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With its dark legends and passionate history, the windswept shores of Scotland are an archaeologist's dream. Verity Grey is thrilled by the challenge of uncovering an ancient Roman campsite in a small Scottish village. But as soon as she arrives, she sense danger in the air. Her eccentric boss, Peter Quinnell, has spent his whole life searching for the resting place of the lost Ninth Roman Legion and is convinced he's finally found it - not because of any scientific evidence, but because a local boy has 'seen' a Roman soldier walking in the fields, a ghostly sentinel who guards the bodies of his long-dead comrades. Surprisingly, Verity believes in Peter, and the boy, and even in the Sentinel, who seems determined to become her own protector. . . but from what?… (more)
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As Verity begins her work, she becomes more and more engaged in the mystery, and she hears ghost horses at night and the Sentinel ghost begins to follow her around, seemingly trying to tell her something.
I had read that Susannah Kearsley was similar to Barbara Michaels and Mary Stewart, other authors of ghostly romantic suspense, and having read and enjoyed both of those authors, I decided to try Shadowy Horses. It was very similar to works of those authors, and I enjoyed the suspenseful tale. It had all the elements that are the hallmark of those gothic romances...a rugged, handsome hero; a psychic child; a creepy ghost in a gothic setting, an interesting cast of diverse characters, and a smart, brave heroine. My only disappointment was that I thought that the plot was a little thin, but that didn't keep me from enjoying the Scottish dialogue and humor.
This was also the first I'd read of the story of the Ninth
Our heroine, Verity (I love that name!) is hired on to a rather mysterious archaeological dig in Scotland. There she will be working with an old lover and the owner of the site who insists that the famed lost Ninth Legion of Rome is buried on his land. He feels this because a local boy with "the sight" has been seeing a legionary wandering the fields at night. Also on the dig is a very handsome local man who finds himself very interested in Verity.
This was just a wonderful read full of great characters, a romance that grows slowly and a ghost that does not dominate the tale. That was my only disappointment - there was not enough of the spectral Sentinel. Since he was so integral to the plot I was left wanting more of him and his story. That being said, though I did enjoy the book overall and the depiction of small town Scotland was truly interesting. The characters were well defined and I didn't see the secrets coming; I like a good mystery like that. Ms. Kearsley writes in a very easy to read style that brings her places very much to life.
Verity Grey is an archaeologist hired for a dig in Eyemouth, a village on the east coast of Scotland. Her
Verity is excited to be offered a job on the project, until she finds out the only proof comes from a young boy said to have second sight. Little Robbie has seen the ghost of a Roman Sentinel roaming the field, which of course, Verity is skeptical about at first. But it's not long before she can sense his presence too.
The mysterious ghost isn't the only man keeping her at Rosehill. She's also rather taken by a handsome Scottish archaeologist and professor named David Fortune. Honestly, I'm not sure which one I fancied more, David or the ghost! They both gave me goosebumps.
THE SHADOWY HORSES was a captivating blend of ghost story, mystery and romance. The pacing was steady, not fast or slow, but I stayed hooked up to the last word. I enjoyed the entire cast of characters, each one with a distinct personality and something important to contribute to the plot. I also enjoyed the archaeological tidbits on how digs are organized and carried out.
THE SHADOWY HORSES is going on my favorites list for this year, and I'm so pleased to have discovered Susanna Kearsley's amazing writing talent.
Review copy courtesy of Sourcebooks via NetGalley.
Kearlsey's descriptive (and it is very descriptive - from the countryside to the "not-posh" sitting room, Kearlsey crafts an easily imagined setting) and detailed style is present and used with a dab hand from the first chapter, to the benefit of both the locale and for the wide array of characters on the page. Both suspenseful and engrossing, each aspect of the novel, from the mystery to the romance to the supernatural, were all summarily well-handled and solid, with none detracting from the streamlined plot. These were characters who came alive for me as a reader, all with varying degress of characterization, as well as ones who made me care about each of them. This is a dynamic cast, with each character fully distinct, and, by and large, even with psychometric/psychic Robbie, one that doesn't strain credulity or irritate the reader. I do wish there had just slightly more of an antagonistic presence for most of the novel, but the minor conflicts and issues that were there, were enough to create increasing tension throughout the story.
The first person POV of protagonist Verity Grey makes it easy to root for her through her struggles to accept what is going on in Eyemouth; her inner monologue reinforces the first impression of an impulsive, smart, and very independent woman who can more than handle herself. The strength of the novel, much like with Mariana, lies with main character Verity. The other elements of the novel are well-done and unique, but it is Verity who takes the cake (with some help from an accent Scotsman with a love of history!), and who will stick out in my memory. I appreciated the restraint with which the author took to the romance - it's a large part of the novel, but it doesn't drown the plot in melodrama or too much of a love triangle.
