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Katherine is an epic novel of a love affair that changed history - that of Katherine Swynford and John of Gaunt, Duke of Lancaster, the ancestors of most of the British royal family. Set in the vibrant 14th century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets - Edward III, the Black Prince, and Richard II - who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king's son, falls passionately in love with the already-married Katherine. Their affair persists through decades of war, adultery, murder, loneliness, and redemption. Anya Seton's vivid rendering of the lives of the Duke and Duchess of Lancaster makes Katherine an unmistakable classic.… (more)
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It took me a while to get into the book for
What kept me reading though was the picture of the medieval world which was vivid, well-detailed and seemed well-researched. I reveled in being taken to a a tourney and inside a medieval manor with its trestle tables, a leaking thatched roof with rushes on the floor. Eventually--I can even pinpoint where, the scene right after Katherine first gives birth--the love story took fire for me. From plague to peasant revolt, and portraits of figures such as Alice Perrers, Julian of Norwich, John Wycliffe, Wat Tyler and Geoffrey Chaucer, the novel offered up a fascinating historical tapestry. I did wind up totally absorbed in the story and sorry when it was over.
It is absolutely astounding to me that this hasn’t been made into a mini-series yet. It’s a fact that because of Katherine and her illegitimate children, the House of York (and Henry VII) and the Tudors
But for those of you who haven’t come for a summary of Who Dated Who: 1366, you’ll be pleased to hear that this novel is the most romantic biographical story I’ve ever read. It goes beyond the Bildungsroman, carrying us into Katherine’s late life, her time apart from her love and briefly touches on everyone she knew and encountered. If you’re a fan of historical fiction (romantic or otherwise) this is such a great book to read.
It’s only show of being dated is the (wonderfully) chaste descriptions of Katherine’s young passion and consequently of her (what else can you call it?) rape. The other is the dancing around of Richard II’s rumored homosexuality. All other rumors are given life, and considering how close she came to this infamous king... but it’s not important enough to the story in the end.
A little tedious was when the Young Katherine is looked upon with desire by every man she comes across, they all lust for her, in a mild way, and see the purity and innocence in her appearance. It is finally trumped when she meets a man, one whom many would scorn and shun for his appearance, that she knows what it is to be looked at with love by a man who does not desire her. In this same segment, where we meet Lady Julian, a woman who, like St. Hildegard von Bingen was, has not been officially canonized, but is still venerated as a saint. The religious aspects of this novel are well placed and wrought with care for the rest of the novel. As important as religion was then, and how pervasive it was, it cannot be for nought that Katherine’s growth happens with the aid of priests and monks, saints and nuns. Equally so for the revolts of the Lollards and the heretics; the demands of an unruly bourgeois who despise the wanton greed of the bishops and cardinals; this was also the time of the schism of the church, where there were two popes in the world.
Phillipa Gregory (famously the author of several novels about the medieval british royals) gives this book a very pointed introduction on the differences of romance fiction and historical fiction. While this book bears a resemblance to the stories of Tristan and Iseult, Arthur and Guinevere, her point is valid, Katherine’s life, while not shaping landscapes directly, mostly of childrearing and observation, did have a marked impact on British history. She’s often strongly admonished in the classic history texts, her role as paramour and later the First Lady of England, has her brandished as an interloper as notorious as Alice Perrers.
These contrasts of intent, greed versus love, and marriage versus love, are common to historical as well as medieval contemporary stories that explore a world obsessed with true love and empires built by men. The violence that intersperses the sanity and the abandon that pierces through the pious times without plague frame the troubles of Katherine’s life, even this fictionalized account of it. She lives long and sees much, and enjoys the width and breadth of what her world had to offer, even as unhappy as some of it was. I know that much of Katherine’s life is unknown, but there is something very noble about this woman nonetheless, her life is important, even if we don’t know the half of it.
Kudos to Geoffrey Chaucer, by the way, for writing absolutely nothing about his sister-in-law.
