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"McCracken mixes the proper amount of lunacy with exactly the right amount of sorrow. The blend is reminiscent of such late-20th-century treasures as The Accidental Tourist, The World According to Garp, or A Confederacy of Dunces."--Denver Post The year is 1950, and in a small town on Cape Cod twenty-six-year-old librarian Peggy Cort feels like love and life have stood her up. Until the day James Carlson Sweatt- the "over-tall" eleven-year-old boy who's the talk of the town-walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who's ever really understood her, and as he grows- six foot five at age twelve, then seven feet, then eight-so does her heart and their most singular romance. Praise for The Giant's House "Remarkable . . . McCracken has wit and subtlety to burn, as well as an uncanny ability to tap into the sadness that runs through the center of her characters' worlds. This book is so lovely that, when you're reading, you'll want to sleep with it under your pillow."--Salon A true marvel . . . thoroughly enjoyable from its unlikely beginning to its bittersweet end. . . McCracken knows all kinds of subtle, enticing secrets of the heart and conveys them in silky, transparent language."--San Francisco Chronicle "Lovely . . . a tribute to the quiet passion of people trapped in isolation."--Los Angeles Times "Fascinating . . . The reader finds herself entangled, body and soul, in this tender and endlessly strange novel, which is in all senses a hymn to human growth gone haywire and to a love so big it can't hold its own magnificent limbs upright."--Elle "Such is the incantatory power of McCracken's eccentric tale that by its close we are completely in the grip of its strangely conceived ardor. . . . McCracken is as original a writer as they come. . . . I fell in love."--Daphne Merkin, The New Yorker… (more)
User reviews
Cape Cod, 1950. Peggy Cort is a librarian and she is already destined to be a spinster, at the tender age of twenty-six. One day, a boy walks into her library and a friendship develops that will alter both of their lives. James Sweatt is
This is a misfit love story, which manages to avoid being overly sentimental. The writing is both strong and fluid. It is also one of the most quotable books, I've read this year:
“Library books were, I suddenly realized, promiscuous, ready to lie down in the arms of anyone who asked.”
I also think fans of Anne Tyler will enjoy this book. Highly recommended.
This novel is subtitled "a Romance," but I think that that might be a misnomer. While James and Peggy do grow fond of each other, McCracken's novel is more interested in asking how intractably odd characters like Peggy and her would-be paramour can fit into a society not designed to satisfy their needs. I particularly liked Peggy's attempts to describe James without drawing our attention to his prodigious height, the single attribute that makes him noteworthy to others and complicates his day-to-day existence. As the novel draws to a close, it becomes clear that Peggy and James have learned to deal with their own unhappiness by living in, and for, each other. Perhaps "The Giant's House" is a romance, after all.
McCracken is so young she's only written a
In this novel, McCracken tells the story of Peggy Cort, librarian, and James Carlson Sweatt, giant. It's an unusual and unusually moving love story. Yes, it's heartbreakingly sad, but never maudlin. It's filled with extraordinarily moving passages and vivid metaphors. One of my favorites is:
She had the voice of a dancer, I mean like Fred Astaire or Gene Kelly, someone who has such grace at another art that the grace suffuses their voice, which does not quite match the tune but instead strolls up to a note and stands right next to it, that slight difference so beautiful and heartbreaking that you never want to hear a professional sing again. Professionals remember all the words. Caroline's song was patched together with something something something.
I got over it, though, or the self-assessments lessened toward the end of the book. And it is a good book, a weird little story about a young librarian who befriends and very tall boy. It reminded me a bit of Amy Bender's work.
Totally unconvincing. Literary, yes - the writing could be quite lovely at times - but the characters were big fat flops.