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Biography & Autobiography. History. Language Arts. Nonfiction. HTML:An intimate, joy-filled portrait and New York Times bestseller, written by one of Hemingway's closest friends: "It is hard to imagine a better biography" (Life). In 1948, A. E. Hotchner went to Cuba to ask Ernest Hemingway to write an article on "The Future of Literature" for Cosmopolitan magazine. The article never materialized, but from that first meeting at the El Floridita bar in Havana until Hemingway's death in 1961, Hotchner and the Nobel and Pulitzer Prize�winning author developed a deep and abiding friendship. They caroused in New York City and Rome, ran with the bulls in Pamplona, hunted in Idaho, and fished the waters off Cuba. Every time they got together, Hemingway held forth on an astonishing variety of subjects, from the art of the perfect daiquiri to Paris in the 1920s to his boyhood in Oak Park, Illinois. Thankfully, Hotchner took it all down. Papa Hemingway provides fascinating details about Hemingway's daily routine, including the German army belt he wore and his habit of writing descriptive passages in longhand and dialogue on a typewriter, and documents his memories of Gertrude Stein, F. Scott Fitzgerald, Martha Gellhorn, Marlene Dietrich, and many of the twentieth century's most notable artists and celebrities. In the literary icon's final years, as his poor health began to affect his work, Hotchner tenderly and honestly portrays Hemingway's valiant attempts to beat back the depression that would lead him to take his own life. Deeply compassionate and highly entertaining, this "remarkable" New York Times bestseller "makes Hemingway live for us as nothing else has done" (The Wall Street Journal). .… (more)
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The biggest drawback that I found to the memoir was that Hotchner sometimes introduces people without explaining who they are to the reader. That is fine with more famous people, like Ava Gardner and Gary Cooper, but there are other people who have a close relationship with Hemingway who just appear in the book without any introduction. I found this to be off-putting and frustrating.
Despite this major flaw, I found the book to be helpful in allowing me to know who Hemingway really was as his friends saw him, and I found Hotchner's ending to be poignant, touching, and even a tad motivational. I was also impressed with the obvious influence Papa had on Hotchner's writing style. He used the same short sentences as Hemingway, and he got right to the action and wasted little time beating around the bush. The best accolade that I can give this book is that it made me want to read more Hemingway. I really liked it.
Many insights into Hemingway. Clearly he was very bright and clearly he was severely emotionally ill at the time he shot himself.
Interesting vignettes of his time in Cuba and Spain and of his love for bullfighting and matadors. Many things came together at
Given his family history there must be a genetic contribution to his emotional illness and suicide. Clearly the attempts to treat his emotional illness failed dismally.
THe author clearly knew Hemingway well and had a lot of insight into his mind.
Some of the information about Hemingway’s work habits were very interesting.
I happened to finish this book on the 62nd anniversary of Papa’s death, 2 July 2023. In fact, I stayed up to 23:30 at night to make sure I finished the last chapter on that day. This is perhaps the most significant anniversary of Papa’s death, since he would have turned 62 on 21 July 1961, Hotchner’s book, correctly called a memoir rather than a biography, chronicled a significant amount of the author’s experiences along the fringes of Hemingway’s entourage. Hemingway maintains his reputation as a larger-than-life literary master, maintaining relationships with many of the leading lights from literature and other forms of entertainment from the 1920s to the 1950s.
The pacing of the book is somewhat uneven, and there are many portions in which Hotchner describes Hemingway from afar, through letters, phone calls, or even press accounts. I think it would be a bit better had the book stayed within the times when Hotchner was in Hemingway’s presence. Then, the tone could have shifted markedly once Hemingway’s mental illnesses became impossible to suppress any longer. Their suppression, principally by Papa himself, is unsurprising, since, as Hotchner reports, he was ever fearful of losing his “equipment,” his mind and his talent, This fear is typically the case with public figures who rely on the power of their minds. Two other prominent examples come to mind: the only American to officially be recognized as world chess champion; and the great comedian Robin Williams, whose manic behavior, in retrospect, kept the “demons” at bay.
I enjoyed this book and it has inspired me to restart my own writing, which became stalled due to everyone’s favorite pandemic and the pressures that came with it.