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Available
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Publication
Pushkin Press (1998), Trade Paperback, 222 pages
Description
This collection of letters, written during his stays in Venice, provides a unique insight into Henry James's life and work.
User reviews
LibraryThing member lilithcat
Having just finished Colm Tóibín's novel about James, The Master, I determined to read some of James' work that I hadn't read before. So I was browsing at Powell's, and came across this little volume. I admit to being attracted by its physical beauty -- a small paperback with a heavy textured
Palazzo Barbaro was in James' day (and still was at the time of the publication of this book in 1997) the home of the expatriate American family, the Curtises, who were great patrons of the arts. They were painted by Sargent, and in their home Browning read his poems, and James finished writing The Aspern Papers.
These letters are primarily written by James but there are also some written by members of the Curtis family. James writes to the Curtis', to Isabella Steward Gardner, to Constance Woolson (and we see, in a later letter, the impact of her suicide on James and his view of Venice). The word "from" in the title is a bit misleading, as many are written from other parts of Italy, and a few from England and Switzerland. But to the extent that the Palazzo was a place in the heart, then the title is accurate.
The contrast between James' letters and the Curtis letters is revealing. The latter are pretty much the "today we did this" and "so-and-so's been to visit" type, while James' are full of gorgeous images and his usual insightful observations.
In addition to a foreword by Leon Edel (James' biographer), there is an introduction by Rosella Mamoli Zorzi, who has written extensively about the expatriate colony in Venice. There are end notes after each letter, but I do wish there had been more, as there are intriguing references in the letters to unexplained events (what did happen with Pen Browning's marriage? and what was Mrs. Ralph Curtis' "situation"?).
This lovely little volume provides a delightful glimpse into James' Italian world.
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blue outer jacket, very simple typography, and a picture of Palazzo Ducale I by Roger de Montebello on a smooth paper.Palazzo Barbaro was in James' day (and still was at the time of the publication of this book in 1997) the home of the expatriate American family, the Curtises, who were great patrons of the arts. They were painted by Sargent, and in their home Browning read his poems, and James finished writing The Aspern Papers.
These letters are primarily written by James but there are also some written by members of the Curtis family. James writes to the Curtis', to Isabella Steward Gardner, to Constance Woolson (and we see, in a later letter, the impact of her suicide on James and his view of Venice). The word "from" in the title is a bit misleading, as many are written from other parts of Italy, and a few from England and Switzerland. But to the extent that the Palazzo was a place in the heart, then the title is accurate.
The contrast between James' letters and the Curtis letters is revealing. The latter are pretty much the "today we did this" and "so-and-so's been to visit" type, while James' are full of gorgeous images and his usual insightful observations.
In addition to a foreword by Leon Edel (James' biographer), there is an introduction by Rosella Mamoli Zorzi, who has written extensively about the expatriate colony in Venice. There are end notes after each letter, but I do wish there had been more, as there are intriguing references in the letters to unexplained events (what did happen with Pen Browning's marriage? and what was Mrs. Ralph Curtis' "situation"?).
This lovely little volume provides a delightful glimpse into James' Italian world.
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Language
Physical description
224 p.; 6.3 inches
ISBN
1901285073 / 9781901285079