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Fiction. Literature. Historical Fiction. HTML: From the bestselling author of the "dazzling historical saga" (The Washington Post), Moloka'i, comes the irresistible story of a young immigrant bride in a ramshackle town that becomes a great modern city "In Korea in those days, newborn girls were not deemed important enough to be graced with formal names, but were instead given nicknames, which often reflected the parents' feelings on the birth of a daughter: I knew a girl named Anger, and another called Pity. As for me, my parents named me Regret." Honolulu is the rich, unforgettable story of a young "picture bride" who journeys to Hawai'i in 1914 in search of a better life. Instead of the affluent young husband and chance at an education that she has been promised, she is quickly married off to a poor, embittered laborer who takes his frustrations out on his new wife. Renaming herself Jin, she makes her own way in this strange land, finding both opportunity and prejudice. With the help of three of her fellow picture brides, Jin prospers along with her adopted city, now growing from a small territorial capital into the great multicultural city it is today. But paradise has its dark side, whether it's the daily struggle for survival in Honolulu's tenements, or a crime that will become the most infamous in the islands' history... With its passionate knowledge of people and places in Hawai'i far off the tourist track, Honolulu is most of all the spellbinding tale of four women in a new world, united by dreams, disappointment, sacrifices, and friendship..… (more)
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Born in New Jersey and raised in Southern California, Alan Brennert received a Bachelor’s degree in English from California State University at Long Beach. In addition to novels, Brennert writes short stories, screenplays,
I love Hawai’i
Hawai’i is one of my favorite places. I visited several times during my childhood, and even spent my honeymoon on the secluded tropical paradise of Kauai. Last year, I read and briefly reviewed Moloka’i by Alan Brennert, and absolutely loved it. To review, Moloka’i was a famous leper colony from 1873-1969. I was enamored with the story of people struggling with Hansen’s disease and dealing with the separation from families amidst the beautiful backdrop of the Hawai’ian paradise and culture.
Naturally, I thought Brennert’s next book, Honolulu, would provide another great read. Moreover, I’ve actually been to the city of Honolulu, so I thought I would resonate with its setting more readily. Honolulu is a tale of a Korean “picture bride” (one who is given in long-distance marriage based only on a picture) who escapes to Honolulu in search of a better life, and doesn’t necessarily find it.
The Life of a Korean Picture Bride
As the plot unfolds, Regret (the main character’s given Korean name) encounters physical abuse by her given husband in a rural Hawaiian town on the outskirts of Honolulu. She leaves him—only after a miscarriage from a beating—and travels toward Honolulu. There in the city proper, she settles as a seamstress, meets a new husband, starts a restaurant business, and earns an education.
And, there you have it. That’s the basic plot of the book. It was a dece t read, but I was extremely disappointed having read his previous book Moloka’i. So, in an effort to explain why this book didn’t work as well, here’s a pointed list of what to do when writing historical fiction.
What Not To Do
If your book is entitled “Honolulu” and actually covers the period during the Pearl Harbor bombing, don’t limit the description of the most famous event in the city of Honolulu to a mere single paragraph.
Pick a character that is going through extreme struggle (like Regret did with her husband’s abuse) and stay with it for a while. Sure, an abusive husband is an absolutely terrible thing, so don’t dismiss it to talk about being a seamstress for several hundred pages.
Spend time on the culture where the book is set. There were times that Queen Liliuokalani (the last queen of Hawai’i) was mentioned, but in truth, not much was described in terms of the surroundings, or the culture of the time. Yes, a few traditional Hawaiian words were given their respective etymologies, but that doesn’t constitute a great description of Hawaiian culture.
Small business ventures do not constitute entertaining reading.
If you know how to write historical fiction, like Moloka’i, stick to what works—use the gripping stories of the characters firmly based in a historical context. Wide acclaim for one novel shouldn’t equal lazy writing on the next.
In synopsis, the book was interesting, but I never felt particularly moved as I did with Moloka’i. Therefore, I know that Brennert can do better, as he does write good historical fiction based in the beautiful islands of Hawai’i. If you, like me, find a fondness for Hawai’i—this book can work. Honolulu does provide some historical and cultural background, and gives you a sense of how the islands functioned in the past, but in comparison to his other novels it ultimately failed. I suggest that if you decide to read one of his books, stick to Moloka’i.
Originally posted at wherepenmeetspaper.blogspot.com
This tale of Asian immigrants and Hawaiian history is epic in scope. The story sweeps from pineapple plantations to the city of Honolulu in all its grandeur and debauchery in the early and middle years of the twentieth century. There are prostitutes, the detective who inspired the character Charlie Chan, the origins of the Hawaiian shirt, and so much more. And Jin's entirely possible story is woven throughout these historical events as she participates in the events and meets the people involved. The book is peopled with colorful characters but it still takes on difficult topics like discrimination and abuse. Jin is a strong and vibrant character who learns to direct her own life, celebrating the good and enduring the bad.
