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This volume gathers together thirty-three essays and reviews by one of America's liveliest critics. William H. Pritchard's books on English and American writers and his critical biographies of Robert Frost and Randall Jarrell are well known. But for the past thirty years he has also been steadily engaged in writing shorter pieces about poets, novelists, and critics, many of which have appeared in the New York Times Book Review, the Hudson Review, the New Republic, the American Scholar, and the Boston Sunday Globe. The subjects range from Frost to Sylvia Plath, from Anthony Trollope to Gore Vidal, from H. L. Mencken to Helen Vendler. Ever willing to speak his mind about other writers' work, Pritchard has also produced less than admiring, even satirical treatments of, among others, the poetry of Stephen Spender and the excesses of Yale's "hermeneutical mafia." Also included in the book are amusing reflections of his adventures as a soap opera fan and on the art of writing hostile reviews. Pritchard never forgets that it is a critic's job to engage and sustain the reader's attention and that they only way to do this is to write well. Readers of Playing It by Ear--the title illustrates the truth that criticism must listen to the voices of its subjects--will sometimes disagree with Pritchard's judgments, but will rarely be bored by the way he expresses them.… (more)
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(2) READIN
credo: ear training
poets: robert frost, t.s. eliot, archibald macleish, stephen spender, robert lowell, philip larkin, kingsly amis,
ted hughes, sylvia plath, john ashbery, john updike
novelists: anthony trollope, d.h. lawrence, ford madox ford, evelyn waugh, anthony powell, william faulkner, elizabeth taylor, gore vidal
critics: george saintsbury, george santayana, h.l. mencken, f.r. leavis, b.h. haggin, william empson, helen vendler
polemics: harold bloom, geoffrey hartman, j. hillis miller, paul deman, sandra gilbert, susan gubar, peter gay
personal disclosures: robert frost, soap operas, book reviews