Status
Available
Call number
Publication
New York : HarperPerennial, 2013.
Description
In this dazzling collection, Annie Dillard explores the world over, from the Arctic to the Ecuadorian jungle, from the Galapagos to her beloved Tinker Creek. With her entrancing gaze she captures the wonders of natural facts and human meanings: watching a sublime lunar eclipse, locking eyes with a wild weasel, or beholding mirages appearing over Puget Sound through summer. Annie Dillard is one of the most respected and influential figures in contemporary nonfiction and winner of the Pulitzer Prize. Teaching a Stone to Talk illuminates the world around us and showcases Dillard in all her enigmatic genius.
User reviews
LibraryThing member Sara_Cat
There is some beautiful prose and imagery within each essay. And some of the connections between different things that Dillard makes are interesting and give insight into her thinking. But, there are also essays in the book where even by the end of the essay I have a hard time understanding the
While I can appreciate the jumping back and forth between things can give a sense of how our thought process can actually be at times, I did often find it hard to follow. That being said, some of the essays, especially the shorter ones, were not like this.
Looking at individual sentences or paragraphs, I love some of Dillard's writing, but looking at whole essays, I have mixed feelings about whether I want to read more of her work or not.
I give this book 2.5 stars on a first reading.
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link between the two things.While I can appreciate the jumping back and forth between things can give a sense of how our thought process can actually be at times, I did often find it hard to follow. That being said, some of the essays, especially the shorter ones, were not like this.
Looking at individual sentences or paragraphs, I love some of Dillard's writing, but looking at whole essays, I have mixed feelings about whether I want to read more of her work or not.
I give this book 2.5 stars on a first reading.
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LibraryThing member laytonwoman3rd
Annie Dillard sees things others don't see; she also sees things differently than the rest of us, sometimes. Her prose can be gorgeous, but it can also be baffling, and I just don't get what she's talking about all the time. That last bit is almost a direct quote from Eudora Welty, who said the
Where she loses me is in her deeper philosophical musings, which are sometimes so personal (like poetry) that I doubt if anyone understands all of them. But when she touches a chord, it vibrates right down to the soles of my feet. And she makes some very pertinent observations regarding God, spirituality and nature. This, in particular: "God does not demand that we ...lose ourselves and turn from all that is not him. God needs nothing, asks nothing, and demands nothing, like the stars....You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars neither require nor demand it."
This collection of essays, published several years after her Pulitzer Prize winning Pilgrim at Tinker Creek, is alternately brilliant, boring (I've had it with tales of polar expeditions---it's not really her fault), entertaining and enlightening. I loved her unexpected mind meld with a weasel; her inability to tear herself away from the spectacle of sea birds diving for the openings of their nests in crevices of a sheer lava cliff face in the Galapagos Islands (she missed the boat back); her description of the sense of disorientation even an educated 20th century human can experience in the face of a total solar eclipse. In fact, with the exception of "An Expedition to the Pole", there is not a single selection in this volume that I do not look forward to revisiting, often.
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same thing upon reading some of Dillard's early work. She was referring to Dillard's personification of inanimate objects, I believe, but I sort of get that part. (Rocks, after all. Seriously. "It is all, God help us, a matter of rocks." )Where she loses me is in her deeper philosophical musings, which are sometimes so personal (like poetry) that I doubt if anyone understands all of them. But when she touches a chord, it vibrates right down to the soles of my feet. And she makes some very pertinent observations regarding God, spirituality and nature. This, in particular: "God does not demand that we ...lose ourselves and turn from all that is not him. God needs nothing, asks nothing, and demands nothing, like the stars....You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars neither require nor demand it."
This collection of essays, published several years after her Pulitzer Prize winning Pilgrim at Tinker Creek, is alternately brilliant, boring (I've had it with tales of polar expeditions---it's not really her fault), entertaining and enlightening. I loved her unexpected mind meld with a weasel; her inability to tear herself away from the spectacle of sea birds diving for the openings of their nests in crevices of a sheer lava cliff face in the Galapagos Islands (she missed the boat back); her description of the sense of disorientation even an educated 20th century human can experience in the face of a total solar eclipse. In fact, with the exception of "An Expedition to the Pole", there is not a single selection in this volume that I do not look forward to revisiting, often.
