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In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father's bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound--and dangerous--secrets hidden within its walls? What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity--and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn't believe a word of it. Ghosts, after all, don't exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren't thrilled that their small town has been made infamous thanks to Maggie's father. Even more unnerving is Baneberry Hall itself--a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father's book, she starts to believe that what he wrote was more fact than fiction. Alternating between Maggie's uneasy homecoming and chapters from her father's book, Home Before Dark is the story of a house with long-buried secrets and a woman's quest to uncover them--even if the truth is far more terrifying than any haunting.… (more)
User reviews
A small backstory without giving away spoilers:
A young woman, Maggie Holt, learns that her father has died, but she gets a shock when she finds out that she has also inherited a mansion called Baneberry Hall. A place that she has actually lived in when she was a
Maggie upon arrival to Baneberry Hall plans to restore the home and decides to move in as she doesn't believe in ghosts and vehemently refuses to even acknowledge that the mansion is haunted. Though as time moves on, she cannot deny that "something" is happening within the mansion.
Thoughts:
This was a very spooky tale which is told in two pov's. The one pov is told from the book that her father wrote along with what him and his family experienced while they were living there. The other pov is of Maggie and her story of what she has to go through from the time her father died to her time in the mansion.
This was definitely a page turner with lots of spooky atmosphere throughout the story. Though I have to say that the spookiness of the mansion creeped me out mostly from the storytelling part of the father's book and what the family had to endure. I do have to say though that to me it wasn't a "leave the lights on" scary book, but then again it takes a lot to scare me, but there were moments that had some spook factors throughout the story. Giving this book four "spooky" stars.
Note: In spite of the reference to the Amityville Horror in the book description ...this book is listed as a work of fiction.
Sager fans, please don't crucify me. The writing here is excellent. I enjoyed the story overall, though I didn't love it, and I wasn't ever totally committed to the fear
The story starts strong. The sense of otherworldly unknown had me on edge. But then the middle sagged and dragged a bit for me.
We have two timelines, or a book within a book. The present is narrated by Maggie, and the past is chapters from the book her father wrote about their experience in the house when Maggie was a child. Both parts are written in first person. I found the father's parts much more engaging than Maggie's. Her sections are repetitive and her character is dull.
The ghost aspect is certainly creepy enough, but this is also where the repetition occurs most. The same few things happen over and over, so it becomes expected and not all that scary.
Intensity builds and pacing picks up during the last quarter, where we have several twists. I was all in. Then the ending happened, and, well, I felt it was overblown. I suppose it's plausible, but I didn't like it.
So this isn't quite the Gothic ghost story I was hoping for, but it's still an enjoyable read.
At the root of Riley Sager's newest thriller is the battle between one's logical sense-ridden response to an old house, and one's emotional
When, for instance, Maggie Holt learns that her father has not only retained the deed to old Baneberry Hall, but has now left it to her in his will, she has a choice to make: she can either capitalize on the house's fame and sell it outright, or she can go there herself and pursue her demons. And in this case, pathos prevails. Logic and reason fly right out the window.
Much like Eleanor in Shirley Jackson's The Haunting of Hill House, from which Sager draws (in this reviewer's opinion) an overwhelming amount of inspiration, Maggie sees the keys to the house as an invitation - one that she had the opportunity to ignore, one that her mother encouraged her to ignore - that cannot be declined. Anyone operating with sense would just sell infamous manse for whatever they could get, but Maggie is determined to prove to herself that her parents have been lying to her for all these years, about what happened in the house when she was a child.
As a narrator, Maggie is hardly reliable. Her memories of the past have been at least partly manufactured by the creative falsehoods of her parents, the burden of which has left her with so much general mistrust and insecurity that it's no surprise that she's still coping so many years later. According to the book her father Ewan wrote (another motif borrowed from Jackson if not outright stolen from Jay Anson), the "House of Horrors" is well-haunted by at least a few of the previous tenants who had met tragic ends on the grounds. By his account, his family ran for their lives when the ghosts threatened young Maggie, something the now-adult Maggie believes has always been a lie. But the real truth, it turns out, is darker even than the secret Ewan lied to protect.
The ending leaves no secrets - as with most pop-thrillers, the shadows give way and the house's truth is laid bare in the light. But thankfully Sager resists falling into the tropes of both grotesque sexualization of the main character, and an ending full of sunshine and rainbows, something that many authors with female protagonists seem to have trouble skirting. The story is solid and satisfying without these sexist burdens. If anything, the only thing we might be left wanting is a few more skeletons.