The final conflict (and revelation of the antagonist) was a bit dry (ha!), but a nicely rounded denouement makes up for that slight misstep. Though Mariana will remain my favorite Kearsley (for now!), I loved The Shadowy Horses and think that this is an author that continues to impress and grow as a writer. This is an author who is very talented with crafting believable characters, with creating an atmospheric setting, and with making the past come to life. Well done and I can't wait for my next Kearsley read!
When Latin poets call their works 'nugae', it's self-deprecating. Their works are anything but trifles. This work, however, was all nugae. For a book about the search for the lost legion, I don't feel like I learned anything about the Roman military, or
Having visited the places she mentions (Berwick, Eyemouth, London, Dunbar), and knowing how Scots and
Verity heads out to rural Scotland for a job interview on an archaeological dig site. Little does she know, it's kind of an unofficial site. The head man running it, Peter, believes that there was a specific purpose to the site, but no one else really agrees that that is the case. Peter
I quite enjoyed this. It took a little bit to get into it and it's not a fast-paced book, but I liked (most of) the characters and I also liked the little romance that developed for Verity (though it was pretty low-key - till the end, anyway).
Susanna Kearsley’s books are redolent of those of Mary Stewart; they’re very atmospheric. I loved the ghost aspect of the story as well as the archeological and historical bits of the book, which seemed to be well-researched (granted, I don’t know that much about ancient Roman Britain, but still…). The characters are eclectic and well-defined. However, the ending of the novel feels a bit rushed, and we never really learn all that much about the Ninth Legion or the Sentinel. Nonetheless, I couldn’t put this high suspenseful novel down. Reading one of Kearsley’s books is always a treat; having read four of her books now, I can honestly say that this one is up there with Mariana or Sophia’s Secret.
I picked this up because several reviewers indicated a writing style similar to Mary Stewart and Barbara Michaels. For me, at least in this book, Kearsley's style is evocative of both those authors, but lacks a certain something... suspense, perhaps? The sense of impending doom that characterizes both Stewart and Michael's romances is absent here. Not to mention, Kearsley's hero is far more likeable and less domineering than either Stewart or Michaels' men ever dreamed of being.
Still, an enjoyable read and an author whose work I wouldn't balk at exploring further.
Archaeologist Verity Grey is invited to interview for a position on a dig by an old colleague—and ex-boyfriend—but is told next to nothing about the historical find until she arrives in the Scottish Borderlands. When she does, she
As someone who loves history and a good ghost story, I was intrigued by the subject matter. As the story played out I wondered what would be the big reveal at the end and while there was a reveal, it was not the reveal I was expecting. The book is left kind of open ended which some may like but I was left wanting a bit more. This is the third book I have read by the author and it will not be the last, I enjoy her work and think she has a great story waiting inside of her.
Kearsley is a good writer, and the story is entertaining and clips along. I just felt the whole punch of the plot was a little lacking, and this was more of a cozy love story than a true ghost story. The love story was predictable and ending wasn't terribly satisfying, but for a light read I liked it overall.
Verity heads out to rural Scotland for a job interview on an archaeological dig site. Little does she know, it's kind of an unofficial site. The head man running it, Peter, believes that there was a specific purpose to the site, but no one else really agrees that that is the case. Peter
I quite enjoyed this. It took a little bit to get into it and it's not a fast-paced book, but I liked (most of) the characters and I also liked the little romance that developed for Verity (though it was pretty low-key - till the end, anyway).
Let us forget about that and get to the story. Verity is an archaeologist, she loves her job but wants back to digging. So in comes Scotland, and a
On the team is also the eccentric boss who wants to find the missing Ninth Legion. Her ex-boyfriend who loves them and leaves them. A Scottish archaeologist who she starts to fancy. A woman who works at the estate and of course her son, the son who says he can see a Roman Sentinel guarding the hill. A nice group of people all in all.
The book is part fiction, part tiny bit of suspense, part ghost story, part romance. A nice mix that works.
The story is about the dig, about learning that there might be more to things than what we just see (and with a nice explanation too), and of course about finding evidence and getting recognition.