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LibraryThing member jd234512
While I did not enjoy this nearly as much as Pilgrim at Tinker Creek, this makes me feel so blessed and honored to have ever heard of her in the first place. She manages to observe life in a way that makes you want to slow down and see what's happening rather than have it blow past. She forces you
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to stop and see the great spectacle that is always before. She forces you to be still and just breathe. She also is able to wrap up a book better than most other non-fiction authors. Show Less
LibraryThing member allidahl
All of her writing is so rich and deep. Similar to the way I feel about Buechner's writing, I could re-read it hundreds of times and get someting different out of it every time. This is my favorite of what I've read of hers so far, probbaly because I like the short essay style of these chapters and
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can finish them faster than her other books which take me longer to digest. Show Less
LibraryThing member elfortunawe
This is the first Annie Dillard book I've ever read, and I found it quite deserving of my time. Being a collection of short stories, it's naturally difficult to sum the book up in a review. Expeditions and Encounters is probably about as appropriate a summation as can be provided.
There are two
All those things for which we have no words are lost. The mind—the culture—has two little tools, grammar and lexicon: a decorated sand bucket and a matching shovel. With these we bluster about the continents and do all the world's work. With these we try to save our very lives.
Taken out of context, that passage loses a lot of significance, but it still holds some water. The book's full of stuff like that, and I very much look forward to reading Dillard's other works.
There are two
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stories in particular that have made themselves most comfortable among the familiar furniture of my mind: "An Expedition to the Pole" and "Total Eclipse". I won't attempt to sketch either of these, as any attempt short of simply copying and pasting the essays in their entirety would be inadequate. I would like to provide this one quote, however, from "Total Eclipse":All those things for which we have no words are lost. The mind—the culture—has two little tools, grammar and lexicon: a decorated sand bucket and a matching shovel. With these we bluster about the continents and do all the world's work. With these we try to save our very lives.
Taken out of context, that passage loses a lot of significance, but it still holds some water. The book's full of stuff like that, and I very much look forward to reading Dillard's other works.
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LibraryThing member librisissimo
'Expeditions and Encounters'
LibraryThing member satyridae
In a lot of ways, Dillard taught me to see. She gave me tools I use every day, and hope to use for every day I have left. Her prose is full of awe and wonder and reverence. This is my favorite of all her books.
LibraryThing member amelish
Much more unfocused and wild (?) than Pilgrim at Tinker Creek (my love!), but that's just the nature of essays, no? I prefer the essays in the first half of the book, for some reason.
LibraryThing member mlake
My mom told me this was her favorite book. It is still in the currently reading pile but at the bottom.
LibraryThing member b.masonjudy
Returning to Dillard awakens me. She reminds me of the interminable mystery of life and the power of careful observation that is stoic, measured, and graceful.
LibraryThing member PDCRead
In this collection of fourteen essays Dillard brings her almost forensic observation of natural world as well as a keen perception of the smallest detail to a wide variety of subjects. Starting with her thoughts on a solar eclipse that she travels to see in Yakima, we accompany her on her a journey
The silence is all there is. It is the alpha and the omega.
There is a strong spiritual dimension to her sparse but eloquent prose. It is beyond me how she manages to pack so much meaning into so few words. Her childlike fascination with the world around is evident in the book and she manages to deftly entwine this with themes of exploration and discovery and how we can use it to watch and observe the things that happen around us. I particularly liked the essay on lenses, how it is something that you have to master before you can use it to see the far away and the near. Until now I have never read any of her books before, now will be working my way through her non-fiction back catalogue.
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to the Appalachian Mountains and all the way to the Galapagos Islands. With her we see the world through the eyes of a weasel and take a walk from her home. We also meet the man who inspired the title of the book, who is Teaching a stone to speak; most will think this a futile gesture, but as Dillard explains, it is his way of communing with the natural world at the pace he desires.The silence is all there is. It is the alpha and the omega.
There is a strong spiritual dimension to her sparse but eloquent prose. It is beyond me how she manages to pack so much meaning into so few words. Her childlike fascination with the world around is evident in the book and she manages to deftly entwine this with themes of exploration and discovery and how we can use it to watch and observe the things that happen around us. I particularly liked the essay on lenses, how it is something that you have to master before you can use it to see the far away and the near. Until now I have never read any of her books before, now will be working my way through her non-fiction back catalogue.
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Language
Original publication date
1982
Physical description
175 p.; 21 cm
ISBN
9780060915414