his irregularly frequent letters to Thea - the pair have never met face to face, necessitating an elaborate Le Carresque arrangement via post restante collections - are anticipated by her with a flattered and romantic sensibility that is somewhere between bemused fascination and distracted fantasy.
The years, and letters, pass and we learn of Thea's other suitors, thankfully more conventional than the strange and melancholic Abramov. There is GR - a somewhat preppy and straight contemporary, who is supposedly more suitable, as well as the enigmatic Greek intellectual and academic Nikos Trianda, who also, like his fellow Mediterranean Alexander, falls in love with Thea at first sight. She is entirely convinced that he is in fact her mysterious and "anonymous friend" himself.
The author's spare style, and poetic prose, successfully moves the story along at a fair old pace - it is very well written. By the halfway mark of this slim novel, I was amazed at quite how much ground had been covered by the writing, and the years that had passed in its story.
The final and longest chapter (almost half the book) takes the reader back initially to Alexander's childhood, and his parents' stories of Europe and their self-imposed exiles of sorts in Ottoman/Mandate-era Palestine. The elements of his earlier life that formed his character become ever clearer against a background of isolated privilege, distant parents, nascent Israel, first loves, and existential wars.
Ostensibly a beautifully penned book about obsession and where it might stem from, as well as unfulfilled love, there are many passages that subtly suggest there could be more on Tammuz' mind. I'm not sure, but think that (writing in 1979) he is also saying something about Israel's place in the Levant, and in turn perhaps raises questions of isolation, belonging, and acceptance. I don't know if the last sentence will mean anything to anyone but myself, but Minotaur certainly made me ponder far more than I bargained for when Graham Greene's "The best novel of the year" blurb caught my eye. Have to say also that I kept on thinking what a terrific film this would make in the hands of the right director. Well worth the diversion, and I'll gladly read anything else by Benjamin Tammuz.
*A post script of praise for the [Europa Editions - World Noir] jacket design with this one - by Emanuele Ragnisco. It is after all both eye-catching and stylish - and deftly drops the very merest hint of the story within: a man sitting alone, in an apparently enticing location, face hidden, somehow lost in thought, possibly unhappy, or both?
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LibraryThing member DieFledermaus
This is an odd but interesting and fast-paced book. In the first section, the whole story is given – it describes the relationship between a 41-year old Israeli secret agent and a 17-year old girl he sees on a bus. He’s easily able to find out her information and starts sending her anonymous
The other sections describe the lives of the men who love her. All of them share some characteristics – wealthy, at ease all over the world, have difficult relationships with their parents. All three also have particular fixations that come to focus on Thea. Her fiancée develops Oedipal feelings after his father abandons the family and eventually these desires are transferred to the girl across the way. The Spanish lecturer, a Greek who grows up in Egypt and later moves to Europe, has a theory about the rise of the Mediterranean people and he sees Thea as a Mediterranean sort, though she is a British woman. The secret agent’s essential rootlessness and loveless marriage are counterbalanced by his dreams of a perfect woman and he decides that Thea is his dream girl.
The book is a fast read – even though you know the basic outlines of the plot, in every section, key twists or reinterpretations are given. The prose is rather distancing, except for the letters written in the initial section. This certainly moves the plot along and fits with the male characters’ isolation issues. In addition, because everyone is described in a clipped and factual way, Thea – whose life is also given a summary in the same manner – never seems particularly underdeveloped compared with the others, a real possibility given the story. An entertaining but not light read – recommended.
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letters telling her he loves her. Being a 17-year old, the girl, Thea, isn’t creeped out and her interest eventually turns into an idealized love. She’s able to write back to him a few times but never sees him. As the years pass, she becomes engaged to a neighbor who dies in a car accident and several years later falls in love with another man, who she at first takes for her pen pal.The other sections describe the lives of the men who love her. All of them share some characteristics – wealthy, at ease all over the world, have difficult relationships with their parents. All three also have particular fixations that come to focus on Thea. Her fiancée develops Oedipal feelings after his father abandons the family and eventually these desires are transferred to the girl across the way. The Spanish lecturer, a Greek who grows up in Egypt and later moves to Europe, has a theory about the rise of the Mediterranean people and he sees Thea as a Mediterranean sort, though she is a British woman. The secret agent’s essential rootlessness and loveless marriage are counterbalanced by his dreams of a perfect woman and he decides that Thea is his dream girl.
