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Try a refreshing 'Dip in the Pool' and savour the delights of 'Skin', follow 'Galloping Foxley' and sample a little 'Poison'. This collection, one of Roald Dahl's earliest, is guaranteed to appeal to Someone Like You. In the opening story, 'Taste', the stakes of a dinner-party bet reach distasteful heights, and a wife serves up a new dish in 'Lamb to the Slaughter' which goes down well with the boys in blue. Layers of deceit are stripped away in 'Nunc Dimittis', but what is revealed is far from honest. Meanwhile the 'Man from the South' questions whether you really do need the little finger on your left hand...' Vendettas and desperate quests, bitter memories and sordid fantasies thwarted - here are fifteen reasons why Roald Dahl is the master of the short story.… (more)
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But each story (barring the last few, a loosely linked set of rather clumsy stories that don't live up to the earlier stories and don't really belong in the collection) is as perfectly crafted as a Venetian stiletto. Dahl is a practiced master of the whip-crack ending, but his real skill as a virtuoso is revealed in his depictions of people suffering from trauma. Indeed, he anticipates modern trauma theory and brings to life neurological disorder in stories like "The Soldier," vividly depicting the horrors of such disorders, the flashing faces, unexplained footsteps, the nerves that don't feel.
The relations of lovers come in for special digs here as elsewhere in Dahl's work, with partners committing all manner of psychic and physical violence upon one another. The result is as likely to be comedy as horror, and the suspension between the two is what propels the stories forward. In Dahl's world, if the meek inherited the earth, they would promptly rain ingenious terror on their former oppressors while the reader watched, caught in a deliciously uneasy space between horror and delight.
We are introduced to a host of characters, many if not all of whom are presented as morally or physically defective--or both--in some entertaining way. Dahl
One or several of them find themselves involved in some kind of scheme or ploy that, if it starts out by their initiative or consent, quickly outstrips their capacity to control it or even grasp its true nature, revealing something sinister and unpredictable in their character or the world at large;
Some twist, often announced in the very last paragraph, somehow manages to deepen the already disturbing and macabre atmosphere of alienation that Dahl has painted.