Twenty five years ago, a five year old Maggie Holt and her parents, Ewan and Jess, moved into Baneberry Hall, a big ol' estate in the Vermont woods. They last three weeks before they hightail it out of there. Ewan then writes a nonfiction book called House of Horrors which recounts the family's very brief but terrifying time living at Baneberry Hall. It became a bestseller and Maggie always suspected her father made up the whole thing to sell books. Given she was so young at the time she has no memories of what took place during the three weeks her family lived there.
Fast forward to the present day as Maggie is now an adult and has a career restoring old homes. Her father has recently passed away and she inherits Baneberry Hall. She is shocked because she assumed her dad got rid of the place years ago. She decides to fix up the home and will be staying there while she does so. Guess what? Creepy things start happening after Maggie moves in. The book basically goes back and forth between Maggie in the present day and chapters of the nonfiction book her father wrote about the house.
I loved the format in which this story was told and was equally invested in both the father's book as well as Maggie's current storyline. Had I not had life stuff getting in the way, I easily could have and desperately wanted to finish this book in a day. A fun page turner for sure. I only wish I had liked the ending a tiny bit more. Don't get me wrong it wasn't horrible, but in my mind it wasn't spectacular either.
If you have enjoyed the author's other books, you will want to check this one out if you haven't already done so.
I stayed up til 2am finishing this book. I loved it, even though I was scared lol. I enjoyed the suspense and creepiness of the whole book. The plot was great, the characters were written perfectly, it was nicely paced, and was a definite page turner. I like how Sager wrote almost 2 stories within the book, following the Ewans book, then in the present as Maggie. It kept you intrigued, and interested. I think this lived up to the typical Sager novels, with constant twists and turns, throwing in some creepy/scary details. I had high hopes and it did not disappoint. I highly recommend.
The format of Maggie's POV alternating with chapters of her father's book gives the reader so many
Overall this was a fun read, and I'm very much looking forward to exploring Riley Sager's other novels!
Despite a glaring plot hole and some outlandish twists and turns, this was an entertaining novel.
Although other architectural details-- like the interior of the town library (!), that armoire in the Indigo Room, and others that shall remain nameless-- have landed firmly in my memory, Maggie Holt's journey to enlightenment has, too. She's a woman who doesn't know how to quit, especially when three momentous weeks of her childhood are coming to light. She's stubborn and distrustful, and she needs a lot of convincing, but Baneberry Hall gets the job done. Just how it does that, you'll have to find out for yourself.
Probably the best thing about Home Before Dark should please all those who don't care for any paranormal elements in their reading. Logic plays a very large role in uncovering the truth of Baneberry Hall's history-- but that doesn't mean I'd walk into that mansion without feeling the hair on the back of my neck stand up. If you like being pleasantly spooked and solidly entertained, this is the book for you.
Are houses haunted, or is it the people that are haunted? Maybe both, at the same time, are true? Can a house maintain impressions of past tragedies? This is a twisty book, a mystery within a mystery, and a search for what is true and what is not. Creepy and intriguing. Things are not always what they appear to be, but more and less, than what we imagine. My first Sager but this was a good Halloween read and it does make me want to again read this author.
I really liked this. I listened to the audio. I thought it was appropriately creepy! It went back and forth between Maggie’s current day viewpoint and her father’s viewpoint from the time to weave the story together.
In addition, I
If felt like there was not enough build up to those moments of "evil" surrounding the house that I missed the most. The ending left me feeling like Switzerland. I was neutral on whether I liked or did not like the ending. Here is hoping that the next book strikes a home run with me.
The plot itself bounces back from Ewan and Maggie. Their point of views keep you guessing on the origins of the house and the haunting. Naturally, Ewan's point of view is so good and the most creepiest. The mystery surrounding the house is good and the climax of the plot is well done.
Character wise, none really stand out and they're there to keep the plot moving. The ending does give off a bit of a feeling of frustration as it could all have been avoided (trying to keep it spoiler free here!) but because it's so well written with the mood, the setting, and the creep factor it's forgivable.
Definitely pick this up for a good haunted house read. It'll keep you turning the pages and maybe jump at things that go bump in the night.