The book is a fast read – even though you know the basic outlines of the plot, in every section, key twists or reinterpretations are given. The prose is rather distancing, except for the letters written in the initial section. This certainly moves the plot along and fits with the male characters’ isolation issues. In addition, because everyone is described in a clipped and factual way, Thea – whose life is also given a summary in the same manner – never seems particularly underdeveloped compared with the others, a real possibility given the story. An entertaining but not light read – recommended.
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LibraryThing member Bookmarque
It is difficult to put into words why this novel has remained in my collection for so long. I bought it at a library sale back in the early 90s and haven’t read it since. However I have taken it with me from house to house. It’s one of those enigmatic tales that doesn’t reveal everything, but
Here’s the opening paragraph to illustrate what I mean –
“A Man, who was a secret agent, parked his hired car in a rain drenched square and took a bus into town. That day he had turned forty-one, and as he dropped into the first seat he came across , he closed his eyes and fell into a bleak contemplation of his birthday. The bus pulled up at the next stop, jerking him back to consciousness, and he watched as two girls sat down on the empty seat in front of him. The girl on the left had hair the color of copper - dark copper with a glint of gold. It was sleek and gathered at the nape of her neck with a black velvet ribbon, tied in a cross-shaped bow. This ribbon, like her hair, radiated a crisp freshness, a pristine freshness to be found in things as yet untouched by a fingering hand. Whoever tied that ribbon with such meticulous care? wondered the man of forty-one. Then he waited for the moment when she would turn her profile to her friend, and when she turned to her friend and he saw her features, his mouth fell open in a stifled cry. Or did it perhaps escape from his mouth? Anyway, the passengers did not react. ”
Now that’s an opener. Mysterious man. Strange goings on (why doesn’t he take the hired car into town?). Instant attraction. Soon our secret agent discovers exactly who this copper-haired beauty is and begins a nearly decade-long campaign of letters. He declares his love and his unfitness for its return. He paints a picture of a man longing for something all his life without knowing what it was. When he finds her he does, but it is too late. His path is already chosen and he cannot deviate from it. At first he does not give her the opportunity to write back. Eventually though, he breaks down and gives her convoluted instructions for reply. Like his other strange requests, she complies exactly and remains intrigued and flattered by her phantom admirer. Tammuz does an excellent job of keeping the story from falling into creepy stalker mode.
Years pass. The letters grow infrequent, but they always arrive. Thea’s life moves along a typical course until her fiancé is killed in a road accident. How much did her admirer have to do with that? She has suspicions, but no outlet for them. When she eventually meets another man, this time the right one for her, she is afraid for him. Will she be allowed to live and love?
Before Tammuz gets to that, he goes into a great deal of detail describing the lives of Thea’s men. First G.R., the doomed bridegroom. Then Nikos, the soul mate. And finally Alex himself, the secret agent. All three men’s lives intersect and not only because of Thea. We’re drawn deeper and deeper into the labyrinth of Alex’s plots and passions. We come to know his reserve and his will. A vortex whirls around him, but we hardly feel its touch. When the violence and unpredictability of his vocation is felt it is fleeting and vague, but has impact. There is nothing hesitant there. All is deliberate and part of a larger picture of which we remain tantalizingly ignorant.
As does Thea. Despite her happiness, she has a gnawing void within her. Wonder and curiosity about her secret admirer plague her almost daily. When a tragedy occurs in the café across the street from where she lives, she is visited by prescience beyond anything else she has ever experienced. Will she have the strength to see it through?
The language is a bit awkward in places, but I believe that’s due to the translation. In part, that very awkwardness helps convey Alex’s state effectively. He is trepidatious and so is Thea. His rule that they shall never meet binds them and adds a doomed romance to the tale that foreshadows a great deal. The locations in Europe and the Middle East are ripe and diverse. Find this one if you can.
