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Fiction. Mystery. Historical Fiction. HTML: Can fear kill? When the body of a night watchman is found sprawled in the shadow of a rare nineteenth-Dynasty mummy case, a look of terror frozen on his face, panic ensues. No one doubts that the guard's untimely demise is the work of an ancient Egyptian curse. No one, that is, except that tart-tongued Victorian Egyptologist, Amelia Peabody, whose remarkable talent for criminal investigation has frustrated villains from London to Cairo. Fresh from their daring exploits in exotic Egypt, Amelia, her sexy archaeologist husband Emerson, and their catastrophically precocious son Ramses, have returned to their native England just in time to get wrapped up in the intrigue. It's a mystery worthy of Amelia's superior sleuthing, but can she elude the vile clutches of the real perpetrator long enough to uncover his identity?.… (more)
User reviews
In this installment, Amelia Peabody Emerson and her husband Radcliff Emerson are back from the latest archaeological season in Egypt with their son, Ramses. They are staying in London so that Emerson can finish his book with ready access to the records at
I'd give this four stars, but the mystery was a little too convoluted and at one crucial moment Amelia is guided by a strange dream she had. Rather too convenient, that. Also, it was pretty plain to the reader that Emerson was not involved in any extramarital affairs, so Amelia's worry and jealousy come across as silly. Not that jealousy generally makes much sense to the outsider, and the point is that it makes you irrational, but it did leave me a little impatient with Amelia for being so dense. But I guess that's part of what makes her such a human character; for all her strength and determination, she has some very vulnerable points.
Peters handles her characters so effortlessly, and they never are contorted into doing something uncharacteristic or hard to believe. And they are such lively people to read about! Whether it's Emerson growling through his favorite disguise (a big bushy beard), Ramses launching into one of his interminable speeches, or Amelia herself forging through a crowd with the point of her formidable parasol, they are outrageously themselves and yet somehow believable. Ramses' cousins Percy and Violet are humorous additions to the family circle this time around.
I'm starting to see why this series is such a great one in the world of detective fiction. The characters are fun, the historical setting of Victorian England feels real, the Egyptology is fascinating, the narrative voice is opinionated and distinctive, and the mysteries themselves aren't bad. It's a winning combination that has won a legion of fans.
And I can't say enough about Barbara Rosenblat's narration. I listened to this on audiobook and she understands Amelia's voice perfectly and often adds a little "hmm" or slight cough to accentuate the dialogue. Her voice for Emerson is great, too, and sometimes made me laugh aloud. It's a rich listening experience and though I own most of this series in print, I plan to work my way through it via the audiobooks at the library. It takes longer, but it's funnier this way, and I believe Rosenblat has recorded all the series so far.
So that's The Deeds of the Disturber. I'm looking forward to the rest of the series. Fun stuff!
The typical who-done-it mystery ensues in the British museum, with a mummy playing a prominent role. By the way, did you know that ground mummy has been used as a medicinal treatment for various diseases?
The family is VERY wealthy, residing in a mansion in London replete with servants of every sort, including footmen. Their language is quite florid. Peabody and Ramses use about 40 words for what Spenser (of the Robert Parker series) would say in three!
At first, I thought that this story is so “talky” that I couldn’t get through it. Then, I began to get into the mood of the socioeconomic milieu and enjoy it. To me, the mystery was an aside to portrait of the wealthy, elegant, intelligent, educated Victorian family. At breakfast Peabody tells a servant, “Take this toast away. . . it has become quite leathery.” She shops for custom-made frocks and tea gowns. The children wear sailor suits with hats and Violet wears ruffles and ribbons.
Particularly amusing are the most discreet innuendos to Peabody and Emerson’s busy and most satisfying sex life. Face it, it’s difficult to be spontaneous in a house filled with servants who assist in dressing, undressing, filling the bath, delivering mail, announcing guests and tea time, dinner time, etc.
