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"Klezmer" tells a wild tale of love, friendship, survival, and the joy of making music in pre-World War II Eastern Europe. The Baron of My Backside is perfectly content as the leader of a traveling klezmer band, until his bandmates are brutally murdered. He sets out for Odessa alone, inconsolable even after he is joined by Chava, a beautiful girl with a voice like an angel. Meanwhile, Yaacov is expelled from his yeshiva for stealing; he too makes his way to Odessa along with Vincenzo, a violinist, and Tshokola, a gypsy entertainer. When these five misfits finally come together, they must set aside their differences and learn to work together (and rock a crowd) through their music. Tragic, humorous, violent, and tender, "Klezmer's" rich watercolor art and simple but moving story-telling draws you into the lives of these fascinating characters.… (more)
User reviews
Like all of Sfar's work, the drawing is marvelous. The story is often dark and, with the Cossacks roaming around, sometimes brutal, but also has extended lyrical sections that attempt to depict the music.
The book is an interesting counterpoint to Sfar's Rabbi's Cat. Rabbi's Cat (an even better book) is set in French Algeria, at the opposite end of Jewry of Odessa. Both books feature a woman who is drawn identically -- Chava in this and Zlabya in Rabbi's Cat -- but have almost opposite characters.
Where it gets really interesting is the "Notes for KLEZMER, Volume 1" section in which Sfar discusses his reasoning for writing the story to begin with, his thoughts on contemporary Jewish life, Klezmer music, and the State of Israel, which are quite thought-provoking. I would love to have the other volumes in English to continue reading these notes.
However, there is a lot of interesting talk about Judaism, life in general, and Mr. Sfar's life and family in particular in both the story and the notes at the end of the book. He also compares these characters and how they are drawn with the what he did in The Rabbi's Cat, an earlier book of his.
The book is in the adult section of my local library; there is some nudity and the target audience is adult.
The story was okay. I don't think I'll be looking for more titles in this series. I may change my mind - I do like klezmer music and I'm interested n the history of Jewish folk songs. The illustrations, to quote the book endnotes: a startling, loose watercolor style. I loved the story in Sfar's [The Rabbi's Cat], but didn't really like his illustrations. In comparison I like those illustrations much more than the ones in this book. I couldn't get used to this style or the color palate.
Like all of Sfar's work, the drawing is marvelous. The story is often dark and, with the Cossacks roaming around, sometimes brutal, but also has extended lyrical sections that attempt to depict the music.
The book is an interesting counterpoint to Sfar's Rabbi's Cat. Rabbi's Cat (an even better book) is set in French Algeria, at the opposite end of Jewry of Odessa. Both books feature a woman who is drawn identically -- Chava in this and Zlabya in Rabbi's Cat -- but have almost opposite characters.