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Fiction. Literature. Thriller. Historical Fiction. HTML:Rarely, if ever, does a new writer dazzle us with such a vivid imagination and storytelling, flawlessly capturing the essence of a land, a people, a legend. Conn Iggulden is just such a writer, bringing to vivid life one of the most fascinating eras in human history. In a true masterpiece of historical fiction, Iggulden takes us on a breathtaking journey through ancient Rome, sweeping us into a realm of tyrants and slaves, of dark intrigues and seething passions. What emerges is both a grand romantic tale of coming-of-age in the Roman Empire and a vibrant portrait of the early years of a man who would become the most powerful ruler on earth: Julius Caesar. On the lush Italian peninsula, a new empire is taking shape. At its heart is the city of Rome, a place of glory and decadence, beauty and bloodshed. Against this vivid backdrop, two boys are growing to manhood, dreaming of battles, fame, and glory in service of the mightiest empire the world has ever known. One is the son of a senator, a boy of privilege and ambition to whom much has been given and from whom much is expected. The other is a bastard child, a boy of strength and cunning, whose love for his adoptive family�??and his adoptive brother�??will be the most powerful force in his life. As young Gaius and Marcus are trained in the art of combat�??under the tutelage of one of Rome�??s most fearsome gladiators�??Rome itself is being rocked by the art of treachery and ambition, caught in a tug-of-war as two rival generals, Marius and Sulla, push the empire toward civil war. For Marcus, a bloody campaign in Greece will become a young soldier�??s proving ground. For Gaius, the equally deadly infighting of the Roman Senate will be the battlefield where he hones his courage and skill. And for both, the love of an extraordinary slave girl will be an honor each will covet but only one will win. The two friends are forced to walk different paths, and by the time they meet again everything will have changed. Both will have known love, loss, and violence. And the land where they were once innocent will be thrust into the grip of bitter conflict�??a conflict that will set Roman against Roman . . . and put their friendship to the ultimate test. Brilliantly interweaving history and adventure, Conn Iggulden conjures a stunning array of contrasts�??from the bloody stench of a battlefield to the opulence of the greatest city in history, from the tenderness of a lover to the treachery of an assassin. Superbly rendered, grippingly told, Emperor, The Gates of Rome is a work of vaulting imagination from a powerful new voic… (more)
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He begins the story of Julius Caesar when Julius was still a child living on his father's minor estate. From there we follow him, and his childhood companion Marcus into the city of Rome and
Julius remains in the city and is taken under the wing of his mother's brother, a consul of Rome and a great General.
But Julius's life is thrown into doubt when Marius and his rival General Sulla, fight over Rome itself.
Colorful and nicely written, the time, the city and the boys come to life.
Unfortunately, this author's confidence is sadly misplaced. Indeed, one has to wonder what the publisher was thinking when it brazenly describes
This is hardly the first book in which I have lost count of the number of sentences that I had to re-read, usually several times, to try to discern what information the author was actually intending to convey, but that never makes the annoyance any the less.
The tenor of the book was well represented by the first few pages (I kept hoping for improvement; it never came), in which, apart from the Roman names, the action as described [the relevance of which to the plot never became clear, at least to me] might as well have occurred in medieval England as in first century Rome. It was impossible not to contrast this with the first few pages of McCullough's "First Man in Rome", in which one is instantly taken to a time and place one could never mistake as being anything other than ancient Rome.
One final, but, I think, telling point (spoiler ahead, so don't keep reading if you intend to read this book). The final words of the novel seem to suggest strongly that Caesar's childhood playmate and best friend in this book, named merely as "Marcus" throughout the book, is actually Marcus Brutus -- the Brutus who would later take part in the assassination of Caesar. This is quite a surprise, as the real Brutus was adopted by his uncle, not Caesar's father; and, even more tellingly, Brutus was some fifteen years Caesar's junior. The author does not deign to address this point in "Historical Note" at the end of the book -- a note in which he, perhaps less surprisingly, also does not mention McCullough's work.
I have given this book two stars, but only because I reserve one-star ratings for books that I can't finish. This one was rather like watching a slowly unfolding accident that should never have happened... I kept thinking that it would have to improve, and that I must just be missing some basic piece of brilliance that explained why the publishers thought this a worthwhile addition to the territory covered by McCullough. So I made it to the end (and the bizarre revelation of Marcus' identity); but I certainly don't intend to subject myself to any of the sequels.
This series will delight you whether you care about the history of Julius Caesar or not! Iggulden writes with a passion, and has a rare ability to draw you in and through a story.
But take care. The author messes a bit with history. In later works in the series he tells you how, but here
As a story it works though, and it really works very very well. Forgive the historical inaccuracies (there are not so many of these. The most notable is the way Marcus Brutus and Julius Caesar are made to be the same age, and even grow up in the same home), and enjoy being transported into a believable ancient Roman adventure that will keep you reading to the last page of the last book.
The author furthermore informs the reader at the end of how much of the book is historical, what historical licenses were
I'm looking forward to the next book.
Gaius and Marcus have each other’s back; they fight the other’s fight. The two boys even
I didn’t realize when I purchased the book that it was the first book in a series; I also did not read the back closely to make the connection. I enjoyed the first 2/3 of the book immensely, but the last few chapters seemed to drag for me. That said, Iggulden’s novel is still worth reading and I would recommend it (even though it is not completely historically accurate).
The early days of Caesar, recounted with few bells and whistles by a dependable, unpretentious author. A great story, well-told. Along with Stephen Pressfield and Michael Curtis Ford, Iggulden is among the best of a current crop of writers
I enjoyed this book and thought it was a good page turner and I found the Roman world was painted well. That said, I'm not sure it meets with the history so well - personally I don't care, but pedantic historians may feel otherwise.
On the negative side, the second half of the
I also didn't feel like I really walked away with anything.
In short a good page turned with not much depth. A fun read none the less.
While Caesar's early life is not well recorded, life at the time is and this is where this book stands out. Details of the slave revolt and the battle over Rome between Marius and Sulla bring these events to life as well as the details of every day life.