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On a cold Venetian night shortly before Christmas, a street vendor is killed in a scuffle in Campo San Stefano. The closest witnesses are the tourists who had been browsing the man's wares before his death-fake handbags of every designer label. The dead man had been working as a vu cumpra, one of the many African immigrants purveying goods outside normal shop hours and without work permits. Commissario Brunetti's response is that of everybody involved: Why would anyone kill an illegal immigrant? Once Brunetti begins to investigate this unfamiliar Venetian underworld, he discovers that matters of great value are at stake. Warned by Patta, his supervisor, to resist further involvement in the case, how far will Brunetti be able to penetrate the murky subculture of Venice's illegal community?… (more)
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Illegal street vendors have long been a fixture in Venice’s Campo San Stefano. Over the years, different ethnic groups have sold various wares; in recent years, Africans have made up the ranks of the ambulanti, who usually sell
Brunetti’s investigation runs into one blind alley after another, as the near-impossibility of penetrating a closed community cuts him off from needed information. Then, in a search of the victim’s room, Brunetti finds millions of euros worth of uncut diamonds. His investigation takes an unexpected turn when his superior,Vice-Questore Patta, seriously warns him off the investigation, implying that it represents danger for Brunetti himself.
This is one of Leon’s strongest entries, with fine writing and her superb characterizations, again particularly of Brunetti’s family. She uses Chiara in particular to illuminate the kind of unconscious, thoughtless racism that exists at all levels of society, showing up even in a family as enlightened as Brunetti’s, with a strong mother possessed of a radical social conscience.
This book was written before the movie Blood Diamond, but has the same theme--the sale of illegally obtained diamonds for arms. The denouement is so dark that one is left, along with Brunetti, with feelings of rage and despair at the lengths to which governments--any government--will go to stay in power and to accumulate wealth for its richest citizens. International borders mean nothing, ideals mean nothing--all that matters is money.
Leon tells an absorbing but very grim story, an excellent police procedural that is in addition both an illumination of and a protest against that modern evil. Highly recommended.
Adding to the obstacles in his way is the fact that his boss
Soon, computer files are missing, diamonds are found in a box of salt, both the Ministry of the Interior and Ministry of Foreign Affairs appear to have invisible fingers in the mystery, and his various sources of information such as a gems dealer, his father-in-law, an ex-colleague, a Swiss Professor specializing in African arts and the unflappable Signorina Elettra all seem to be providing pieces of the puzzle that doesn't fit to provide a full picture.
The confusion and frustration that dogs him in his work is balanced by the warmth and solidity of his family life.
In this book, the author brings to our awareness racial prejudices that often befall illegal foreigners and the political bargaining that takes place behind closed doors. This murder mystery doesn't show any cracks at all and the answer at the end is surprising but apt.
* The peddlers in Venice are nicknamed "Vu' Compra" because as foreigners, they often use what is considered bad Italian to say "Do you want to buy?"
The story takes place at Christmas time and the background of how this holiday is celebrated is interesting. There is a lot of discussions about the place for and the treatment of people who are strangers from another place. In this particular situation the Senegalese are polite well mannered street vendors for the most part and thus the authorities leave them alone. But there are strong feelings from those whose livelihood is threatened by those who peddle without paying taxes and all the other fees for a business. If it was a Venetian who was selling on the streets they would be arrested in a flash the the conundrum of the double standard is well explored.
Donna Leon's books are more than just police procedurals books that take place in Venice. They always, in my experience, deal with an issue confronting Italy and there's always a sub-current of corruption. In this book, she tackles the difficult subject of street peddlers,
Two American tourists, both physicians, see an immigrant, ostensibly from Sierra Leone, assassinated in the square. The case, as you might suspect, revolves around the sale of "blood" diamonds. The characters, now familiar after having read at least 10 in the series, are used by Leon as springboards to focus on an issue in addition to the ubiquitous Italian corruption.
The Leon books will not please readers who prefer chases, gun shots, and action. If you like characterization, fine writing, and intriguing stories, I recommend this series highly. Well read by David Colacci although he will never replace Anna Fields, aka Kate Fleming.
Not a page turner where you can't wait for the next twist, but a slowly winding trail you dont mind leaving for a drink or a sandwich or even a good nap.
I will only write about this book but the whole series featuring Commissario Guido Brunetti fits this description (OK, some have a bit more blood and messiness but often you have 5 quick wacks to the head or some other lets-get-the-murder-done-so-I-can-write-about-lunch action) .BTW I am loading up my e-reader for the flight home with a couple of Leons tonight.
Having little evidence to lead him to the killer, Brunetti attempts identification by contacting other Africans. Trying not to scare them off because he is with the police is a difficult effort, but by finding their living quarters, the Commissario finds a possible motive when he discovers millions in conspiracy diamonds in the salt tin.
This installment in this series has a strong presence - prejudices not only shown in the main storyline but also in the home arena with Chiara's Muslim friend as well as governmental interference in favor of the rich. Again Brunetti has to fight the rich for justice.
An engrossing read. The characters are wonderfully depicted, such as Vice Questore Patta, Brunetti’s slow-witted boss, and his (Patta's) secretary, the computer savvy Signorina Elettra, who helps Brunetti without Patta's knowledge. Much of the novel’s appeal lies in the details of Brunetti’s life. He enjoys pastries, his wife Paola cooks exquisite lunches, he dislikes Christmas shopping and he admires the beautiful architecture of his city as he goes about his police business. I also enjoyed the glimpses into another culture.
This was my first Donna Leon novel, but definitely not my last. Highly Recommended.
I found this series installment less satisfactory than most of the other books in the series. I’ve come to accept that the murderers will elude justice in this series, and that Brunetti (and the readers) have to be satisfied with the knowledge of the killer’s identity. However, this book ended with more loose ends than usual.
When Commissario Guido Brunetti investigates deeper, the murder looks more like a
Brunetti persists and he finds himself trying to navigate the shadowy world of illegal immigrants from Africa and their survival in a foreign country. Brunettis also reconfirms the powers of the government and how they can bury cases they wish left alone, be it for political or personal reasons.
I am still enjoying the books in this series. The plot lines are solid, but it is the characters that keep me reading even more.
Another morality tale from the pen of Donna Leon. This one highlights the
The audio is performed by David Colacci as were all the others I've read. His rendering is remarkable in that he never overplays the roles.
Characters cleverly drawn and more insights into
Set at Christmas time, the cold weather plays a role in daily activities.
Another cleverly plotted story with a few political undertones and insights.