I think I want to end with a poem :)
HE BIDS HIS BELOVED BE AT PEACE
by: William Butler Yeats (1865-1939)
HEAR the Shadowy Horses, their long manes a-shake,
Their hoofs heavy with tumult, their eyes glimmering white;
The North unfolds above them clinging, creeping night,
The East her hidden joy before the morning break,
The West weeps in pale dew and sighs passing away,
The South is pouring down roses of crimson fire:
O vanity of Sleep, Hope, Dream, endless Desire,
The Horses of Disaster plunge in the heavy clay:
Beloved, let your eyes half close, and your heart beat
Over my heart, and your hair fall over my breast,
Drowning love's lonely hour in deep twilight of rest,
And hiding their tossing manes and their tumultuous feet.
This book is set in the Borders, southern Scotland, and centres around archaeologists on the trail of the 9th Legion, a Roman legion briefly stationed in Britain that famously disappeared, or whose fate is at least
I think I will remember this book primarily as an enormously cozy read -- on so many levels. The intrigue and the villains are cozy-level, of course, but it went way beyond that. For one, the novel is set in the picturesque fishing village of Eyemouth, and the author went to some lengths to present the town, its sights, its inhabitants and its couleur locale in a charming and positive light only.
For another: stereotypes, often involving hair colour or nationality, are presented in their kernel of truthiness, and in a spirit of accepting the world needs all kinds of people. For example: “I wouldn’t have guessed Peter Quinnell was Irish. He had, after all, that beautifully elegant voice, with no trace of a brogue whatsoever – but now that I’d had the fact pointed out to me I could recognise that indefinable quality, the faint hint of horses and hounds, that marked a certain segment of the Anglo-Irish gentry.”
So while that character’s ethnic background is indeed presented as saying something deep and true about them, the stereotype is mainly there to cash in on the reader’s familiarity, to do the heavy lifting of characterization. Not surprisingly, much of a character’s personality is tied to their looks, their dress styles, and other externalities. Crucially, though, only the positive aspects of such typecasting are explicitly invoked.
Other stereotypes, too, take central stage in positive characterization. There’s hair colour: Blondes are attractive and promiscuous whereas the brunette heroine is more sensible (and either is presented as perfectly acceptable). Fishermen have dependably rough exteriors with gentle hearts. Mothers manage their (man-)children with superior sensibility. Scotsmen are more weather-resistant than Englishmen, who are better with computers.
The familiarity to all these stereotypes means that there’s a predictability and, therefore, an easy coziness to them.
Other than that: the romance was surprisingly subdued, and I didn’t think the more fantastical elements of the novel gelled well with the rest of it.
So yeah: to the extent that I will remember this book at all in a few years’ time, I’ll probably remember it as a book that does its best to invoke feelings of warm, gentle coziness. At that, at least, it succeeded very well.
The bus had no business stopping where it did. We should have gone straight across the
Verity Grey is offered a job on an archaeological dig near a fishing town in Scotland. Her eccentric boss is convinced that the site is a Roman marching camp made by the Ninth Legion but for the dig to receive university support, he needs more evidence than a boy’s reports of seeing a ghostly sentinel.
This has atmosphere: history, scenery and mystery. I was fascinated by the historical details about the Romans, I enjoyed vivid depiction of Eyemouth, and there was enough suspense to keep me intrigued without becoming too creepy or disturbing. If there must be ghosts, then this is one approach I don’t mind.
I also enjoy reading about characters who are intensely passionate about what they do. If Verity hadn’t remarked that her mother despairs of her impulsiveness and habit of speaking to strangers, I could easily believe that she was the daughter of a heroine from one of Stewart’s earlier novels. She’s the right age, and she’s similarly smart and kind and adventurous.
Then there is the romance, which mostly simmers away in the background and is comfortably predictable obvious. These two people are clearly well-suited and I liked the sense that those around them are -- quietly, amusingly, supportively -- well aware of this.
I would have loved this even more had the ending had addressed a few things in more detail -- as if it was a couple of scenes and three conversation short of being perfect -- but it was still very satisfying.
I’d always felt a wistful sense of envy for my colleagues who broke open long-sealed tombs, or for film heroes who scraped about in the dirt for twenty seconds before pulling out some rare bejewelled and golden statue, carefully preserved, intact.
Almost everything I’d ever touched -- with the notable exception of one small military dagger -- had come to me in pieces, dull with dirt and worn with age.
If you like archaeology and ghost stories, then this is your book. I thought this was an excellent story. I love a good mystery combined with the supernatural. This had both and they blended well. There was also a romantic thread through it, which was refreshing and not over done. The Scottish atmosphere throughout the book was charming, and made it all the more interesting. There was just enough Scott's brogue in it to make it realistic. I would give it 10 stars if it was possible...but in lieu of that...5 well deserved stars.