I can't believe I haven't said anything about the fantastic narration! Looking over lines of passages from the book, it sounds so much more classical and stodgy than it did when read by the lovely and talented Wanda McCaddon. She's apparently narrated a couple other classics, historicals and romances: I'm on it!
500pp. Fawcett Crest Books. 1954.
23:43. Tantor Media. 25 Mar. 2011.
Sticking fairly close to the historical facts that are known about these times, the author has presented a story of a remarkable woman who springs to life as the story progresses. A survivor herself of the plague, this terrible disease plays an important part in her story as again and again it erupted. She herself nursed John of Gaunt’s first wife when she was stricken and died from the disease.
I had previously read Katherine when I was much younger so I opted to listen to an audio version of this story as delivered by Wanda McCaddon. This was a great choice for me as this reader did a fantastic job and I was totally absorbed for the full 23 hours and 44 minutes of the story. And what a story! Jousts, wars, disease, revolts, pilgrimages along with a love story that goes through many changes in their years together. From the first passionate kiss, to years of separation, to the gentle companionship that developed in their later years these two appear to have been meant for each other. John of Gaunt was not an easy man to love, but Katherine was one of the very few people that he gave his full trust to and he was rewarded by her steadfast love. Anya Seton is a master at historical fiction and Katherine may well be her finest work, reading this book again was a great reading experience.
When I saw it as a paperback as a "BBC Big Read", I thought I must have it in my own library and re-read it. It’s a handsome volume but a disappointing re-read. It has not aged well, being a bit stilted and with awkward prose, one that comes to mind and can be found easily – its on the penultimate page:
“- I don’t know - Katherine; I have a foreboding – there’s danger ahead.” … “It may be so, darling,” she said slowly … “there was no promise that we would not be tempested and travailed …”
There’s only so much of that I can take, and its less than 580 pages. Sorry Katherine, I’ve much to be grateful to you for, but you’ve dropped off my “all time top” list.
The story of Katherine Swynford and John of Gaunt is set against a backdrop of chivalry and heroic adventure during the 14th century. I thoroughly loved this novel; there are parts of it that still stay with me two months after reading it. Whenever I read historical fiction, I always look to see whether the author has done her research- Anya Seton most definitely did hers.
I decided it doesn't matter whether or not you love the heroes of this book- they were real people, and that's what makes this book so much more vibrant. Thats what I loved most- I felt that I actually knew these characters, had actually sat down at a meal with Katherine Swynford or gone hunting with Prince John. The author Geoffrey Chaucer has become mythical in the annals of English literature; however here he becomes humanized, a real person with a wife and children of his own. I was absolutely amazed by it.
Another great thing about this book is that the author never mentions what will happen in the future for these people (even though she, and the reader, obviously know). Anya Seton simply let the story take itself along. For example, at the end of Katherine, Richard III is a little boy, newly crowned king. Even though historians have protrayed him as a tyrant, Seton never lets on that this is what, in fact, he will become. Richard seems like a lost, lonely little boy trying to fill shoes that are too big for him.
After being widowed, Katherine becomes his mistress and bears him several children. Eventualy she becomes his third wife, their children are legitimized, and become the ancestors of the Tudor royal line.
This
Interesting side note: Geoffrey Chaucer was married to Katherine's sister, Philippa.
The novel is loosely based on the life of Katherine Swynford, a commoner who catches the eye of John of Gaunt, whose father and nephew were king of England. Standing between them is John's marriage to the queen of Castille (and Katherine's marriage to Hugh Synwford too.) They carried on with their affair anyway and Katherine bore John four children, starting the Beaufort line that would eventually become the Tudors when they sat upon the throne of England.
There isn't a whole lot known about Katherine herself (in fact, I was led to this book by Alison Weir's nonfiction book about Swynford, which relies on scant evidence like household records to recreate her life story.) Seton does a good job of giving Katherine an interesting and complex character, who makes missteps, doubts herself and behaves in a realistic sort of way.
Seton's prose is often overwrought and she occasionally gets quite bogged down in the details of 14th century life (or at least how she imagined it to be.) Despite that, she creates a story with enough charm and intrigue to keep it interesting most of the way through.