I enjoyed this one but wasn't wowed by it. In some ways it was a bit stereotypical. I appreciated the history woven into it but the weaving was perhaps not as skillfull and seamless as it could have been or perhaps there was just a little too much of it. The plot galloped along (a good thing when a book is a bit of a chunkster as this one is) and I liked the characters well enough. Those people enchanted by the setting in Hawaii or the exotic idea, and decidedly un-exotic reality, of picture brides will enjoy the storytelling here.
Brennert deftly builds Jin's story around the historical and cultural events happening first in Korea and then Hawaii. He is able to explore the desolate gender disparities, racial tension, Hawaii's annexation, poverty, etc... while telling a coming if age story with only the occasional slip. There are moments when Jin's stories give way to the Hawaii factoids and the narration mimics a brief history lesson. Jin's saga is lushly descriptive, well constructed, and rendered. It should be a delight to historical fiction fans.
Please keep writing, I will read your grocery list if you choose to publish it.....
(As submitted to Elle Magazine's Grand Prix 2009)
Honolulu is the story of Regret. That's Regret with a capitol "r," because that is what her birth name means. She is born in the Korean countryside in 1897, and her folks aren't too thrilled to have a daughter, even though they have four sons. It's a cultural thing. Regret's childhood in Korea is interesting. She grows up in a fairly rigid Confucian household, and I was fascinated by this glimpse of a time, place, and rich culture I was completely unfamiliar with. I thought Brennert did an exceptionally good job of exploring the differences in the Korean world view.
Throughout her childhood, the one thing Regret wants more than anything else is an education--a very unrealistic goal. In Korea, she is doomed to a very restricted life spent primarily in the inner rooms of her father's, and eventually her husband's, home. For these reasons, Regret takes a leap of faith and signs up to be the picture bride of a handsome and wealthy Korean gentleman in Hawaii, where the streets are "paved with gold." That last should give you an idea that all in Hawaii is not as advertised, but Regret (or Jin as she rechristens herself) has opened the door to a much larger life than she ever could have imagined.
In the telling of Jin's life story, Brennert does an excellent job of bringing Oahu to life, and exploring the island's culture and history in a fully engaging way. It was so exciting to read about locations in the book, having just visited them in real life! I literally could not have picked a better companion volume for my trip.
But aside from the cool location stuff, I was very caught up in Jin's story. As I began reading, the book that repeatedly came to mind was Memoir of a Geisha. Similarities between the two books are somewhat superficial, but like Geisha, Honolulu was a completely captivating read.
Honolulu tells the story of Regret , the only girl born to a traditional Korean family. (Korean families valued male children over females, and often gave their daughters names like Sorrow, Regret, etc.) As her name would suggest, Regret feels unwanted; while her brothers attend school, Regret is confined to small room where she learns domestic duties from her mother. Wishing to learn, Regret approaches her father, only to be beat down and berated. As a last resort, Regret secretly offers herself up as a picture bride (equivalent of a mail-order bride), only telling her parents once the match is complete. Disowned by her father, Regret travels to Hawaii to meet the rich, handsome husband promised by the matchmaker.
Stuck in steerage on a ship bound for Hawaii, Regret befriends her fellow picture brides. Upon arrival, the girls are all faced with a similar fate - the rich and handsome men they saw in the photos are really old, unattractive, and mostly poor. One of them catches the ship back to Korea, others are quickly married and carted off in different directions. Regret finds herself as a wife to a plantation worker with drinking and gambling problems, and a foul temper. Nothing she does is ever good enough, and she endures much physical abuse before choosing to leave her husband, and run away to Honolulu. In control of her life for the first time, Regret (now taking the name Jin) finds her way with hard work and the renewed friendships with the other picture brides. Through numerous tests and trials, Jin realizes the strength she never knew she had, and becomes a great immigrant success story.
I really enjoyed this. I not only learned about the life of a picture bride, I learned about Hawaii in the early 20th century, and about Korea and the interactions with Japan that I really knew nothing about. I was impressed with how many real-life people Brennert brought into the story.
From the book jacket: The rich, unforgettable story of a young "picture bride" who journeys to Hawai'i in 1914 in search of a better life. Instead of the affluent young husband and chance at an education that she has been promised, she is quickly married off to a poor, embittered laborer who
My reactions:
I loved Brennert’s Molokai’i and wanted to love this one as well. My husband actually read the book a few years ago and thought it was good, but I just had never gotten around to it. A long travel journey prompted me to bring it along and I was glad that I did.
Regret / Jin is a marvelous character. She starts out a shy, subservient girl and grows throughout the novel into a strong woman. Yes, she still fills the traditional role of wife and mother, but she refuses to be held down by societal expectations. She finds a way to succeed and thrive, while still upholding the traditional ways she finds so hard to discard.
I’ve visited Hawaii several times and could picture many of the settings depicted in the novel, despite the vast differences in today’s Honolulu from that of 1914. I was fascinated by the history lesson and the glimpse into life during that time period. I also really appreciated the author’s note at the end, where he comments on the “real-life” May Thompson and how W. Sommerset Maugham used her life experiences in one of his novels.