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gives you just enough to fire your imagination and keep you reading.Here’s the opening paragraph to illustrate what I mean –
“A Man, who was a secret agent, parked his hired car in a rain drenched square and took a bus into town. That day he had turned forty-one, and as he dropped into the first seat he came across , he closed his eyes and fell into a bleak contemplation of his birthday. The bus pulled up at the next stop, jerking him back to consciousness, and he watched as two girls sat down on the empty seat in front of him. The girl on the left had hair the color of copper - dark copper with a glint of gold. It was sleek and gathered at the nape of her neck with a black velvet ribbon, tied in a cross-shaped bow. This ribbon, like her hair, radiated a crisp freshness, a pristine freshness to be found in things as yet untouched by a fingering hand. Whoever tied that ribbon with such meticulous care? wondered the man of forty-one. Then he waited for the moment when she would turn her profile to her friend, and when she turned to her friend and he saw her features, his mouth fell open in a stifled cry. Or did it perhaps escape from his mouth? Anyway, the passengers did not react. ”
Now that’s an opener. Mysterious man. Strange goings on (why doesn’t he take the hired car into town?). Instant attraction. Soon our secret agent discovers exactly who this copper-haired beauty is and begins a nearly decade-long campaign of letters. He declares his love and his unfitness for its return. He paints a picture of a man longing for something all his life without knowing what it was. When he finds her he does, but it is too late. His path is already chosen and he cannot deviate from it. At first he does not give her the opportunity to write back. Eventually though, he breaks down and gives her convoluted instructions for reply. Like his other strange requests, she complies exactly and remains intrigued and flattered by her phantom admirer. Tammuz does an excellent job of keeping the story from falling into creepy stalker mode.
Years pass. The letters grow infrequent, but they always arrive. Thea’s life moves along a typical course until her fiancé is killed in a road accident. How much did her admirer have to do with that? She has suspicions, but no outlet for them. When she eventually meets another man, this time the right one for her, she is afraid for him. Will she be allowed to live and love?
Before Tammuz gets to that, he goes into a great deal of detail describing the lives of Thea’s men. First G.R., the doomed bridegroom. Then Nikos, the soul mate. And finally Alex himself, the secret agent. All three men’s lives intersect and not only because of Thea. We’re drawn deeper and deeper into the labyrinth of Alex’s plots and passions. We come to know his reserve and his will. A vortex whirls around him, but we hardly feel its touch. When the violence and unpredictability of his vocation is felt it is fleeting and vague, but has impact. There is nothing hesitant there. All is deliberate and part of a larger picture of which we remain tantalizingly ignorant.
As does Thea. Despite her happiness, she has a gnawing void within her. Wonder and curiosity about her secret admirer plague her almost daily. When a tragedy occurs in the café across the street from where she lives, she is visited by prescience beyond anything else she has ever experienced. Will she have the strength to see it through?
The language is a bit awkward in places, but I believe that’s due to the translation. In part, that very awkwardness helps convey Alex’s state effectively. He is trepidatious and so is Thea. His rule that they shall never meet binds them and adds a doomed romance to the tale that foreshadows a great deal. The locations in Europe and the Middle East are ripe and diverse. Find this one if you can.
Show Less
LibraryThing member victorianist
At 18, beautiful copper haired Thea begins receiving adoring letters from a mysterious stranger. Magnetically drawn to him they settle into an on and off again romantic correspondence well into her twenties even while other men flow through her life. The lives of Thea and three other characters
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intertwine in this story of obsession, intrigue and displaced love. Set in London, and Tel Aviv, Minotaur is an inventive story of suspense told with creative literary style. Part psychological thriller and part mystery this is a novel accessible to those interested in both. Like most Europa editions, it is a bit dark, but nevertheless, a worthy read. Mesmerizing! Show Less
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Original publication date
Physical description
192 p.; 8.34 inches
ISBN
1933372028 / 9781933372020