Violet, a rather slow child, is noted for her tendency to gobble every teacake, biscuit and muffin within reach. Peabody notices that she is inflating like a frog and attempts, generally futilely, to restrict her consumption of sweets.
Unlike the rest of the clan, dear Violet is a creature of few words. When Percy and Ramses suffer their frequent mishaps, usually involving tussles between them, Violet utters phrases such as, “Dead! Dead!” or “Nasty! Nasty!”
In short, the mystery seemed to be an excuse for displaying the opulence of the British Victorian era and the eccentricities of the Emerson-Peabody entourage, an amusing setting well-worth visiting.
Radcliffe Emerson is supposed to be working on his scholarly treatise in London, but it goes without saying that solving puzzling crimes precludes such pedestrian concerns for most of the story. The book is positively bursting with contempt for British Museum curator and egyptologist E. A. Wallis Budge, an accurately-named historical character despite the occasional reference to "Madame Blatantowski" and other semi-pseudonymous Victorian figures.
The Deeds of the Disturber has nearly everything one could wish for from a novel in this line: perplexing murders, ominous curses, sinister ceremonies, romantic jealousies, syphilitic aristocrats, and an opium den. A series of incidents involving the young Ramses and his visiting cousins doesn't reveal itself as a parallel plot until very late in the story. As a continuation of the previous books, it further develops a number of existing characters--not only the Emersons and their household, but also the journalist Kevin O'Connell--and the new ones it adds are all interesting. The mystery element is amply puzzling, and some pieces of it even defeat Amelia herself until all is revealed to the reader's satisfaction.
Luckily there was humor and the writing was as good as always.
It's nice to have a story based in London - we get to see the Emersons' home life, and we also get
Fun and funny - recommended.
However, through out the book the way over the top abusive manner of Amelia Peabody towards her son Ramses is something that I do not get. Am I the only one bothered by this
Urquhart
It's the off season and while the Emersons are home in England. Amelia is
Although this should be their quiet time, the Emersons are pulled into a murder mystery involving a body left in an ornate Egyptian coffin. There is also an opium den and a man dressing as an Egyptian priest to cast doubt on the nature of the murder.
As it happened, I was listening to this audio (read by Barbara Rosenblat) as I was also reading The Case of the Peculiar Pink Fan by Nancy Springer. Both share similarities in the threat of forced marriage and far away problems surfacing in violence in London. I suspect that both are nods in their own way to Arthur Conan Doyle's A Study in Scarlet.
Yes, the mysteries are repetitive, but it's saved (for me) by Amelia's narrative voice and my love for this family (and their love for each other). Ramses gets better every book; I just wish Amelia
Review: This was very verbose, and not just from Ramses. The final chapter was given over to explaining the outcome; I wasn't enamored of this bit of writing.
As usual, these books read like the female version of a young boys adventure and are great fun.
3.5 Stars
Amelia and her family return to England, where they learn of the mysterious death of a night watchman at the British Museum. When another man dies under suspicious circumstances, rumors abound concerning a mummy curse, and the Emersons find themselves wrangled
Elizabeth Peters is a master of social satire with her tongue-in-cheek descriptions of British society and their sense of superiority. Nevertheless, this installment in the series has its problems.
To begin with, the mystery has potential as Amelia employs her detecting skills on British soil. However, the pacing is rather slow until the last few action-packed chapters (which earn the book an extra half-star), and the eventual explanation is convoluted and not altogether logical.
Moreover, Amelia can be exceedingly annoying at times, which is most apparent in her decided lack of communication with Emerson leading to completely unnecessary angst in their relationship. That said, there is some excellent character growth for them both as details of his past prior to his meeting Amelia come to light.
Ramses, as always, provides excellent comic relief and his antics are hilarious. In this regard, Amelia finally comes up to snuff and demonstrates an excellent understanding of her son's nature when
While this installment is an improvement on the absurdity of the last, it still does not quite meet the expectations set by the first three books.